Tag: Routine

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The $8 Hair Clips That Changed My Face Washing Routine


Embarrassing confession: It took me a solid two decades to come up with a bedtime face washing routine that I actually stick to every night. During my teen years, I didn’t wear a lot of makeup, and for some reason I thought that excused me from nightly cleansing on the regular. (This may or may not have had something to do with the acne plaguing my jawline in those days.) During college, egged on my skin-obsessed roommate, my habits marginally improved.

Still, for most of my twenties I subscribed to school of “splash some water and hope for the best.” Shameful, I know—and I’ve since reformed—but, surprisingly, it wasn’t maturity or even a miracle skin care product that finally made me change my ways. It was a pack of $8 hair clips from Amazon.

My sister was the one who made the recommendation: She’s a stylist and encouraged me to buy them so I could better blow-dry my own hair. But while the clips work great for sectioning, they also made me realize something about why I wasn’t doing as good a job as I should about washing my face. I have forever had really long hair that I mostly wear down; I hate pulling it back, and the only time it’s ever up is when I’m at the gym. Part of the problem is that even if it’s just up for a minute, I wind up with a kink where the ponytail holder was. But the truth is that, even in the privacy of my own bathroom mirror, it’s just not a look I like.

Here’s the thing though: I don’t mind clipping it smoothly away from my face. It makes me feel like I’m about to get a fancy facial. Which in turn makes me more excited, and thorough, with the actual cleansing. Somehow the clips turn a chore into something that feels a little elegant.

I keep the them in a jar in the medicine cabinet and pull them out morning and night, fastening several close to my hairline to smooth back flyaways. Then I use another clip to twist up the back so that it doesn’t tumble into the sink. From there it’s wash (I use La Roche Posay Toleriane Hydrating Gentle Cleanser), maybe exfoliate (La Roche Posay again, the ultra-fine scrub) and Neutrogena’s Hydro Boost Gel Cream in lieu of a layer of heavy moisturizer. I leave the clips in for awhile so nothing sticks to my skin, and when I take them out my hair is back to business as usual, down my back, and I climb into bed feeling like Sleeping Beauty.

The best part: I’ve used them pretty much every day for the past year and it’s had an incredible impact on my skin. It’s clearer and dewier than it used to be, even though I’m still pretty much using all the same products on it that I always have. For some reason, adding clips into my routine has turned it into a daily ritual I look forward too, which means that I’m also attentive to areas of my face that might have been overlooked before.

I get all the way to my hairline and can just generally see myself more clearly, which has meant better care for my skin overall—and more consistency has meant fewer breakouts. So sure, technically hair clips aren’t a face washing tool. But they’ve definitely improved my technique. Who knows what would have happened if I had discovered this hack 20 years ago? I’d call that $8 well spent.

Metal Alligator Hair Pins, $8, amazon.com

Related Stories:
–This Is the Only Makeup Remover You’ll Ever Need
–10 Face Wipes Glamour Editors Can’t Live Without
–FYI: You’re Probably Overwashing Your Face



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Chrissy Teigen's Beauty Routine Was Documented in This Mesmerizing Video


For some of us, getting ready for a night out can take hours: the shaving of the legs, the taming of the brow—plus whatever makeup combo we’ve opted for, whether it’s a dark lip or a smoky eye (and, let’s be real, we save a little extra time for a shaky eyeliner do-over). New video footage has surfaced, however, as a reminder that stars are just like us—that is, if we had four hands instead of two doing all the work. And in an ideal world, our own two hands would be scrolling through Twitter and checking Instagram while we got beautified. For Chrissy Teigen, that’s exactly how it works, according to a mesmerizing video her makeup artist, Emma Osborne, posted on Friday.

The time-lapse video opens with Teigen perched in her chair, waiting for her glam squad to begin. She’s in a bathrobe and has towel-dried hair, face bare of any visible product (she looks pretty gorg already, to be honest). A quick cameo by a shirtless John Legend adds to the stunning physical effect. Then, it begins: a flurry of hands drying and styling her hair, applying product, and brushing on mascara comprises the absolute symphony that takes Teigen from out of the shower to out on the town.

Watch the 35-secondish video below:

Here, Teigen’s going for nude lips, a trademark bold brow, and her usual bronzed and dewy complexion—thanks to help from a few products, like the famous Beautyblender, EX1 Cosmetics, Iconic London (Teigen’s been known to wear the company’s illuminator), and Becca Cosmetics (which Teigen did a collab with).

So cool, right? Apparently the whole process actually took the two pros a total of an hour and a half—which means about three hours for us mere mortals with only two sets of hands, plus a little more for that damn eyeliner.

Related Stories:
–John Legend Posted a No-Makeup, No-Filter Photo of Chrissy Teigen, World Swoons
–Chrissy Teigen’s Snapchat of Her ‘Period Skin’ Is So Relatable It Hurts
–Chrissy Teigen Just Went the Perfect Strawberry Blond Shade for Summer



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'Dancing With the Stars' Season 25 Week Three Recap: You Need to See Nick Lachey's Jazzercise Routine


Following last night’s devastating mass shooting in Las Vegas, Dancing With the Stars began tonight with a moment of silence and an emotional introduction from host Tom Bergeron. “There’s an old saying the show must go on,” he began. “And it will. But first, all of us at Dancing With the Stars want to send our love, thoughts, and prayers to everyone touched by the violence in Las Vegas. Please know that we’re doing tonight’s show with you foremost in our minds and hearts.”

After that, the show jarringly went from a somber tribute to a high-spirited opening dance number—but as Tom said, the show must go on. Honestly, the “Guilty Pleasures” theme night was the pick-me-up we needed, and the contestants and dancers did not disappoint. ABC and DWTS productions also decided to forgo an elimination (a wise decision, in my opinion).

On a lighter note, Nick Lachey and Peta Murgatroyd put on one of the most hilarious and adorable routines the show has ever seen, thanks to a jazzercize number to the Pointer Sister’s ’80s hit, “Jump.” No matter how long Nick remains on the show, we owe the dancing gods a bit of gratitude for that one. Take a look, below.

The Dances:

Drew Scott and Emma Slater: It’s hard to believe this was the same Drew from premiere week, because that guy is no where to be found. He did a solid Argentine Tango that drew rave reviews from the judges and a couple of 8s. Score: 23/30

Derek Fisher and Sharna Burgess: The ’90s are back in style, and so is the Fresh Prince of Bel-Air. Sharna and Derek put on a spirited routine that scored a positive review from Len and a commitment from ABC to revive the series. (OK, just kidding on that last part.) Score: 21/30

Victoria Arlen and Val Chmerkovskiy: Victoria said the quickstep is the dance that scares her the most (while Val says it’s Chumbawamba’s “Tubthuming” that keeps him up at night), but it turns out neither of them had anything to fear. They nailed the quickstep and might have made sequined plaid a thing in the process. Score: 22/30

Vanessa Lachey and Maksim Chmerkovskiy Alan Bersten: For reasons unbeknownst to pretty much everyone but Maks, he was not able to compete on the show tonight (the hosts cited “personal reasons,” which is not something you often hear on DWTS). Whatever the reason, we hope everything is OK. Meanwhile, Alan—fresh off his elimination with Debbie Gibson—did his best Richard Gere impersonation to Cyndi Lauper’s “Girls Just Wanna Have Fun,” while Vanessa continues her audition to be a future member of the troupe (which we fully endorse, by the way). She’s a natural. Score: 23/30

Nikki Bella and Artem Chigvintsev: Nikki said her guilty pleasure is romance, so naturally that meant she and Artem danced a Viennese Waltz to Fifty Shades of Grey. It was a sexy dance, but perhaps the best part was the end when Nikki’s fiancé, John Cena, made his first appearance on the ballroom floor to fight congratulate Artem. Watch the full dance here. Score: 21/30

Frankie Muniz and Witney Carson: Apparently Frankie’s dream has always been to be in a boy band. So there’s only one thing to do: take Nick Lachey aside to get pointers for that boy band gaze. As it turns out, it’s very close to Joey Tribbiani’s “smell the fart acting” (and coordinated denim outfits). Anyway, as for the dance, it was actually pretty damn close to boy band perfection, but the judges deemed it only worthy of 7s. You know what they say to that? “Bye, bye, bye.” Score: 21/30

Lindsey Stirling and Mark Ballas: Lindsey’s rehearsal package opened with her admitting that she broke up with her significant other of a year-and-a-half only a week ago, and she’s in need of some Ben & Jerry’s. But whatever broken heart Lindsey is nursing, it wasn’t evident in her spirited pajama-clad jive, which is one of the best that the show—and Mark—has ever produced. Score: 27/30

Sasha Pieterse and Gleb Savchenko: The Pillsbury doughboy would be so proud! Sasha and Gleb whipped up the best ingredients for their chef-themed jazz, but Len said it was lacking some of the same pizzaz from the previous weeks. Sure, whatever you say, Len. Score: 19/30

Nick Lachey and Peta Murgatroyd: Was I watching a jazzercise routine or auditions for GLOW season two? Either way, Nick and Peta channeled their inner ’80s athlete with sparkly leotards and leg warmers, and I’m sold. It is without a doubt the cutest, most spirited, most adorable routine I have ever seen. (That rehearsal romance package with Nick and Vanessa was a solid runner-up.) Nick, you are just what the day ordered. You can see the full dance here. Score: 21/30

Terrell Owens and Cheryl Burke: Len Goodman said Terrell came back with a nice mix of salsa and fun; while it’s not exactly a touchdown, it was a good start. The real star is Cheryl Burke, though, who has gotten this guy in fighting shape. Score: 21/30

Jordan Fisher and Lindsay Arnold: Jordan’s guilty pleasure is superheroes and comic books, and it certainly served him well as inspiration for his Charleston. Carrie Ann called it one of the fastest dances she’s ever seen, but Len called out Jordan and Lindsay for the lack of an actual Charleston (he gives them a 7 in protest, while Carrie Ann and Bruno hand out 9s). Score: 25/30



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Tina Knowles Lawson Is All Of Us Trying to Nail This Beyoncé Dance Routine


Tina Knowles Lawson—also known as the woman who quite literally brought Beyoncé into this world—and her husband Richard have at least one thing in common with the rest of us: They start their mornings dancing to Beyoncé.

On Friday, Tina posted an Instagram video that showed her, her man, and a small group of friends breaking down choreo to Destiny’s Child’s 2004 hit “Lose My Breath”—a daily occurrence, apparently.

“This is @mrrichardlawson @rl_studios exercise crew @keneshahemmings @mdenises11 @jessicasadeward @thereelcourtney @candicelenoir @aleshabraden @iamjohnnycrown. We work out every morning very early?we do different routines every day. I’m not so great on this one but give me another week and I’ll be like “watch me now”?. Rocking that IVY PARK❤️”

Stay humble, Tina—and smooth Ivy Park plug.

In addition to morning workouts, Tina’s been busy providing aid to Texas residents affected by Hurricane Harvey—she and her family are from Houston—and earlier this month joined Bey and Destiny’s Child member Michelle Williams at St. Johns Church in Houston, where Beyoncé got her start.

“We do special things in the community, feed the homeless, we have housing, which houses people,” Tina told ET. “It’s so sentimental seeing Beyoncé here because she hadn’t been able to come for a long time, She started singing on this stage, so it’s real[ly] emotional.”



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