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Emma Stone Will Play an '80s, Punk Version of Cruella de Vil in the New Movie "Cruella"


Emma Stone’s next movie role is going to take you right back to your childhood — and that’s a good thing! According to The Hollywood Reporter, Emma has been cast as legendary Disney villainess Cruella de Vil in a new movie helmed by I, Tonya director Craig Gillespie.

The movie will play with timelines a bit: Disney’s animated 101 Dalmatians was set in the ‘50s or ‘60s, but this Cruella-centric film will flash forward to the ‘80s, and it is being referred to as an “origin story” about Cruella herself. THR describes the movie as “set in the early 1980s with a punk vibe.”

That means we probably won’t be seeing any of Roger, Anita, Pongo, Perdita, or their many, many puppies — this new movie is going to be all Cruella, all the time. The decade change means it’s possible that Cruella would be hunting for Dalmatian puppies in the present day, but we’re not sure if the movie will go there. All we know at the moment is that it’s set in the ‘80s and we’ll get a glimpse of young Cruella.

If anyone can breathe fresh life into the iconic Cruella and rock that outlandishly glam wardrobe, it’s Emma. She’ll be filling some pretty big shoes, too; remember the Glenn Close version of Cruella in the live-action 101 Dalmatians, back in 1996, which was just as fabulous as the animated version? We’ll probably get to see Cruella’s beginnings as a fashion designer, though we hope she opts to use faux fur for this installment.

Maybe we’ll get to see the exact moment when she dyes her hair half-white and half-black! It’s also the first time we’ll get to see the Oscar-winning Emma take on anything Disney, and we can’t wait. She brings magic to every role she plays, and we’re pretty sure that her interpretation of Cruella is going to be nothing short of marvelous.

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Elizabeth De La Piedra: What It Costs to Be Me


These days it’s nearly impossible to know what women are spending on the way they look. Someone with Instagram-flawless contouring might have honed her craft using the finest from the drugstore aisles, and the utterly makeup-free type might be spending thousands on laser treatments and serums. Enter our series “What It Costs to Be Me,” in which we’re asking interesting women for radical transparency.

Up this week: Elizabeth De La Piedra, 32, photographer and mother of two from Chicago. Her annual total? $4,454.50

Elizabeth De La Piedra is a beauty omnivore: She’s as enthusiastic detailing the many merits of a $5 brown eyeliner as she is describing the skin-transforming power of a $500 laser treatment. Her bottom line? It’s got to work, and she knows exactly how it all fits into her budget. Her top priorities are skin care (“a good cleanser, exfoliating system, serum or oil, and a moisturizer”) and nails. “I’d truly cut back on everything else before I’d give up the joy it gives me to look down and see the color and symmetry of having my nails done,” she says.

My shower and hair regimen: $189:

My skin and my hair are both kind of the same. It’s all very dry and very coarse. So I always need to exfoliate and moisturize my skin, and I constantly need to add moisture to my hair and not wash it too often—once or twice a week max. I use Aveda Be Curly shampoo and conditioner ($25 each), and brush my hair in the shower with a wide-tooth comb ($3). For my body, I use Glossier Body Hero Oil Wash ($18) with exfoliating gloves ($7). I love the way that body wash smells—it’s kind of floral but also woody, so it’s a sexy-fresh smell, if that makes sense. And because it’s an oil wash, it’s not too bubbly; anything too bubbly will dry my skin out.

Once I’m out of the shower, I always put in Aveda Damage Remedy ($30) leave-in conditioner. Then I spray Aveda Texture Tonic ($25) onto my wet hair—it activates my curls and helps to separate and define them. Once that dries a bit, my hair starts to get kind of fluffy, and I work in some Aveda Light Element Texturizing Creme ($25) to control the fluff and add a little moisture and hold. And then if I need to, I use Aveda Control Force Firm Hold Hairspray ($31) for any flyaways.

My curl pattern is actually kind of tight, but because of the length right now, it makes everything a bit heavier and elongates the curls. I still struggle getting my hair just right, even at 32. It doesn’t help that our hair changes with time too. Six years ago my hair needed heavier products, but after I had my babies I needed something a little lighter.

My morning skin care routine: $200

I wash my face with Tula Purifying Cleanser ($28), then layer on Glossier Super Bounce Serum ($28), which has lots of hyaluronic acid for moisturizing. After my serum I use Tula Hydrating Day and Night Cream ($52). I like Tula a lot—I’ve found that its products are really good for balancing my skin. This cream has given me good, consistently clear skin, and it’s very hydrating, which I also need. I’ve always struggled with being somehow both too dry and also a little oily. I tend to break out because when I fidget or get nervous, I touch my face. I’m a big fidgeter. I try to be good, though, and if I ever do break out, I clean it up with a little Clearasil spot treatment ($7).

After my moisturizer comes Supergoop 50+ Super Power Sunscreen Mousse ($34). I love the light mousse texture, and it absorbs so nicely. There’s something about the formula that kind of makes you a little glowy underneath everything. For my body I use my Go-To Body Oil ($51). The line is from Australia, where I grew up. When I tried it the first time, I became obsessed—the floral scent smells like heaven. I’m into a good scent. I like being swept up in that.

My daytime makeup: $244.50

I go for a natural look, but kind of a turned-up natural. I use Glossier Stretch Concealer in dark ($18), then rub Glossier’s Cloud Paint gel-cream blush in the new bright orange, Dawn ($18), at the base of my cheeks. And then on the apples of my cheeks, I use just a little Storm or Haze ($18 each), which are both pink. Then I use my Nyx brown eye pencil ($5) for both eyes and lips. It’s this dark brown with a warm base to it. It helps open my eyes because black liner during the day is too heavy for me, and on my lips, that same color helps show the shape of my lips and keep my lips from blending in too much with the rest of my skin. Because I’m darker—I’m Peruvian—that dark brown is the only thing that shows up. Other actual lip liners I’ve tried just kind of look invisible.

Next I pop on my lip balm and lip color, and then rub my lips to blend it all. My balm is Glossier Balm Dotcom ($12), and I alternate between clear and cherry. Then I usually blot on my MAC lipstick in Hot Tahiti. Tragically, I think it’s discontinued—I’m so sad! It’s the most perfect pink: a little bit mauve and a little bit sheer, but if you build it up, it can get darker and brighter. My alternative to it is the Generation G Glossier Lipstick in Crush ($18). And then every so often I’ll do a red lip: I outline my whole lip in MAC Lip Pencil in Cherry ($18), add my Nyx brown liner in the corners, fill in with MAC Ruby Woo lipstick ($18.50), then rub my lips together to blend everything nicely.

For my brows I use Glossier Boy Brow in both brown and clear ($16 each). I use the brown to fill in the spaces and spots, and then use the clear to shape everything. Then I brush on Benefit They’re Real! Lengthening Mascara ($25). For highlighter I apply Glossier Haloscope in Quartz ($22) high up on my cheekbones, on my brow bone, and on the tip of my nose. In the summer I use Glossier Wowder in Light/Medium ($22) to bring down shine. It’s almost clear, and yet it gives me a little bit of coverage, which is nice. It takes a lot to make me look natural!

My going-out makeup look: $195

Anytime I’m getting my makeup done on a shoot, I’ll have the makeup artist use my Super Bounce Serum on me first—unless I’m hungover, in which case I’ll go for the Super Glow Serum ($28). And anytime I’m going out at night, I always put on another layer of the Bounce first. I think you’re only supposed to do it once a day, but whatever! At night I use the same makeup as daytime, plus I’ll wear foundation. I cocktail my own mixture: two thirds Glossier Skin Tint in dark ($26) mixed with one third Giorgio Armani Luminous Silk Foundation ($64). Most foundations are too thick and cakey for my skin. The Glossier Skin Tint is lightweight enough, but a little too lightweight. Blending the two is perfect, because it gives enough coverage and it doesn’t look like it’s sitting on top of my skin. I also like to use my favorite shadow colors from my Anastasia Soft Glam Eyeshadow Palette ($42). I usually blend one, two, or three in a combo: Orange Soda, Burnt Orange, Sienna, Rustic, Cyprus Umber, Rose Pink, and Sultry. They go from orangey to pinky-browny, all in that color world. I sometimes add a little cat eye with Revlon ColorStay Liquid Eye Pen in Black 001 ($9), just a really thin line to extend the look of my lashes. I usually do my Nyx brown liner very close to my lash line, but for a nighttime look, I might also smudge in a little more of the darkest shadow from the Anastasia palette close to my lashes. At the end of everything, I use MAC Prep + Prime Fix Setting Spray ($26), and then finish with the Wowder.

My (bargain) evening skin care: $124

I take my makeup off with Lancôme Bi-Facil Eye Makeup Remover ($30), then use the Tula cleanser again, layer on Go-To Skin Face Oil ($45), and once that sinks in, I pop my moisturizer on top. I’ve been using Elucent Night Moisturizer ($35), which I got in Australia, and it’s amazing. My sister lives there, and a dermatologist suggested this cream to her. The next time I came to visit I was like, “What are you doing to your skin, and why do you look like you have no pores?” I had to get it. It basically exfoliates your face overnight—and it’s cheap! I also put Skyn Iceland Berry Lip Fix ($14) on before bed to help repair and replenish my lips while I sleep.

My perfume favorites: $434

These days for perfume I’m loving Byredo 1996 ($190). There’s just something about woody, musky scents that feels more human than something that’s really really clean or fresh. One of my favorite photographer duos, Inez and Vinoodh, created the Byredo 1996 as a capsule perfume the year I turned 30. Inez is so inspiring, so I had to buy it for myself. It’s something I tend to wear for a fancy thing at night—when I’m going out or when I’m on dates with my husband. But during the day I like to wear Margiela Lazy Sunday Morning ($126)—it’s more of a nostalgic scent for me because it smells like fresh linens. I also sometimes wear Glossier You ($60) for daytime—it’s a good size and durable. I try to keep one in my bag for when I need a spritz, just because I’m a smelly girl. And when I want a sexy, sexy, sexy scent, I use Narciso Rodriguez for Her ($56). I call it the Husband Catcher, because that’s how I got my man. I’ve been wearing it for over 10 years. It’s so good.

My brand-new hair-maintenance routine: roughly $800 so far

For years I’ve been touching up my grays with Garnier Olia in Darkest Brown ($10) every three to four weeks. It was a lucky find. I found the Olia when I first moved to America eight years ago, and I’ve been using it ever since. I tried a different brand once and it burned my scalp—never again! Always the Olia, just on the roots.

That said, I just got my hair dyed professionally. I got two blond streaks in the front this past week, and they’re really fun. I met a hairstylist I liked on a photo shoot, and she came to my house to do my hair here. Her name is Leatrice Lloyd. It was about $200 for a cut and color, and she did my roots too. Ordinarily I just trim my hair about three times a year—it’s roughly $200 at Spoke and Weal, and I go to anyone there, because I really like how they cut hair. But now that I’ve gotten the blond streaks, I don’t know what that’s going to cost me. The idea is that every month Leatrice is going to come back and do touch-ups and dye my roots, so it’s a whole new ball game! And I’m about to invest in a toner for blond hair.

My nonnegotiable nail treatments: $800 a year

I get acrylic nails done every two weeks ($25). And I get a brand-new set about every two months ($80). I like jelly nails right now, and they ain’t cheap. I like to keep my nails long and almond-shaped, which means I have to get acrylics because I’ve never been able to grow my nails and keep them from breaking or getting uneven. I’m always looking at my hands, and if I have nice nails it creates a little moment of zen: They’re all colorful, all symmetrical, all in front of me. It just gives me happiness. My staple is red, always, but I also love to branch out. Right now I’m into neons, like pink and green.

My every-so-often skin-fixing treatments: $831 a year

I do a face mask once every one to two weeks, or a couple days before a shoot or a big event. My favorite trick is mixing Aztec Secret’s clay mask with apple cider vinegar—I get the clay on Amazon for like $10 a tub, and it can last you a really long time. My husband and I share it, and we go through maybe two tubs over the course of a year. You can mix it with water, but I prefer apple cider vinegar because it makes the consistency of the mud so much better and smoother. It takes off all the dead skin and creates a plumping effect too.

Sometimes I’ll also put on a lip mask before an event. I love the Skyn Iceland Lip Gels ($28), which are really plumping and smooth out your lips. I also do those great Dr. Dennis Gross exfoliating face wipe pads ($88) once a week, and Nads Facial Wax Strips ($10) to remove facial hair every two weeks.

I’m going to start getting a Pixel Perfect laser treatment once a year. I love it. I’ve only done it once so far, but it’s made my skin a lot smoother and more even-toned. I went to Natural Beauty Med Spa, and it’s pricey—about $500. I definitely want to keep doing it; although if I had to cut back, that would be the first thing to go because it’s such an expense. If you’re in the position to afford it, you have to check it out. It has five days of downtime, which is intense—you really have to stay inside and put on tons of Aquaphor ($10) for the first few days. I have kids, so obviously I had to go outside to drop them at school, and I fully wore a balaclava and a sun hat! I looked insane, but I didn’t care, because afterward you have baby skin. It’s so worth it. I also get a Hydrafacial ($175) at the same med-spa once or twice a year. It’s great for me because I have such dry skin and tend to build up a lot of dead skin and gunk.

My relaxation techniques: $637 a year

I get about three massages a year, which cost roughly $120 each time. There’s a woman I really like named Bria at Spa Soak in Wicker Park. If she’s not available, I’ll go to Allyu Spa. They have a really good range of masseuses there. And maybe two days a year I’ll have a Korean spa day at King Spa. It’s awesome because $35 will buy you an all-day pass.

I’m also big on candles and hot baths. Three to four times a week I’ll use a cup or so of epsom salt ($5), light a candle—currently I have a Diptyque Jasmine one ($65) by the bath—and just soak. I candle-shop at Diptyque once a year. I’ve got one for the bathroom, one for the studio, one for downstairs. They’re all so good. My favorites are Jasmine, Feu de Bois, and Iris.

I also like to light palo santo ($7) in the mornings. It’s a very cleansing way to start the day, and I love the smell. I get it from a little wacky bookstore near my house called Space Oddities Chicago that sells vintage books, but also artwork from local artists, gemstones, candles, and tarot decks.





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You Have to See Princess Eugenie of York's Peter Pilotto and Christopher De Vos Royal Wedding Dress


If you thought all the Royal Wedding excitement was done for the year, rejoice! Princess Eugenie of York married Jack Brooksbank today. Like Meghan Markle and Prince Harry’s, the ceremony took place at St. George’s Chapel in Windsor Castle. The bride wore a stunning Peter Pilotto and Christopher De Vos gown, with a silhouette that had a special meaning for the princess.

PHOTO: WPA Pool

Princess Eugenie’s wedding dress features a v-shaped back, which exposed her scar from a childhood scoliosis operation. Ahead of the ceremony, she explained to ITV that she specifically requested a silhouette that showed it off. “I’m patron of [the Royal National Orthopaedic Hospital Appeal] and I had an operation when I was 12 on my back,” she said. “It’s a lovely way to honor the people who looked after me and a way of standing up for young people who also go through this.”

BRITAIN-ROYALS-WEDDING-EUGENIE-CEREMONY

PHOTO: OWEN HUMPHREYS

The gown featured a folded neckline and back detail, as well as a full train. WWD reports that the jacquard fabric is also embedded with symbols for Princess Eugenie: Pilotto and De Vos included a thistle to represent Scotland, a shamrock to represent Ireland, a York Rose to represent England, and ivy to represent her home at Kensington Palace with Brooksbank, Ivy Cottage.

Princess Eugenie Of York Marries Mr. Jack Brooksbank

PHOTO: WPA Pool

Though many brand names were floated ahead of the ceremony (from Erdem to Vivienne Westwood), Princess Eugenie made it clear in an interview with British Vogue that she wasn’t going to spoil the reveal ahead of her wedding date. “I’m not telling anyone who is making it, but I can say it is a British-based designer,” she said.

Princess Eugenie Of York Marries Mr. Jack Brooksbank

PHOTO: WPA Pool

It’s pretty customary for a British royal wedding to feature a dress made by a British designer: Kate Middleton in Alexander McQueen by Sarah Burton, Markle in Givenchy by Clare Waight Keller, Princess Diana in David and Elizabeth Emanuel, Sarah Ferguson in Lindka Cierach… Princess Eugenie did concede to British Vogue, however, that her wedding gown was an pretty easy choice: “[The dress] is the one thing that I was really decisive about. As soon as we announced the wedding, I knew the designer, and the look, straight away. I never thought I’d be the one who knew exactly what I like, but I’ve been pretty on top of it.”

BRITAIN-ROYALS-WEDDING-EUGENIE-CEREMONY

PHOTO: YUI MOK

Another royal tradition honored by Princess Eugenie on her wedding day: She topped off her with a sparkly headpiece. She chose to borrow Queen Elizabeth II’s Greville emerald Kokoshnik tiara. According to the Telegraph, it’s made from platinum and features a 93.70-carat center emerald surrounded by six smaller stones, and dates back to 1919.

BRITAIN-ROYALS-WEDDING-EUGENIE-CEREMONY

PHOTO: JONATHAN BRADY

Brooksbank proposed to Princess Eugenie with an engagement ring featuring a rare padparadscha sapphire surrounded by small diamonds, similar to the one her father, Prince Andrew, gave her mother. “Why I loved it so much is it changes color from every different angle that you look at it, which is what I think of Eugenie—she changes color, and it’s just so amazing,” he told the BBC.

Princess Eugenie Announces Engagement to Jack Brooksbank

PHOTO: WPA Pool

Now, onto the next royal wedding

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Meghan Markle’s Wedding Veil Had a Hidden Connection to the Queen—and More From Queen of the World

Why Meghan Markle’s Stella McCartney Reception Dress Won’t Be on Display With Her Wedding Gown





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Nike x Virgil Abloh: See "The Ten" De- and Reconstructed Sneakers


After a summer’s worth of speculation (and a handful of outfit credits on Bella Hadid), Nike officially announced it was partnering with Off-White’s Virgil Abloh in August. Their collaboration goes well beyond remixing some sneakers. (Though, fear not for your neighborhood hypebeast: There are still plenty of kicks to cop.)

Dubbed “The Ten,” this collection sees 10 seminal Nike, Inc. silhouettes—including the Air Jordan 1, Air Max 90, Air Force 1, Converse Chuck Taylor, among others—reimagined through Abloh’s lens, presented to the public via two exhibits, hosted by the designer himself: one in New York and one in London. (Should you not be able to attend either conference, you can actually text your questions to Abloh—no, seriously: There’s a number on Nike’s website.) The experience is called Nike Off-Campus—and, as the collegiate title suggests, there will be a series of “classes” taught by friends and collaborators of the Off-White designer, such as Spike Lee, Shayne Oliver, Heron Preston, and more.

PHOTO: Courtesy of Nike.

Nike x Virgil Abloh opens up its pre-order in select cities the week of September 9, while the full “The Ten” collection is expected to drop worldwide in November. The capsule is divided into two groups: First, there’s “REVEALING,” which breaks up then rebuilds iconic Nike shapes in a way that’s wearable but distinctly Off-White; then, there’s “GHOSTING,” which incorporates translucent materials into these silhouettes to give them an almost ethereal look. “In one gesture, I wanted to underscore how the design system and manufacturing of Nike are so perfect,” Abloh says in a statement. “By combining these shoes with design that amplifies their ‘handmade’ quality, we’re intensifying the human element and expanding the emotional connection of these 10 icons.”

Celebrity Sightings in New York City - July 18, 2017

PHOTO: Team GT

Bella Hadid wearing Nike x Virgil Abloh sneakers.

The collaboration came together in 10 months, which makes this design partnership one with the quickest turnaround in the company’s history. However, at a press conference held in New York to kick off the Off-Campus programming, Abloh told the audience gathered that he attempted to make changes to the collection down to the very last minute. “I was thinking about the kids on the Hypebeast comments, being like, ‘His career is over—throw him off the ledge,’” he half-joked. “I literally was trying to change shoes three days ago… That’s another bullet point that I want to communicate to young designers: Since nothing’s going to be perfect anyways, do it on the next one. Iterate. There are no wrong answers in design.”

It’s also the first time three different brands from the Nike, Inc. umbrella—the namesake, Jordan, and Converse—are all folded into a single collection, according to Andy Caine, Vice President of Nike Footwear Design, who joined Abloh at the conference. Of all the sneakers in the line, the Off-White designer told the audience assembled for a press conference that “the Chuck Taylor was the shoe that required the most amount of e-mails.”

At Off-Campus, Abloh explained how this project, in a way, was “career suicide”: “Sneakers mean so much to so many different people; designers have such discerning taste, especially now—anyone who can like a button or comment is a critic,” he explained. “My design career could’ve started and ended with this project.” According to Abloh, the genesis of The Ten was actually the Jordan sneaker; “I just asked a naïve question: I get it, it’s an Air Jordan—but where’s the air bag?,” he recalled. “So I grabbed an X-acto knife and punctured the sole.” From there on, he began incorporating elements from his “tool kit”: zip ties, illustrative text, quotation marks… all these visual signifiers Abloh uses as a means of finding a new way “to communicate in our post-American Apparel, super ironic” society. “It’s a little bit closer to Céline. That’s the goal in life—Céline is everything.”

Check out the rest of Nike x Virgil Abloh’s “The Ten” collection, below.

PHOTO: Courtesy of Nike.

PHOTO: Courtesy of Nike.

PHOTO: Courtesy of Nike.

PHOTO: Courtesy of Nike.

PHOTO: Courtesy of Nike.

PHOTO: Courtesy of Nike.

PHOTO: Courtesy of Nike.

PHOTO: Courtesy of Nike.

PHOTO: Courtesy of Nike.

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