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Beanie Feldstein Wore Her Prom Dress on the 2018 Screen Actors Guild Awards Red Carpet


The red carpet at Sunday night’s 2018 Screen Actors Guild Awards featured a slew of spectacular looks. One dress on the carpet, however, came from a somewhat unexpected source. Pulling an extreme power move, Lady Bird star Beanie Feldstein decided to forgo a conventional designer gown in favor of her high school prom dress.

“I put it on and it fit, surprisingly maybe better than it did in high school,” she told The Cut. “I looked at myself, and I was like, WHAT!? and my mom and her best friend were just laughing so hard, like, ‘You have to wear it! There’s just no other dress that would be better.’”

Indeed, Feldstein looked extremely elegant in the black Kay Unger gown on the red carpet—a dress that, to be honest, didn’t look a bit out of place among, say, costar Saoirse Ronan’s pink Louis Vuitton gown or Danielle Brooks’’ showstopping sequined Marc Bouwer ensemble.

PHOTO: Frazer Harrison/Getty Images

Feldstein told The Cut that the prom dress felt especially fitting for the Screen Actors Guild Awards—the first time she’ll attend an awards show as a nominee (Lady Bird received a nomination for Outstanding Performance by a Cast in a Motion Picture)—due to her character Julie’s storyline in the film. “It’s just a gorgeous dress, and I love how my character’s story ends at the prom,” she said. “So like, for the first time I’m going to an awards show as a nominee with the cast, it’s like, ‘You gotta wear your prom dress, girl, and honor Julie.’”



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2018 Screen Actors Guild Awards: Best Looks From the Red Carpet


There were colorful gowns! There were Chucks! There was a surprisingly strong turnout in millennial pink! The SAG Awards are known to bring out some playful fashion from our favorite actors and actresses, and the 2018 red carpet certainly kept up that track record. In fact, this year’s turnout featured some strong contenders for the SAG Style Hall of Fame: Margot Robbie’s feathered-and-embellished Miu Miu gown, Yara Shahidi’s sleek Ralph Lauren jumpsuit, Sadie Sink’s delicate white Chanel midi… In case you missed the pre-show, we rounded up the 20 SAG Awards looks you need to know about (and obsess over), because they’re that good.



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It's Outrageous 'Riverdale' Isn't Giving Cheryl Blossom More Screen Time


There’s something criminal happening on Riverdale this season. No, it’s not anything the Black Hood’s doing. So what if a masked murderer is running around town stalking people? That’s far from Riverdale‘s biggest problem. I’m talking, of course, about this season’s total neglect of Cheryl Blossom.

Cheryl Blossom is the most interesting character on Riverdale, full stop. Jughead’s beanie, Archie’s abs, and Betty’s fluctuating ponytail cower in the presence of Cheryl’s fire engine red-hued locks. She’s the queen bee—a star who says lines like, “You stuttering sapheads are too dim to exercise your own rights” with such intensity and seriousness, it’s scary.

Cheryl had a beefy narrative last season because the central mystery was about her murdered twin brother, Jason Blossom. But in season two, she’s been completely relegated to supporting status. In one episode, her sole purpose was to help Veronica and Betty catch Kevin cruising for guys. In another, she was just Josie’s sidekick. Hell, she literally had zero lines in the episode from November 1. That’s outrageous. It’s offensive.

Sure, things started out promising: Early teasers indicated Cheryl and her mother, Penelope, would have friction over the fire at Thornhill. But those scenes have been few and far between. Instead of a rich mother-daughter plot, we’ve watched Cheryl and Penelope eviscerate each other with some biting lines and then walk away. They’re fleeting moments—and Cheryl deserves better.

She deserves just as much time as Jughead, who we’ve watched scribble pretentious prose into his typewriter for what feels like hours on end. Or Archie, who’s spent more time pouting this season about the “Red Circle” than Cheryl has talking. In fact, it’s high time for these two to play second-fiddle to Cheryl and her adventures. I’m not kidding: I want Cheryl to spend six episodes planning a ridiculous society called the “Blue Triangle” or some shit and have Archie just aimlessly walking in the background. Betty and Veronica can stay, because let’s be real: The female characters are the best part of this show. Jughead, however, is out. Bye! As Cheryl would say…

Real talk, though: It’s disheartening to have a dynamic female character like Cheryl thrown to the wayside in favor of storylines about hunky jocks. On the exterior, yes, Cheryl may seem a bit archetypical: She’s the mean girl. The Blair Waldorf. The rich cheerleader who fat-shames her classmates and bullies the less-popular girls. But as each episode from season one passed, we learned that wasn’t her at all. Like Blair, she was vulnerable and volatile and absolutely the product of her dysfunctional upbringing. She was interesting. There were so many layers to her that we slowly started peeling off. That’s not happening in season two, though. Instead, Cheryl is just a tool to keep the larger narratives going.

But I have hope going into the latter half of this season. Madelaine Petsch, who plays Cheryl, told us that Cheryl is getting an “unexpected love interest” this season. She’s yet to have one, so that must mean it’s happening in the forthcoming episodes. Plus, there are plot points from the former half we still haven’t seen fully-fleshed out: the aftermath of her almost-assault from Nick St. Clair, her obsession with Josie, her complicated relationship with her mother. There are plenty of places Riverdale show-runners can take Cheryl. Let’s hope they deliver.

Related Stories:

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Lili Reinhart Says Betty’s Riverdale Dance Was Supposed to “Make You Uncomfortable”

Riverdale Stars K.J. Apa and Madelaine Petsch Say Black Hood’s Identity Will Be Revealed Soon





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'Game of Thrones' Star Gwendoline Christie Admits Tormund's Love for Brienne Continues Off Screen, Too


In a recent interview with Seth Meyers on Late Night, actress Gwendoline Christie, who plays Brienne on Game of Thrones, spilled some rather uncomfortable details about those looks she gets from Tormund. You know, the looks.

Apparently, actor Kristofer Hivju stays in full Tormund character, even after the director says cut—and yes, that includes his creepy stares. “He likes to continue being in character even off set,” Christie shared with Seth. “He will start chewing a sandwich wildly at me, start masticating wildly at me, really kind of making love to that sandwich as he eyeballs me. So it’s strong. Eyes like lasers pouring right in.” Like this, we assume:

Christie explains that she is a classically trained actress, so she rarely starts laughing during a scene, but this is the one time where she completely loses it. As she tells Seth, Tormund’s looks are “possibly the one time that I dissolve without fail.” She continued, “No one told me that this was gonna happen. In the script it simply said, ‘Tormund gives Brienne a look.’ I was not expecting the power, the magnitude, of intense sexual intention to pour out of a man’s eyes and cover me.”

Tormund’s looks may have met their end in this season’s Game of Thrones finale, so we’re eagerly awaiting to see what happens next season. (To be completely honest, though, we’re not really sure if we should be rooting for more looks or for no looks at all.)

Until then, watch Gwendoline Christie’s full interview below:

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See More:

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Here’s Exactly What Jon’s Letter to Sansa Said on ‘Game of Thrones’—and Why It’s Huge

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There’s a Pattern to All Those ‘Game of Thrones’ Deaths



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