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Demi Lovato's National Anthem at the Super Bowl 2020 Was So Powerful


Fresh off her moving performance at the 2020 Grammys, Demi Lovato returned to the spotlight on Sunday, February 2 to perform the national anthem at the Super Bowl in Miami, Florida. This is the 27-year-old singer’s second performance since her July 2018 overdose.

Like her Grammys performance⁠—in which she debuted a new song, “Anyone”⁠—Lovato’s take on the national anthem was arresting and poignant. Of course, she was met with rapturous applause after finishing the song.

Here are some reactions to Demi’s performance:

Demi Lovato has been through so much over the past two years. After her overdose, she was hospitalized and then subsequently went into treatment. She addressed this herself in August 2018 on Instagram.

“I have always been transparent about my journey with addiction,” she wrote at the time. “What I’ve learned is that this illness is not something that disappears or fades with time. It is something I must continue to overcome and have not done yet.”

She continued, “I want to thank God for keeping me alive and well. To my fans, I am forever grateful for all of your love and support throughout this past week and beyond. Your positive thoughts and prayers have helped me navigate through this difficult time. I want to thank my family, my team, and the staff at Cedars-Sinai who have been by my side this entire time. Without them I wouldn’t be here writing this letter to all of you. I now need time to heal and focus on my sobriety and road to recovery. The love you have all shown me will never be forgotten and I look forward to the day where I can say I came out on the other side. I will keep fighting.”

She seems to be in a much better place now. Shortly after her incredible Grammys performance, she took to Instagram and said, “What an unbelievable night. My first time back on stage in almost 2 years. So emotional for me. Thank you all for the love, support and for sharing this moment with me. I love you all.”

Watch Lovato’s Super Bowl performance, below:



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Rita Ora, Cardi B, Charli XCX, and Bebe Rexha Just Released the Catchiest Bisexual Anthem


Rita Ora, Cardi B, Charli XCX, and Bebe Rexha have joined forces for what might be the catchiest pop song of 2018. It’s called “Girls,” and, well, the subject matter is exactly what you think: girls. More specifically, girls wanting to kiss other girls.

“Sometimes I just wanna kiss girls, girls, girls/Red wine I just wanna kiss girls, girls, girls,” the four pop stars lament on the song’s glittery chorus. Don’t get it twisted, though; “Girls” isn’t commodifying female sexuality or playing into any lesbian chic stereotypes. It’s actually a celebration of bisexuality.

Look no further than some of the verses for proof. “I ain’t one-sided; I’m open minded. I’m 50/50 and I’m never gonna hide it,” Ora sings during her lines at the top of the tune. In an interview with People magazine, the singer confirmed that “Girls” is about embracing gender fluidity and loving whomever you want on your own terms.

“I think, obviously, the song is very impactful in its own way. It definitely has a point. For me, I always looked at this song as a real gender-fluid freedom record. I never looked at it as, ‘Only females can listen to it ‘or ‘Only males can listen to it.’ It’s for everybody,” Ora said. “It really represents freedom and the chance to be what you want to be—and there being no judgment and just living your life as you want to live it. That’s what this song represents to me every time I hear it.”

Check out “Girls” for yourself, below:

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Slowly but surely, queer artists and themes are making their way into pop music. Halsey and Lauren Jauregui certainly made strides in this space last year with “Strangers,” a haunting electronic song that unabashedly used female-female pronouns. Meanwhile, Troye Sivan’s euphoric “My My My!” is already a strong contender for song of the summer. “Girls,” though, might be the first time four high-profile singers have banded together with an unabashedly queer message. That should (hopefully) move the dial in a huge way.

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