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We Need 'Our Bodies, Ourselves' As Much Now as In 1973. Too Bad It Will Be Out of Print.


“One gripe that I’ve always had is that, if I meet someone at a demonstration or some random place, they’ll tell me, ‘I still have the first book that I had in college!’ I didn’t usually say anything about it, but at the same time, I’m thinking, Uh, could you buy another book?” Doress-Worters says, only half joking. In an informal survey of about 60 female friends of mine, more than 86 percent said they knew about Our Bodies, Ourselves, while only 17 percent said they actually owned a copy.

“It was just truly a financial burden. We’ve been, for better or for worse, a classic nonprofit. We don’t have a corporate mindset,” Ditzion adds.


“The problem back then was that there was no information, we were all sort of always living in ignorance. We didn’t know anything,” Norsigian explains. “Now, there’s a ton of information, and most of it is not accurate. You have a very different problem, which is that you think you’re informed when you’re not.” The original purpose of the book was to give women the power of knowledge about their own bodies, as a response to the powerlessness doctors had made those same women feel. It was as simple as it was subversive.

Which is not to say that Our Bodies, Ourselves has not had its own missteps. The founding team lacked diversity. Editions have had to be expanded to include sections on transgender health, environmental considerations that affect women’s bodies, and mental health. For its eighth edition, in 2005, a shift to a pink cover earned criticism from New York Times’ editor Alexandra Jacobs for having “a clichéd feminine color one suspects would’ve horrified the original authors.” (The founders wrote to the paper, describing Jacobs’ piece as having “several mischaracterizations” of the update.) And while the most recent—and now final—edition of the book feels more like a textbook than a manifesto, the information, the autonomy, and the power is still there, albeit softened.

For now, all is not lost. In 2020 Suffolk University in Boston will launch “Our Bodies, Ourselves Today,” an online hub that will present a wealth of resources—through podcasts, panels, expert research, and otherwise—that aim to inform women about their own bodies without hawking jade vaginal eggs.

“We’re not going to be generating new information, we’re not going to be in bringing in writers and researchers,” says Amy Agigian, the director of the Center for Women’s Health and Human Rights. “We’re putting together panels of content experts who will come up with things that are already there, and we’ll link to, annotate, and curate them.”

Agigian and her small team will maintain the spirit of Our Bodies, Ourselves, and are working closely with the founders on what the site will be, but one thing Agigian insists is that it’s essential that this new era of Our Bodies, Ourselves be inclusive and welcoming and reflect the world that we live in. “We not only want to be sensitive, but we want to be honest and self-reflective,” Agigian says. “Our new tagline is, ‘Trustworthy, inclusive women’s health resources.’ We are for all kinds of people.” Even cis-men, she adds.

No matter the form Our Bodies, Ourselves takes now, it’s hard not to fear for its future, especially as the founders enter their seventies and eighties. “You never know, maybe there will be a new generation that wants to revisit the book or talk about it,” Doress-Worters says, while acknowledging the book’s limits. “We did this, we’re proud of having done it, we’re glad that people welcomed it and got something out of it, and when it’s over, it’s over.”

Dayna Evans is a writer based in New York.



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Not All Bodies Are Exactly the Same—This New Plus-Size Fashion Brand Gets It


If you’re a plus-size shopper, you know the frustration that comes from brands taking straight-size clothing, making it larger, and assuming it’ll fit the same. This practice (which is still, unfortunately, common) doesn’t take into account how the body changes when weight is added, how a silhouette might need to be readjusted for different body types, how hemlines might need to be longer. Even with more options on the mass market than ever before for sizes 18 and up, it can be difficult to know if the number on the tag will actually work for your body. That’s precisely why fashion blogger Lauren Jonas felt the need to start her own brand.

“It always felt to me that clothing should fit us as we are, not that we should fit clothing as it comes,” she tells Glamour about Part and Parcel, a new plus-size women’s wear brand that drops on May 14. Designing for a plus body, after all, is slightly more complicated than a size small or medium: Three women who all wear a size 18 might carry their weight differently—how can clothing fit correctly with so many variations? Jonas thinks she has the key.

Courtesy of Part and Parcel

Part and Parcel’s distinguishing feature is something Jonas calls dimensional sizing. It’s an approach that’s closer to custom, made-to-measure clothing than you normally see at an affordable price point. (Everything at Part and Parcel is under $150.) For each apparel item, the customer is given the choice between two fits on the bust, biceps, and waist; for shoes, coming this fall, they get three options. An online brand representatives assists in real time, helping them pick the best option.

Jonas began working on this concept in 2017, when she started a Kickstarter campaign to design a better wide-calf boot for plus-size shoppers, allowing backers to pick from a range of calf measurements. It took off, so over the next eight months, she began gathering groups of people in her target demographic to really flesh out the concept. Where did dimensional sizing need more fit variations? How could they offer a range of fits at an affordable cost point? From those conversations, one thing was clear: Men have been able to shop dimensionally forever with varying neck, arm, and inseam measurements (and pretty affordably, Jonas adds), but it was time women got the same options.

woman adjusting the fit of another woman's blazer
Courtesy of Part and Parcel

In recent years different made-to-measure brands have gone about a similar route of bringing that menswear approach to women’s. Sene, for instance, tackles modern silhouettes, whereas Careste focuses on blouses. There haven’t been any efforts specifically for the traditionally underserved plus-size community. With that in mind, Part and Parcel debuts with an easy, versatile range of pieces, which make it easy to bring dimensional sizing to a wider audience—blouses, pants, blazers, skirts, dresses, and more. The question becomes: Could this be the next great innovation in the plus industry?

All of Part and Parcel’s clothing is available in sizes 14 through 36. “It was a huge, huge, huge priority to me not only that we offer past a [size] 24, past a 30, and up to a 36, but that it be fitted and graded in a way that made sense,” Jonas says. “Not just fitted on a size 18 and then [scaled] upward, but fit every two sizes so that it’s really, genuinely tailored to [every size].”

a woman adjusting the waistband of another woman
Courtesy of Part and Parcel

“We’re very focused on serving her as a human being, and not only putting clothing on her body or shoes on her feet, but serving her soul,” she continues. “This is our community and this is our woman, and we’re most proud to be plus exclusive and to create that plus-to-plus community beyond the product.”



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Glossier's New Campaign Shows 5 Real Women and 5 Real Bodies


As a brand, Glossier is arguably one of the most-loved out there, with fans from Helen Mirren to *Glamour’*s own staffers. And for good reason: The products are generally great, but it’s fair to say that a lot of the appeal comes from the Glossier worldview, which encourages women to be themselves and to use beauty to enhance, not hide. Never has that been more true than with the brand’s newest ad campaign, which elegantly shows an inclusive range of women’s bodies as they are in real life.

Holding back the long sigh that this is still groundbreaking news, let’s focus on the positives. Revolving around Glossier’s new Body Hero products—an oil body wash and a creamy lotion—the campaign features gorgeous women with professions and body types across the spectrum.

The models: basketball player and Olympic Gold medalist Swin Cash Canal, influencer and clinical research coordinator Mekdes Mersha, Outdoor Voices founder Tyler Haney, creative director Lara Pia Arrobio, and model-slash-It-girl Paloma Elsesser (who you might also recognize from Fenty Beauty’s campaign and Glamour‘s own outfit inspiration gallery). Take a look:

PHOTO: Glossier

Lara Pia Arrobio

Paloma Elsesser

PHOTO: Glossier

Paloma Elsesser

Tyler Haney

PHOTO: Glossier

Tyler Haney

PHOTO: Glossier

Mekdes Mersha

Swin Cash Canal.

PHOTO: Glossier

Swin Cash Canal

It’s been a good week for beauty inclusion. In addition to Glossier’s campaign, Issa Rae was named a CoverGirl ambassador, and Rihanna’s Fenty Beauty broke ground by debuting foundation in 40—yep, 40—shades.

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Shonda Rhimes on How She Became Her Own Beauty Standard



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