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Hundreds Turn Out for Take Back the Workplace, #MeToo Demonstrations in Hollywood


The #MeToo and “Take Back the Workplace” movements joined forces offline on Sunday as sexual assault, harassment, and abuse survivors took to Los Angeles’ streets in support of each other and the ever-growing list of those coming forward to bring this horrible behavior to light.

According to the Los Angeles Times, the day’s demonstrations began at the Dolby Theatre, which is where the Oscars have been held since 2002. From its location in the Hollywood & Highland Center, marchers wearing “pussy hats” and Wonder Woman T-shirts made their way to the CNN Building on Sunset Boulevard. Later, they headed back toward Hollywood Boulevard and Highland Avenue, passing the Walk of Fame—and the stars of alleged assaulters Kevin Spacey and President Donald Trump—along the way.

The day also saw a movement leaders powerfully sharing stories and calling for change.

“We will no longer be intimidated, we will no longer be dismissed, we will no longer be silenced, we will no longer feel alone,” said comedian Tess Rafferty, who co-organized the Take Back the Workplace March. “And if you try and silence or intimidate or discredit one of us, you’re going to have to deal with all of us. We are no longer the ones who have to fear for their jobs, you are.

Tarana Burke, the originator of the #MeToo hashtag a decade ago and an organizer of the #MeToo march, told the crowd, “I don’t want to spend a moment of my time calling names of folks who don’t deserve breath with me. This day is not for them. This day is for us.”

Lauren Sivan, one of Harvey Weinstein’s accusers also spoke: “This is 2017, the time is ripe for a reckoning, for a reordering of power. Today we’re here to tell you that you will no longer keep us quiet, you will no longer label us gold-diggers or psychos. That ends now, because we want our daughters and sons to go to a workplace where they will never have to take a meeting with a dude in a bathrobe.”

And, of course, there were signs.

Burke also gave those listening a call to action as she spoke, making the point that Hollywood and the movie industry aren’t islands when it comes to sexual harassment and assault.

“For every Harvey Weinstein, there’s a hundred more men in the neighborhood who are doing the exact same thing,” Burke said. “The conversation around harassment in Hollywood will broaden to include other industries if we force it to. It’s not going to do it on its own.”

Related Stories:
–Activist Tarana Burke Started the ‘Me Too’ Movement 10 Years Ago
–These Are the Women Who Have Accused Harvey Weinstein of Sexual Harassment or Assault
–Gabrielle Union Claps Back at Sexual Assault Victim Shamers





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Stem From Dance Is Using Dance to Turn Teen Girls Into Coders


Sadly, you’ll never be Beyoncé. But do you know what you can be? A badass woman in tech who can code better than the boys.

That’s the message of STEM From Dance, a nonprofit using the power of dance to get girls—particularly teen girls of color from disadvantaged communities—into coding. It was founded in 2011 years ago by Yamilée Toussaint, who started dancing when she was 4.

“Dance gave me a space to see that I was good at something, and a space to express myself and challenge myself,” she told Glamour. After high school, she studied mechanical engineering at MIT, where she came face to face with the gender gap in STEM: In her first mechanical engineering class she was one of two black women in a lecture hall of 200 students. After graduation she decided she wanted to do something about that.

“I was like, ‘There’s got to be some way to take what you can gain from dance—the fun, the community, the form of expression—and translate it into the STEM world,” she says. “Because the population that we work with, that’s exactly what what they need to feel like STEM can be meaningful.”

There’s research to back her up: A recent study found that students majoring in STEM subjects in college reported that being involved in dance helped them with creative problem solving and collaboration.

PHOTO: Damon Plant

In STEM From Dance programs, a dance instructor works with students to choreograph a dance performance that incorporates technology in some way. Sometimes the girls code computer graphics that complement the dance that are projected onto the stage; other times, the students wear costumes with programmable lights on them, which flash or change color depending on the wearer’s movement. Instructors also use movement to teach math and science concepts.

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Admittedly, most of the students come to STEM From Dance for the dancing, not the STEM. But Toussaint isn’t ashamed of using modern dance—which most teen girls are already into—as a hook for coding. And most of the time, the girls bite: by the end of the program, many of the girls realize that coding is just as fun and cool as the dance moves they’re learning. Several students have even said that the program made them regret not getting involved in coding classes at their school sooner.

And that’s kind of the point: Teen girls of color can picture themselves dancing to Rhianna or Beyoncé, because Rhianna and Beyoncé look like they do. But picture themselves as coders? Not so much. STEM From Dance lets girls imagine themselves in that role, and with its supportive, Bey-loving, girl-centric environment, they learn that they have what it takes to code better than boys do.

“We’re using the confidence that you can gain through dance and translating it to the STEM side,” Toussaint says.

So far, the program has been implemented in 10 schools throughout the New York City area, and touched around 400 students. It remains to be seen how many of them will be the next Steve Jobs.



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This Rejection Hotline Lets You Safely Turn Down Creeps


When someone you’re not into asks for your number, sometimes saying no isn’t that simple. Some just take that as an invitation to try to change your mind. Others might give you a hard time over it by calling you a tease or worse. Giving a creepy person your contact info and being harassed for withholding it should never be your only two options. That’s why website The Mary Sue is providing women with a third choice: Calling the Mary Sue Rejection Hotline.

If you don’t want to give out your real number, you can give that creepy bar pickup artist, Tinder date, or unrelenting party guest the number (646) 926-6614. If they call this number, they’ll reach a voicemail that says:

“Oh hello there. If you’re hearing this message, you’ve made a woman
feel unsafe and/or disrespected. Please learn to take no for an answer
and respect women’s emotional and physical autonomy. K THANKKS.”

If they text said number, they get this same message in writing.

This isn’t the only rejection hotline out there. They’ve been around for years, with one that lists the reasons someone might have been rejected, including, “Maybe you just give off that creepy, psycho-stalker vibe,” and another that simply texts, “I am Groot.”

But lines that use humor are missing the decidedly not funny issues behind why they’re even necessary: Women are still feeling pressured to give their numbers to people they don’t want to talk to, and many men feel entitled to women’s time.

The Mary Sue Rejection Hotline actually spells out what’s wrong with the whole situation: That the person who received the number made someone feel uncomfortable at the prospect of turning them down. If enough people hear this message, hopefully, one day everyone will understand the concept of consent and know to just move on when someone doesn’t want to take to them—no fake numbers necessary.

More:

—In Defense of Ghosting on Your Date

—Reality TV and the Murky Issue of Consent: A Timeline

—A Look at Stealthing, and Why It Needs to Be Understood as Sexual Assault



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Tracee Ellis Ross Wants Her J.C. Penney Clothes to Turn People 'Into Everything They Want to Feel'


Tracee Ellis Ross has had no shortage of epic fashion moments: her Comme des Garçons look for the 2017 Met Gala, the Rosie Assoulin wrap dress for the 2017 MTV Movie and TV Awards, the breathtaking Chanel Haute Couture gown for the 2017 Emmys… and those are just from this summer. Over the years, the actress has become as beloved for her playful, experimental approach to style as she has for her iconic roles in series like Girlfriends and Black-ish. And yet, Ross had never designed her own clothing collection—until now, that is.

“I really have been dreaming [of] and creating my collection in my head since I was in college and high school,” Ross tells Glamour at the preview for her first-ever clothing line, created in partnership with J.C. Penney. “I always have felt that looking great does not have to cost a lot of money, and that fashion, style, and beauty should be accessible to everybody. So, when J.C. Penney came forward, the timing presented itself. It was just perfect.”

The collaboration, which is timed for holiday and launches on November 12, was announced on October 9—and as soon as Ross started sharing stills from the lookbook and began wearing select pieces while doing press for the new season of Black-ish, people began sharing their excitement. Though we’ve seen a few of the head-to-toe looks, including a pink sequin dress called “Glow” and a tux dubbed “Heaven,” the actress-turned designer is quick to remind us that we’ve only scratched the surface of Tracee Ellis Ross for J.C. Penney: “There are 45 pieces in the line—I only posted, like, five.”

The capsule consists of apparel, accessories and home goods, which are all accessibly priced (the most expensive item in the collection is $74) and sized (the ready-to-wear goes from small to 3X). “I’ll just say that women are beautiful in all shapes and sizes and colors, so it was very important to me not only that people could have access to beauty and style and great clothes, but that they would fit and look good on everyone,” Ross explains. “Just because you do it in a large size doesn’t mean it’s going to work on all body types.”

There are high-waisted wide-leg trousers, wrap coats, stretchy dresses—silhouettes that are versatile, rendered in the bold colors, peppy prints, and luxe textures Ross frequently wears herself. The moment it all clicked for her was when they shot the campaign on a diverse group of models, which Ross casted herself, and saw how the pieces looked on a range of bodies. “I got real teary,” she remembers.

“[The collection] is so me and I have been itching to wear this stuff since I got my samples, but had to wait until October 9, until the announcement.” Now that the news is out, Ross hasn’t wasted any time in wearing the hell out of her own line: She’s been spotted in the sequined “Glow” dress, the “Heaven” tux, the printed “Glorious” dress, and the red wrap coat with matching trousers. And hey, wouldn’t you if you had clothing samples with your name on the tag hanging in your closets for two months? One person she was eager to show the pieces to was her stylist Karla Welch, who she’s been working with since the most recent Met Gala. Ross was traveling to New York to do press, she says, and brought along “the key pieces that I know I wanted to wear, like the tux. We just hung them on the rack with everything else and decided if they actually held up—and they worked!”

For J.C. Penney, partnering with Ross is part of its effort to have “a more contemporary offering,” according to Marvin Ellison, the retailer’s CEO. “J.C. Penney has always been known for more traditional, more career-oriented clothing, and we want to invite in a customer that loves more modern, more contemporary apparel,” he tells Glamour. “We think [Tracee Ellis Ross for J.C. Penney] does that for us.” More importantly, though, both parties share certain values, such as “a vision of helping every woman look fabulous, regardless of her size… and to do it on a great budget—I mean, we wanted to make this affordable for all economic statuses.”

“There’s a way that I use clothes,” Ross tells us. “I feel that clothing can be your armor and also your joy. I sort of [go] between the two: Sometimes it’s how I protect myself and sometimes it’s how I express myself. I feel like this collection has both—the tux is sort of your armor, and the “Glow” dress is your joy. Everything falls somewhere in between on those.” This approach to style goes back to her mother, Diana Ross: “I saw the glamour that my mom created, but, her being in that position, [fashion] gave her voice and choice and agency in her life. So, there’s a real connection to me around how I clothe myself and what it assists me in doing in my life.”

The pieces in this collection aren’t what you would expect to find at your local J.C. Penney, but it’s something you can expect from the retailer in the future, as it adapts to all the new ways people are shopping and engaging with fashion. “Our partnership with Sephora cosmetics has taught us about the millennial and more contemporary customer,” Ellison explains, such as: “if we can offer the customers something that is attractive to her at her budget, she will shop with us. We had this wonderful launch of Fenty Beauty at Sephora inside J.C. Penney, and it was an incredible success that taught us [that].”

We still have a few weeks to go until the official rollout of Tracee Ellis Ross for J.C. Penney (so mark your calendars for November 12.) And the newly-minted designer has a refreshing—and inspiring—point of view when it comes to how she hopes people respond to her inaugural collection: “I hope that women or men, whoever wants to wear this collection, feel empowered and joyful in their clothes—in these clothes—in their lives, and that they take them and turn them into everything they want to feel.”

Related Stories:

Here’s Every Single Item From the H&M x Erdem Collaboration

Role Reversal: Watch Tracee Ellis Ross Play Trent Walker in Swingers

Rihanna Captures Your Aspirational Tuesday Fashion Mood on Instagram



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New 'Star Wars: The Last Jedi' Trailer Features Carrie Fisher in Her Final Turn as Leia


A second trailer for Star Wars: The Last Jedi just dropped online, and warning: You’ll want a box of tissues nearby before you watch. That’s because the sneak peek features a look at Carrie Fisher, who died last year at the age of 60, in her final turn as Leia—and while the scenes of her are brief, they’re striking nonetheless.

Of course, watching the movie when it hits theaters on December 15 will be even more emotional. Fisher had reportedly finished shooting all of her scenes for The Last Jedi before she tragically passed away, but it’s rumored the movie filmed reshoots to explain why her character won’t be in the next installment. We’re not sure yet what that entails—but if it’s anything like the tribute the franchise shared following her death, then we’re confident it will be moving and well done.

Even the poster for the film features Fisher’s Leia front and center:

But back to this new teaser trailer: In addition to the shots of Leia, we see clips of Rey (Daisy Ridley) learning the force with Luke Skywalker (Mark Hamill), BB-8 being cute as ever, and Kylo Ren (Adam Driver) looking super ominous and reaching toward…something. In other words, this. Looks. So. Awesome.

Watch for yourself, below:

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December can’t come soon enough.

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