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Trevor Noah talks Trump, Feminism, and Being on TV


There are moments in pop culture that you remember in terms of “Where were you when…?” Where were you when you watched Oprah declare “I love bread!” or Game of Thrones’ “Red Wedding”? I’m adding one: Where were you when you discovered Trevor Noah? I was a 27-year-old aspiring stand-up comic watching The Tonight Show With Jay Leno in my PJs in 2012; the South African comedian was making his U.S. debut. I thought, Who is this café au lait king who’s also hilarious? He was, to the tune of Sisqó’s “Thong Song,” “dun-duh-duh-dun” hot. But in his short set, Noah also displayed charm, presence, and damn good writing. (Of his black South African mother and white Swiss father getting together during apartheid, he joked: “My mom was like ‘Woo, I don’t care, I want a white man! Woo!’ She was crazy. And my dad was like, ‘Well, you know how the Swiss love chocolate.’ ”)

It’s no surprise to me that today the 33-year-old is writing New York Times best-selling books (Born a Crime), headlining stand-up specials (Afraid of the Dark), and making The Daily Show his own with his smart international take on America’s political dramas. We had never met prior to my visit to his office, but we instantly shared an energy that’s common among comics offstage, quieter and contemplative. Noah makes you feel hopeful that everything will be OK. His optimism might be his X-factor.

PHOEBE ROBINSON: I’ve been following your career, and to me, you seem like a feminist. Is that fair to say?

TREVOR NOAH: Yeah. Without a doubt, that’s because of my mom. My aunt, grandmother. Most of my teachers were female in school. I grew up in a world where authority was female. [But] I never thought to call myself a feminist because of branding. I had this skewed idea of feminist: I thought it meant being a woman who hates men. When I read Chimamanda Ngozi Adichie’s We Should All Be Feminists, I was like, “Oh, this is what my mom taught me. This is simple. I don’t understand why everybody is not this.”

PHOEBE:Two years into The Daily Show, how are you feeling?

TREVOR: Post, let’s say, Donald Trump’s nomination or presidency, I found an easier way to synthesize my voice into the show.

PHOEBE: How do you view the way Americans are responding to President Trump? Do you think it’s an overreaction at all?

TREVOR: I don’t think it’s an overreaction. America is dealing with the effects of an underreaction to Donald Trump when he was running and when he was Mr. Saying-Racist-Things-on-the-News.

PHOEBE: If you could get an honest answer, what would you ask him?

TREVOR: “How much money would you want [in order] to leave the presidency?” Because I think he would have a number, strangely enough. Then we’d know how much to launch the Kickstarter for.

PHOEBE: It would be funded so fast. [Laughs.] I enjoy your interview style—you have a level of empathy, even if you don’t agree with a person. How did you decide to go the humanity-first route?

TREVOR: The most important part of conversation in Africa is the greeting. In Zulu, there’s Sawubona: “I see you.” When you see someone as a human being, you begin to understand most people are doing what they believe is right. I ask myself, “What if you were wrong? How would you want someone to engage with you?”

PHOEBE: This reminds me of your interview after the election with Tomi Lahren [then a conservative host for The Blaze]. Some people were upset you had her as a guest. What’s your takeaway?

TREVOR: I don’t think there’s anything I would have done differently. I invited Tomi because she was part of the white millennial vote that went with Donald Trump. Some people got stuck on “Why would you legitimize her?” Just because you don’t know about it in your bubble does not mean it’s not legitimate already.

PHOEBE: You represent a point of view that hasn’t been seen on late night. How do you feel like you’ve changed the dialogue?

TREVOR: There’s an advantage in looking at the world and talking through ideas that aren’t talked about anywhere else in the same way. The misconception has been: Is it a black show, or is it The Daily Show? Why can’t The Daily Show be hosted by a black person and have black people working on it? It doesn’t have to be either-or.

PHOEBE: Was having a diverse cast a mission, or did it just happen?

TREVOR: If you have a room that has 12 of the same person, you are bound to get 12 of the same jokes. I never thought of the diverse cast members as a mission. I just want original people—a person who is really funny and who makes me say, “I’ve never heard that before.”

PHOEBE: What do you hope for America, and yourself, in the future?

TREVOR: I hope America manages to steer itself away from partisanship and back to patriotism; we are all Americans. And as long as I can make people laugh and feel better, I’m happy.

Phoebe Robinson is the New York Times best-selling author of You Can’t Touch My Hair and cohost of the podcast 2 Dope Queens, which will become a series of HBO specials in 2018.



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Watch This: 'This Is Us,' 'Will & Grace,' and 15 Other TV Shows and Movies Debuting This Week


It’s finally here, people: the return of This Is Us. Yes, NBC’s weepy hit series is back for a second season, and you should stock your house with tissues accordingly. But that isn’t the only TV show coming for your feels this week: The Will & Grace reboot and Grey’s Anatomy are premiering, plus a slew of other favorites. These are the 17 best TV shows and movies debuting over the next seven days. Clear your schedule.

Sunday, September 24

Keeping Up With the Kardashians 10-year anniversary special: Kris, Kim, Khloe, Kourtney, Kendall, and Kylie look back at their decade-long reality television empire. Expect laughs, tears, and plenty of tea. 9 P.M. EST on E!

Star Trek: Discovery: The latest addition to the Star Trek universe is finally here. This one centers on a cold war between the United Federation of Planets and the Klingon T’Kuvma race and stars Sonequa Martin-Green as Michael Burnham. 8:30 P.M. EST on CBS All Access

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Monday, September 25

The Big Bang Theory: We’ve been waiting too long for you, season 11. 8 P.M. EST on CBS

Young Sheldon: Learn the origin of everyone’s favorite brainiac in this Bing Bang Theory spinoff. Of course Sheldon started high school when he was, like, 9 years old. 8:30 EST on CBS

Tuesday, September 26

This Is Us: How did Jack die? Is Kate about to become a huge pop star? Will adult Kevin have his shirt off the whole season? (Fingers crossed.) Brace your tear ducts for the return of this fan favorite. 9 P.M. EST on NBC

Law & Order True Crime: The Menendez Murders: It was one of the most talked-about crimes in the ’90s: Erik and Lyle Menendez, two wealthy Beverly Hills kids, shot and killed their parents in cold blood. Why did they do it when their worlds seem completely picturesque? This new scripted series starring Edie Falco gets to the bottom of it. 10 P.M. EST on NBC

Wednesday, September 27

Empire: The fourth season of Fox’s musical hit begins tonight. Come for the jaw-dropping drama; stay for Cookie’s opulent looks. 8 P.M. EST on FOX

American Housewife: Its premise was questionable—a non-stick-thin woman moves to a ritzy neighborhood and feels self-conscious around the other, more petite moms—but American Housewife proved to be a warm, uplifting, and very funny comedy. Season two debuts this evening. 9:30 P.M. EST on ABC

Thursday, September 28

Grey’s Anatomy: Even after 13 seasons, there’s still plenty of intrigue surrounding Meredith Grey and company—specifically new romances (Will Jackson and Maggie hook up?) and love triangles (Megan, Nathan, and Meredith). We can’t wait. 8 P.M. EST on ABC

How to Get Away with Murder: How will the Keating Five deal with the fact Laurel’s father commissioned Wes’ death? We’re excited (and scared!) to find out. 10 P.M. EST on ABC

Great News: Tina Fey’s hilarious new comedy, featuring a side-splitting performance from Nicole Richie, is back and better than ever. 9:30 P.M. EST on NBC

Will & Grace: The two-season revival of NBC’s classic sitcom kicks off tonight. As long as it opens with a shot of Karen filling up a bathtub with boxed wine, we’re good. 9 P.M. EST on NBC

Friday, September 29

Active Shooter: America Under Fire: This searing documentary series explores the events leading up to and the aftermath of mass shootings in the United States. 9 P.M. EST on Showtime

Marvel’s Inhumans: The Inhuman Royal Family flees to Hawaii and turns back to save the world in this exciting new show from the Marvel universe. 8 P.M. EST on ABC

Flatliners: Several medical students think it’s a good idea to stop their heartbeats and experience the afterlife just for shits and giggles. You can guess what terrifying nonsense happens after that. In theaters

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Saturday, September 30

Saturday Night Live: Ryan Gosling hosts and Jay Z performs for the premiere. 11:30 P.M. EST on NBC

The Disappearance of Maura Murray: The 2004 disappearance of 21-year-old University of Massachusetts at Amherst student Maura Murray remains a mystery to this day. Oxygen investigates. 9 P.M. EST on Oxygen

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This Is Us: Everything We Know About Season Two



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Meghan Markle's Ex-Husband Is Making a TV Show About Being Left for a Prince


In perhaps the pettiest move in the history of petty moves, Deadline reports Meghan Markle’s ex-husband, Snowfall producer Trevor Engelson, is making a scripted comedy series about a man whose wife leaves him for a prince. Yup.

It’s important to note this TV show is, indeed, a work of fiction, and Engelson and Markle divorced in 2013—long before she and Prince Harry started dating. Plus, an element of this new series is how the ex-husband shares custody of his kids with the Royal Family, and Markle and Engleson don’t have children.

That said, Deadline reports the idea originated from a conversation Engleson had with another producer, Dan Farah, about what it’d be like if he and Markle did have kids, and he had to share custody with the British Royal Family. Interesting.

Here’s the premise of the series, directly quoted from Deadline‘s story: “Divorce is hard. Sharing custody is harder. Sharing custody with the British Royal family when your wife marries a prince, in the unforgiving spotlight of London’s tabloid media, is next level.”

Markle reportedly has no involvement in the show, further driving home the point that it’s completely fiction. Engleson and Farah are producing alongside Jake Kasdan, one of the masterminds behind New Girl. So, in other words, expect some serious laughs.

There’s no launch date set for the series, but it’s expected to air on Fox. We recommend everyone who’s obsessed with the Royal Family keep a close eye on it, though.

Markle’s relationship with Prince Harry has been meticulously documented over the last few months. We’re a couple,” she told Vanity Fair. “We’re in love. I’m sure there will be a time when we will have to come forward and present ourselves and have stories to tell, but I hope what people will understand is that this is our time. This is for us. It’s part of what makes it so special, that it’s just ours. But we’re happy. Personally, I love a great love story.”

Related Stories:

Meghan Markle Is Reportedly Planning to Spend More Time in the U.K.

Meghan Markle Reportedly Had Her First Meeting With the Queen



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Here's Why You Need TV Shows to Fall Asleep


The first thing I thought when news broke that 30 Rock is leaving Netflix next month was, “How am I going to fall asleep?”

That’s not an insult to 30 Rock, which remains one of the funniest shows to ever hit network TV. In fact, the show—which was created by and stars Tina Fey and ran on NBC from 2007 to 2012—is responsible for most of what I find funny even years later. I don’t have original thoughts so much as I have 30 Rock bits from 2009 through which my brain filters all experiences. It’s how I know never to follow a hippie to a second location and to listen to my H.E.A.R.T. And though it got just-OK ratings for most of its run, it’s since become quite the sleeper hit—pun intended.

Which is why for the last several years, whenever my mind decides that 1 A.M. would be a good time to go over every dumb thing I’ve ever done, I’ve switched on 30 Rock and dozed off to the dulcet tones of Tracy Morgan shrieking, “Doctor Spaceman! Doctor Spaceman!” Whether it’s because I’m so familiar with its particular brand of absurdist office humor or because I find main character Liz Lemon’s privileged white lady obstacles refreshingly manageable in these troubled times, it’s become a very easy thing to fall asleep in front of.

So when Netflix made this announcement, I panicked. Seeking solidarity, I went on Facebook to post that I was sad to see the show leave streaming because I’ve really come to rely on it—and within an hour, dozens of comments appeared from people who also use this particular show as their sleep aid of choice. “Wait, what??? They can’t take it away from me!” wrote one devastated friend. “What the heck! 30 Rock is one of my standby soporifics!” wrote another. One particularly sad comment just read, “Wow. I may never sleep again.”

Others suggested their own favorite sleeping shows as replacements. “Kimmy Schmidt, Archer, and Bojack Horseman are my go-to for turning down,” suggested one person. Two different friends remarked that Bob Ross’s The Joy of Painting is now available online. One buddy said she spent years putting on the Bewitched reboot, the one starring Nicole Kidman, to help her doze off. (I’ve also occasionally turned to movies as comedy calmatives or dramedy dramamine. Why waste a perfectly good ZzzQuil when there are any number of Duplass Brothers films I could play for five minutes?)

Sensing a trend, I wondered how this came to be—especially given the conventional wisdom that staring at a TV screen around bedtime will make you stay up. Turns out, most people don’t encounter that issue. “If you work on a submarine or live in a basement, yes, be worried that the light itself will keep you awake,” Jamie Zeitzer, Ph.D, an associate professor at Stanford University in the Center for Sleep Sciences and Medicine, told me in an email. “For the rest of us, who go outside or work in normally-lit offices, there is no reason to worry about the amount of light that is being emitted from these screens—it’s insufficient to directly wake us up.”

I asked Zeitzer what it is about certain shows, like 30 Rock, that seem more appealing for bedtime. He says what most must-sleep TV has in common is its ability to distract us. “A key feature of insomnia (or general inability to fall asleep) is that people are inwardly focused and often have cyclic thoughts,” says Zeitzer. “Watching something on TV can, basically, allow people to get out of their own way and allow for sleep to occur.” That way, you don’t ruin bedtime with your thinking!

And since nothing really loud or violent happens unexpectedly in programs like 30 Rock or Parks and Recreation, you have some quality distraction without the possibility of being jolted awake midway through the next autoplayed episode. Beyond turning off our thoughts, though, watching a certain show can also become so much a part of our routine that we associate it with sleep—similar to the way putting on pajamas can mentally prepare us for going to bed. But this, says Zeitzer, can be a double-edged sword because it has the potential to become habit-forming: “If the power is out, or you are somewhere there is no TV, it might be anxiety-provoking or just cause difficulties in initiating sleep.”

So what will happen to the legion of 30 Rock devotees when Netflix finally decides to pull the show off the air? Well, allegedly DVDs are making a comeback or you could buy it on iTunes. Better yet, take Zeitzer’s advice and avoid forming a habit by mixing up the shows you pick. (Here are 20 great options.)

As for myself, no matter what I end up doing, I’ll sure miss my Netflix/30 Rock routine. Goodbye, my friend.



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Coming to Netflix in October 2017: Say Hello to These 88 Movies and TV Shows


The best month of the year has finally arrived: October. With it comes crisper weather, pumpkin spice everything, and horror movies—lots of horror movies. Many of which hit Netflix next month.

Several exciting spooky titles (both old and new) will be available on the streaming giant next month: The Mist, Cult of Chucky, 13 Demons, and—wait for it—Stranger Things season two. Yes, my friends, the wait is finally over. Soon you’ll find out what the hell happened to Eleven and whether or not the kids have to enter The Upside Down again. We’re guessing they will.

But too many scary things in a row isn’t good for the soul, so be sure to break them up with the lighter titles available this month, too. You know what they say: The best way to get over Donnie Darko is by watching Miss Congeniality 2: Armed and Fabulous. OK, maybe I’m the only one who says that.

Here are all 88 movies and TV shows coming to Netflix in October 2017:

Available October 1

88 Minutes

A Cinderella Story: Once Upon a Song

Before Midnight

Blood Diamond

Boogie Nights

Charlie and the Chocolate Factory

Cleverman, Season 2

Death Sentence

Don’t Be a Menace to South Central While Drinking Your Juice in the Hood

Eagle vs. Shark

Eyes Wide Shut

Generation Iron 2

Ghost Patrol

I Love You, Man

Ice Guardians

Lockup: Disturbing the Peace: Collection 1

Made of Honor

Miss Congeniality

Miss Congeniality 2: Armed and Fabulous

Must Love Dogs

Never Let Me Go

No Reservations

Penelope

PJ Masks, Season 1

Set Up

The Reaping

Tokyo Idols

Tommy Boy

Vanished

Veronica

Available October 2

Mr. Dynamite: The Rise of James Brown

Sleeping with Other People

Available October 3

13 Demons

Rodney Carrington: Here Comes The Truth (NETFLIX ORIGINAL)

Cult of Chucky

The Survivalist

Available October 4

Raw

Available October 5

Bonus Family (Bonusfamiljen), Season 1 (NETFLIX ORIGINAL)

Schitt’s Creek, Season 3

The Fosters, Season 5

Available October 6

ID-0, Season 1 (NETFLIX ORIGINAL)

Skylanders Academy, Season 2 (NETFLIX ORIGINAL)

Suburra, Season 1 (NETFLIX ORIGINAL)

The Death and Life of Marsha P. Johnson (NETFLIX ORIGINAL)

Word Party, Season 3 (NETFLIX ORIGINAL)

Available October 7

Chris Brown: Welcome To My Life

Middle Man

Available October 10

Christina P: Mother Inferior (NETFLIX ORIGINAL)

The Skyjacker’s Tale

Available October 11

Donnie Darko

Available October 12

Fe de etarras (NETFLIX ORIGINAL FILM)

Available October 13

El Especial de Alex Fernández, el Especial (NETFLIX ORIGINAL)

Kingdom of Us (NETFLIX ORIGINAL)

MINDHUNTER, Season 1 (NETFLIX ORIGINAL)

Super Monsters, Season 1 (NETFLIX ORIGINAL)

Talladega Nights: The Ballad of Ricky Bobby

The Babysitter (NETFLIX ORIGINAL FILM)

The Meyerowitz Stories (New and Selected) (NETFLIX ORIGINAL FILM)

Voltron: Legendary Defender, Season 4 (NETFLIX ORIGINAL)

Available October 15

Belief: The Possession of Janet Moses

LEGO: City:, Season 1

Money

OtherLife

She Makes Comics

West Coast Customs, Season 6

Available October 17

Patton Oswalt: Annihilation (NETFLIX ORIGINAL)

Slasher: Guilty Party (NETFLIX ORIGINAL)

Available October 19

Wedding Unplanned

Available October 20

1922 (NETFLIX ORIGINAL FILM)

Haters Back Off, Season 2 (NETFLIX ORIGINAL)

One of Us (NETFLIX ORIGINAL)

Smurfs: The Lost Village

The Day I Met El Chapo: The Kate del Castillo Story (NETFLIX ORIGINAL)

Wheelman (NETFLIX ORIGINAL FILM)

Available October 23

Meet the Robinsons

While We’re Young

Available October 24

Wanted, Season 1 (NETFLIX ORIGINAL)

Wanted, Season 2 (NETFLIX ORIGINAL)

The Mist, Season 1

Available October 25

The Hateful Eight

The Final Master

La Querida del Centauro, Season 2

Available October 26

Strange Weather

Available October 27

Stranger Things 2 (NETFLIX ORIGINAL) (Also, !!!)

Joan Didion: The Center Will Not Hold (NETFLIX ORIGINAL)

Available October 28

Pup Star: Better 2Gether

Available October 30

Judah Friedlander: America Is The Greatest Country In The United States (NETFLIX ORIGINAL)

Available October 31

Zumbo’s Just Desserts, Season 1 (NETFLIX ORIGINAL)



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When Life Gets Too Real for Reality TV Show Like 'Teen Mom'


In 1992, MTV defined reality TV as we know it with The Real World and its famous spoken intro: “This is what happens when people stop being polite, and start getting real.” In the 25 years since, reality TV has gone from an oddity to the dominant genre, and along the way it really doubled down on the “stop being polite” thing…while playing pretty fast and loose with the “real” part.

You don’t have to be a media-studies professor to know that reality TV makers manipulate everything from the casting to production in order to deliver dramatic story lines. Just ask anyone who ever got voted off the island, was kicked out of the house, or didn’t get the rose, and they’ll tell you all about how they “got the bad edit,” and the show doesn’t reflect who they really are. (Or ask me, and I’ll tell you some CUH-RAZY things I’ve seen on UnReal.) But MTV’s current reality juggernaut, Teen Mom, is proof that sometimes producers work to keep the juiciest story lines off the air.

The franchise, which debuted in 2009 as the warts-and-all docuseries 16 & Pregnant, has suffered in recent years from a dip in ratings and relevance. A common complaint is that it got too “boring” as the cast approaches 30, they are now comfortably rich, and moms like the frequently arrested Jenelle Evans and Amber Portwood got sober and settled into (relatively) peaceful adult lives. But if viewers want storylines more compelling than, say, Chelsea DeBoer’s baby shower, they’ve often had to look to sources outside MTV. Because the truth is, the cast’s lives never really stopped being dramatic—it’s just that the most controversial stories were playing out on social media, Reddit or Facebook fan forums, or gossip sites like Radar and Ashley’s Reality Roundup. In other words, anywhere but the show. Until this year, that is, when the show finally let us see what fans have been speculating about for years.

The most dramatic example is Teen Mom‘s recent scandal involving Ryan Edwards (former boyfriend of Maci Bookout and father to Bentley) who was driving while severely under the influence. Despite the show’s prefacing the footage with a warning that “the following scenes may be disturbing to watch,” there was no way to prepare viewers for the genuinely shocking sight of Ryan falling asleep at the wheel while speeding down a multilane highway with his now-wife Mackenzie.

As Ryan struggled to keep his eyes open, a visibly tense Mackenzie repeatedly slapped his arm to wake him up, and at one point had to grab the wheel and jerk the car back into its lane. Meanwhile, Ryan sang childlike songs, trailed off mid-sentence, and mumbled excuses about the sun being in his eyes. After shutting off the cameras, Mackenzie asked Ryan if he’d taken “Xanax again,” which he denied. The day after that incident, tabloids reported that Ryan left for a 30-day stint in rehab for an unspecified substance abuse problem.

There was immediate outrage on social media—tweets like the above were just two of thousands calling the incident “disturbing” and “horrifying.” Many viewers were angry with Mackenzie for allowing Ryan to drive, and she became the target of social media harassment and even death threats. But scapegoating Mackenzie ignores Ryan’s much greater culpability—not to mention the criticism that producers failed to intervene. (“MTV does not condone driving under the influence,” a spokesperson said in a statement to People. “Ryan’s erratic behavior was due to actions that he took without anyone’s prior knowledge.”)

The incident also called into question whether MTV had known about Ryan’s addiction and purposely hid it from viewers. Through the years, anyone with eyes could see Ryan wasn’t sober. In multiple scenes, he had bugged-out eyes; in others he appeared disoriented, slurred his speech, and repeated himself (in the saddest example, he repeatedly asked his visibly uncomfortable son Bentley about his baseball game: “Did you get any good hits?”). Off-camera there were reports of erratic behavior—earlier this year he was investigated by the Humane Society for animal cruelty after he bragged about killing cats on social media. And he’s long been known for his unreliability, frequently missing visits with his son and disappearing for hours every day. This season on the show (and prior to the impaired-driving incident in the finale), Ryan’s family explained his behavior by saying, “Ryan’s like an old man, he disappears to the bank every morning for three hours, then comes home and naps all afternoon.” Yeah, sure. Like an old man with a spiraling addiction.

Explanations like that were indicative of how Teen Mom has previously handled cast member’s issues—Ryan got the “good guy” edit, and his drug problems were either not shown, not mentioned, or explained away in ways that increasingly insulted the intelligence of any viewer not watching blindfolded. The show only gave Ryan the “honest edit” when speculation by fans and tabloids had reached a fever pitch and Maci Bookout finally started speaking about his drug problem on camera.

But Ryan isn’t the only Teen Mom cast member to have a long-brewing scandal finally break on air this season. The other most-talked-about storyline involved Amber Portwood’s (now former) fiancé, Matt Baier, being outed on-camera for a host of nefarious deeds, the most disturbing of which had him pressuring Portwood into a quickie Vegas elopement, being verbally abusive toward her and a producer, and using a homophobic slur against her brother when she refused. He also failed a lie-detector test about his fidelity to Amber, allegedly stole thousands of dollars of Amber’s money, and was caught offering Xanax to fellow cast member Catelynn Lowell—something that’s not only, you know, a felony, but also highly suspect since, like Amber, Matt has a history of addiction and claims to be sober.

Again, though, the fact that Matt is a grifter is not news to fans of the show, who were suspicious of him ever since he showed up in Amber’s life three years ago—over 20 years her senior with no job and a host of court cases for unpaid child support—and surprised her by moving into her home just weeks after they started dating. (He is the actual worst, and you’ll be happy to hear that Amber has now dumped him, thank goodness.) As with Ryan, Teen Mom only started giving Matt the “honest edit” after fan forums and tabloids had made his shadiness an open secret, and a cast member (in this case, Amber) started to speak about his issues on camera.

So the big question: Why is this reality show taking so long to show…well, reality? Maybe it’s because Teen Mom started out aimed squarely at the high school demographic and still airs on a network whose primary audience is 12 to 34 years old, making the pressure to keep things PG-13 very real. The show is also under pressure to keep its cast happy. Unlike The Bachelor or Big Brother, which get a shiny new cast every season, viewers tune into Teen Mom OG and Teen Mom 2 to watch these particular families’ lives unfold. That means the cast isn’t readily replaceable—and gives them negotiating power when it comes to what does and doesn’t make it to air. Of course, we can’t know for sure whether, say, the Edwards family directly asked MTV not to air evidence of Ryan’s addiction, but it doesn’t feel like much of a stretch to imagine such an arrangement.

But whether the network does it to attract a broader audience or to protect the cast members, there’s a problem with keeping the heavy stuff off the air: Namely, it normalizes some seriously dysfunctional behavior.

The Teen Mom franchise has always denied that it’s your typical reality exploitation-fest by playing up its educational qualities. The cast and MTV frequently cite a 2014 study that claims the show led to a 5.7 percent reduction in teen births (a specious claim that ignores the fact that teen pregnancy has been declining since the 1990s. The argument goes that the show helps its audience of young women.

But you know what else would help them? If an expert talked about the signs a loved one has an addiction after Ryan was seen driving under the influence. Or if they aired a PSA for Al-Anon every time Ryan’s parents covered for his disappearance with an excuse about “going to the bank.” There’s an opiate crisis in this country; talking frankly about what addiction and enabling looks like—and how it can happen to anyone, even a reality star—could only be a good thing.

As for Amber and Matt’s unhealthy relationship, the show has never given viewers so much as a content warning about that. Teen Mom frequently links viewers to resources for preventing teen pregnancy, which is important, but it could maybe be just as impactful to teach viewers, especially young women, what intimate partner violence and abuse really looks like. (To be fair, the show did have a discussion about domestic violence after Amber was seen hitting Gary Shirley, her daughter’s father, during an argument.) Though older and savvier viewers may have seen right through Baier, younger viewers saw a manipulative, predatory man target a vulnerable woman and be given an “awesome boyfriend” edit for years before the “honest edit” started.

I’m not naive enough to think Teen Mom can fix its cast members’ issues with addiction or unhealthy relationships, but I think it has a responsibility to help its young audience frame the issues presented on the show. Dysfunction thrives in denial—and until very recently, the show played a huge role in keeping its cast members’ secrets. Maybe this will be the start of a new approach, one where the network realizes that its audience stands so much more to gain from an honest portrayal of its cast’s struggles, than it does from letting them smile and pretend the stakes aren’t life and death.



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