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Hannah Brown Just Set the Record Straight on Her Feelings for Tyler Cameron


Hannah Brown has had a whirlwind week. The finale of her season of The Bachelorette finally aired and revealed that she gave her final rose to contestant Jed Wyatt—only to find out later he hadn’t been honest about his past relationships. She promptly called off their engagement and told host Chris Harrison that, while she wouldn’t mind rekindling things with Tyler Cameron, she’s focusing on herself at the moment.

On Wednesday, July 31, Brown opened up even more about her Bachelorette experience on Instagram. In a tenderly written post, she thanked her fans for their support and encouragement as her story went public. “I opened my heart to love, and shared that experience with millions,” she wrote. “I’ve had my fair share of ups and downs and as painful as it has been at times, I wouldn’t change it one bit. Did I make choices that hurt my heart? Absolutely. Have I become stronger through that hurt? You bet. I realized how strong of a woman I am, and how resilient I can be.”

She continued, “My love story might not have been the one I would have initially written for myself; however, falling more in love with the woman I am at the end of this journey is something I’ll always look back on fondly. This is not my ending; it’s just my beginning.”

And for those who are still wondering what’s going on with Cameron, Brown set the record straight on that. “Yes, the drink is happening. No, you’re not invited,” she wrote. “I’m really appreciative that Tyler has always had my back and supported me through all my decisions. He constantly encourages me to lean into the strong woman that I am. He’s a really good man, and I’m going to be his biggest fan in whatever makes him the most happy.”

See Brown’s full post for yourself, above.



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Here’s How Tyler Cameron Really Feels About That Potential Drink Date With Hannah Brown


Never has America looked forward to two people having drinks more than The Bachelorette‘s newly reconciled (well, kinda) Hannah Brown and Tyler Cameron, but here we are. This season’s wildly dramatic finale ended with the former couple agreeing to a date to see where things go.

It wouldn’t have been surprising if Tyler had said no: After all, the runner-up was crushed when Hannah broke up with him right as he was about to propose. But after her engagement to Jed Wyatt fell apart, Hannah admitted she still has feelings for Tyler.

Whether or not that will lead to a relationship is still to be determined—and rightfully so—but Tyler’s now had at least 12 hours to let Hannah’s revelation sink in. So where do things stand? When are those drinks happening? And has he laid into talked to Jed? Here, Tyler opens up about all that and more.

Glamour: Let’s jump right into everything that happened on the finale. How angry are you with Jed now that you know he wasn’t honest with Hannah?

Tyler Cameron: Yeah, I’m just very disappointed in him, in the whole situation. My heart aches for Hannah because when it was down to me, Peter, and Jed, I felt like she was in great hands. As soon as it was just me and Jed, I thought, Okay, if it’s not me, Jed’s going to be the one that takes care of her.

I feel like his feelings for her were genuine, but I was just disappointed to see all this coming out. I don’t think he handled things the right way, and his initial intentions for the show weren’t the right intentions. I was just disappointed overall.

Did you ever have concerns about him during the show, or did you not know about those red flags?

No, not at all. I had no idea about any of his past, so this was all news to me. It was news to all of us. We were pretty blindsided by it, just like you guys were.

Have you talked to him since? If not, what would you want to say to him now?

No, not much. I’d just tell him that I’m disappointed, and I hope he can start taking steps in the right direction. This can be a learning lesson for him.

Many of us still don’t quite understand why Hannah chose Jed in the first place. Did you ever get a clear explanation or understanding from her about why it wasn’t you in the end?



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Tyler Cameron From ‘The Bachelorette’ Is Both Hot and Funny, and It’s Just Not Fair


Chiseled face? Check. Abs? Double check. It’s no secret that Tyler Cameron, the hunky contractor from this season of The Bachelorette, is easy on the eyes, but what’s even better is that he has the personality to match. That one-two punch has made him a favorite among Bachelor Nation.

The 27-year-old has been taking to his Twitter account lately to fire off some amazing jokes, and let me tell you, this guy is funny. Like, actually funny. Like, “how is it possible that Hannah is even considering any other men this season” funny. Let’s recap some of Tyler Cameron‘s best work, shall we?

See, these kinds of quizzes aren’t just for the fans. While it’s hilarious on its own that he even took this quiz, it’s a double whammy that he ended up with Luke P. (Also, I definitely need to start using “Christmas treeing” as a phrase in my everyday life.)

Luke P. throwing bologna at Garrett may go down as one of the most ridiculous scenes in Bachelorette history, but Tyler’s tweet makes it that much better.

We really didn’t mind this look, but it’s nice to see that he doesn’t take himself too seriously.

Simple and to the point. A man of few words, but those words are gold.

It doesn’t take a body language expert to see what’s going on here.

It certainly would’ve made for good TV.

Pretty sure Tyler has also worn a few different shades this season as well….

Chicken nuggets may have gotten more air time this season than some of the actual contestants.

I mean, this is actually a fairly accurate representation.

Two glasses is all it takes.

I guess it’s now officially official: Tyler is basically perfect.

Stefanie Parker is a writer who runs the Bachelor-themed Instagram account She’s All Bach.





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Tyler Cameron Sees Himself 'at the End' With Bachelorette Hannah Brown


Tyler Cameron has quickly positioned himself as a fan favorite on The Bachelorette this season, and it’s obvious why. For one, have you looked at him? The man is so hot I shed a tear every time he smiles. (Kidding, but I’m close to it.)

Of course, Cameron has more than just good looks. He and Brown have a genuine connection—their very electric moments, even during a group date, are proof of that. Their first one-on-one was one of the best dates Brown has had this season, if not the best. But that’s probably not surprising to Cameron: He was confident from the start that the two of them would connect.

“From what I’ve seen, there’s a lot of things I really adore about her,” Tyler Cameron told Glamour before production on The Bachelorette got into full swing. “She’s a real-ass woman. She’s her. She doesn’t care. She’s unapologetically Hannah B.—and I love that. I adore that. So I think things like that will keep me very, very interested, and I’m excited.”

ABC/Mark Bourdillon

This confidence is one of the most attractive things about Cameron, though he says sometimes it can be misconstrued as arrogance. The way he combats this is by being as authentic as possible. “I’m real and I’m true, and you’re going to get that from me, and you’ll see that with me and Hannah,” he said prior to meeting Brown. “I’ve got nothing to hide and I’m excited to show who I am and show it to her, and I hope she loves it, so that’s the plan. “

Tyler C. on The Bachelorette.
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Cameron Russell Speaks at Glamour's Women of the Year Live Summit


Cameron Russell took to the stage at Glamour‘s Women of the Year Live Summit to talk about why and how we have to hold men accountable for their actions—especially in the modeling industry, where women are often treated as less than human.

Standing in front of a giant banner bearing the words, “We Do Not Consent,” Russell said: “People rarely spend time together without speaking, but that is what modeling is. Being in front of the camera is being silent and still finding a way to communicate, to build a relationship, to become someone without words. The silence required by my job is often mistaken for being voiceless. The assumption is that I have nothing to say. Sometimes I believed that, too. There were many moments when I found myself speechless.”

She went on to enumerate the incidents of sexual assault she experienced at the hands of powerful men in the modeling world. There was the time a man kissed her when she was 16. And the time a casting agent said he couldn’t book her because she was a virgin. Once, someone told her he couldn’t be sure if he liked her until he saw her naked.

When news broke about Harvey Weinstein’s years of sexual harassment against women, Russell began using her Instagram account to help other models share anonymous stories about their own experiences with sexual abuse in the fashion industry.

“I received too many to post, so I asked for help. And again, I saw what real power can be,” Russell said. “Real power is the 70 volunteers who said they would continue to help break the silence by posting the voices of the most vulnerable, even if it didn’t get them the most likes, even if it made the people who decide whether or not they have a job tomorrow uncomfortable.”

She concluded by saying, We [women] are the majority, and although we don’t always have the titles or the resumes or the wealth, what we do have is of much greater value. We have the power to make a much more livable world.”

Watch the video above, then read the entire speech, below.

Good morning. My name is Cameron Russell and I’ve worked as a model for the last fifteen years.

At its best, modeling is a creative partnership.

Models must be trusting. We must find a way to submit to someone else’s creative vision and direction, so that when they tell us to close our eyes, arch our back, open our lips, we do it for them. We breathe in for them, out for them. And when we open our eyes and look into the camera, it’s to look at them. And when they tell us to jump, to dance, to laugh, we do it unrestrained. Other times, it’s being vulnerable enough to lead, and expose real feeling. There’s no script in modeling, the model must own their performance.

People rarely spend time together without speaking, but that is what modeling is. Being in front of the camera is being silent and still finding a way to communicate, to build a relationship, to become someone without words.

The silence required by my job is often mistaken for being voiceless. The assumption is that I have nothing to say.

…And sometimes I believed that too. There were many moments when I found myself speechless. Like when

______ said we need to shoot a Lolita story on you. I thought, don’t they know that was a story about rape? But I said nothing.

_____ kissed me when I was 16. So quickly I thought maybe I did the fashion double kiss wrong. Did he like you? my agent asked. Maybe, I said. But we didn’t shoot again.

_____ massaged my shoulders and told me I was jailbait. No man had ever touched me before so I wondered, is this what it’s supposed to be like.

________ told me they wouldn’t book me because I was a virgin.

My job was to be their wildest dream. Because there were, we were constantly reminded, a million girls in line behind us who would do anything to take our place.

______ said he wasn’t sure he liked me until he watched me get naked to change looks. He said, I thought you were too much of a prude before, like the other girl. She’s never been kissed.

______ served alcohol to a minor. Was more than twice my age. Was my boss. I said no, but then, I said nothing.

Even when I knew _________ , ______, _____ were predators I said yes, I’ll work with them, because it felt like they all were.

________ published pictures of me exposed, even though he promised to retouch them. When I message him, he says he remembers our agreement but it just didn’t work artistically.

Yes, he’s creepy, said an agent, but he’s a genius behind the camera.

_______ pressured me to appear nude against my contract, I said no, he trailed his hand along my back and let me know he was separated from his wife, and I smiled because money was on the line.

I did not consent to any of this. No permission was requested, so none existed to give.

Nor did I acquiesce, there were acts of protest.

Nor compromise, no dispute was ever formally acknowledged by both parties, intermediaries struck the bargain.

I think the correct word is tolerate. What is the difference between tolerating and consenting? Choice.

Without tolerating these things, I couldn’t work in this industry, couldn’t have gone to my professors’ office hours when I was in college, and I couldn’t go to parties or take the subway.

The question is: What choices do we have? When whether you wanted to be a movie star or the President of the United States, you had to tolerate Harvey Weinstein, studio exec and one of the biggest donors to democratic campaigns.

If you want to be a supermodel. If you want to be a partner in a law firm, or an artist, or an entrepreneur. Or if you simply want to earn a living.…at the end of the day, way too many of the gatekeepers are abusing their power.

What is consent if the law protects him before it protects you? If you can’t speak his name because YOU will be sued. If you can’t speak his name because YOU will be fired, blacklisted, and called a problem.

What is consent when the fashion industry is 80% women but the women are almost never in charge? What is consent when worldwide 1 in 7 women who work outside the home are employed somewhere in the fashion supply chain and the majority of them do not make a livable wage? When most of these women are women of color, and yet the CEOs of all the biggest fast fashion companies and luxury brands are all men, and mostly white men? When 98% of agency represented photographers are men. 71% of creative directors are men? When there is almost no place where the women, doing the bulk of the labor, are in charge?

What is consent when selling my body and my face to the men in charge made me more money than my mother made building a company that changed an industry. Do you know other ways a young woman can come into this money? This celebrity? This access?

In seeking to get behind the gates, I tolerated harm to myself, and I was complacent in a system that too often exploits women. I didn’t think there were alternatives. I thought if I wanted to make change, first I had to be on top.

I recognize now that many others speak out with far fewer resources and far more severe consequences. It would be irresponsible of me to come up here and not acknowledge all those who have been working towards change, for years before me and at much greater personal and professional cost. Now I have the luxury of not having to care what the gatekeepers think when I start to ask: why am I waiting for their gates to open?

Why is it we want little girls to grow up to have the jobs these power hungry men have?

I wanted to be president when I was a kid. I had my favorites. When I was old enough to ask about their flaws, I was told they were “products of their time.” For example, the fact that FDR had been responsible for Japanese internment camps was unfortunate, but we learned mostly about the brilliance of the New Deal. Only later would I learn the real architect of labor protections was Frances Perkins, the first female cabinet secretary. Only later would I learn what an influence Eleanor Roosevelt had. Only later would I learn of Pauli Murray, the queer black woman who was a longtime advisor to Eleanor, and Thurgood Marshall, who was, in 1941, the only woman in her Howard Law School class, whose student paper provided the framework for the Brown v. Board victory. She knew exactly what was right and wrong. Was she not also a product of her time?

Have you ever let yourself think, maybe we shouldn’t all be looking at the predator-in-chief when he can’t get a single useful thing done?

I start to find my voice when I start to see these alternatives. When I realize the power of these few men isn’t the only power in the world. And more importantly, their power isn’t the kind that can heal, or love, or make the world more just and free.
The power of these predators is entirely structural. They cannot move people with their words or their work. They can barely make eye contact. They are not so creative, nor so uniquely talented. They are not irreplaceable. It is only because we have suppressed the vast majority that they appear this way.

There are other photographers. Jody, Christelle, Yumna, Shaniqwa, June, Jade, Zoe, Carlotta, Nadine, Oumayma, Amanda, Danielle, Amaal, Gabriela. There are other stylists, Jessica, Anatolli, Jamie, Tess. There are other creative directors. Hawa, Ashley, and Yasmin. Casting directors like Nafisa and Gilleon. Directors like Imani and Kate. Producers like Amy and Sylvia. I could keep going all day.

A month ago a friend and fellow model sent me her story of sexual abuse on set, and said, I want people to know what’s happening in our industry because I don’t want this to continue. She asked me to share it anonymously on Instagram. Less than 48 hours later, hundreds of individuals, inspired by her act of bravery, came forward too, with their stories to challenge the status quo.They told me of rapes and groping, requests for sexual favors, unwanted massage, they told me of agents who told them to stay quiet even if they were just 14, 15, or 16.

And I saw real power is making yourself vulnerable. Real power is the hundreds who came forward, even if it was painful, even if they had nothing to gain.

I received too many to post, so I asked for help. And again, I saw what real power can be. Real power is the 70 volunteers who said they would continue to help break the silence by posting the voices of the most vulnerable, even if it didn’t get them the most likes, even if it made the people who decide whether or not they have a job tomorrow uncomfortable.

It looks like we are the majority, and although we may not have the titles or the resumes or the most whiteness, maleness, straightness or wealth…what we do have is of far greater value. We have the power to make a more livable world.



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James Cameron Just Doubled Down on His Troubling Comments About 'Wonder Woman'


Last month director James Cameron received some (justified) criticism when he called the titular character in Patty Jenkins’ Wonder Woman film an “objectified icon.”

“All of the self-congratulatory back-patting Hollywood’s been doing over Wonder Woman has been so misguided,” he said. “She’s an objectified icon, and it’s just male Hollywood doing the same old thing! I’m not saying I didn’t like the movie but, to me, it’s a step backward.”

Jenkins herself responded to Cameron’s comments on Twitter, writing,”[His] inability to understand what Wonder Woman is, or stands for, to women all over the world is unsurprising as, though he is a great filmmaker, he is not a woman…. If women have to always be hard, tough, and troubled to be strong, and we aren’t free to be multidimensional or celebrate an icon of women everywhere because she is attractive and loving, then we haven’t come very far, have we?”

Of course, Jenkins hit the nose on the head with her response. Wonder Woman was directed by a woman, removing the male gaze that is often present with female characters in action films. Yes, Wonder Woman (Gal Gadot) is physically beautiful, but her attractiveness isn’t commodified in a gratuitous, tongue-wagging way.

Unfortunately Cameron still doesn’t view it this way. In a new interview with The Hollywood Reporter, he doubled down on his comments, essentially saying Gadot’s conventional beauty prevents Wonder Woman from being progressive.

“Yes, I’ll stand by that,” he said. “I mean, [Gadot] was Miss Israel, and she was wearing a kind of bustier costume that was very form-fitting. She’s absolutely drop-dead gorgeous. To me, that’s not breaking ground.”

Cameron says his original comments were in the context of talking about a female lead in one of his own popular franchises, The Terminator: Sarah Connor, played by Linda Hamilton. He says Hamilton’s portrayal of Sarah in 1991 was a breakthrough because there wasn’t “anything sexual about her character.”

“[She] was about angst, it was about will, it was about determination,” he said. “She was crazy, she was complicated…. She wasn’t there to be liked or ogled, but she was central, and the audience loved her by the end of the film.”

Here’s the thing, though: Gadot’s Wonder Woman is complicated, too. The fact that she’s wearing a tight uniform—which was just the Wonder Woman costume—doesn’t negate the nuanced character development we witnessed on screen.

It’s troubling that Cameron still contends Gadot’s Wonder Woman was treated like a sex object because many critiques of the film point to the contrary. Yes, Hamilton’s performance in The Terminator was groundbreaking, but so is the fact that we finally saw a female superhero on film not manipulated by the male gaze. She wasn’t an object, plain and simple. Jenkins made sure of that. It’s extremely possible for female characters to be “hot” and angsty and complicated all at once.

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