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'Outlander' Season 3, Episode 6 Recap: Jamie and Claire Finally Reunite, and Yes, the Sex Is Fire


This article centers on Season 3, Episode 6 of Outlander, “Malcolm.” If you’re not yet caught up with the show, be warned: Spoilers abound.

This is the episode we’ve been waiting all season for and friends, I assure you, it does not disappoint. Our beloved Jamie and Claire reunite after twenty years apart, and yes, there is plenty of rousing sex, so let’s get right to it.

The episode opens with the same scene Episode 5 closed on—except this round, we see things from Jamie’s perspective. Jamie looks dapper and colonial, walking through Edinburgh on his way to work, tricorne and all. When he gets to his print shop, he hears men whispering and pulls out a blade before realizing it’s just two of his kinsmen who were sleeping a hard night off. Jamie gives them some treasonous pamphlets to deliver. As they leave, Geordie, Jamie’s apprentice, arrives for the workday. He’s the cranky sort and has a goiter, which can’t be pleasant in the 18th century. Jamie dispatches Geordie to get something for the press and look, I’m pretending to be interested in all this, but I’m not, and you’re not because it doesn’t involve Jamie and Claire, naked.

There Jamie is, wearing his cute little spectacles, preparing to print something—omg who cares—and he calls out to Geordie when he hears the door open. (We know who it really is.) A lady’s delicate voice says, “It isn’t Geordie. It’s me, Claire.” Slowly, Jamie turns around, looks up at his long lost wife beaming down on him, and does what you might expect—passes out!

When he comes to, Jamie still can’t believe it’s really Claire. They gaze at each other and then Jamie is on his feet because his pants are wet (worry not; he did not “piss himself”). He starts to take off his pants and is suddenly modest, but Claire reminds him that they are, you know, married. After he takes off his pants and they say words at each other, Jamie says, “I would very much like to kiss you. May I?” Claire breathes, “Yes,” because of course, and Jamie says, “I have not done this in a very long time,” and finally their lips lock and it’s a moment. (We know it’s a moment, because the score rises loudly and unnecessarily—we were already deep in our feelings. Thanks, composer!)

Sadly, they do not continue disrobing to have sex right then and there. There is so much sadness in the world.

PHOTO: Aimee Spinks/STARZ

Their kiss is interrupted by Geordie returning from his errand. When he sees his boss and Claire in the throes of tongue wrestling, Geordie, disgusted, declares that he quits. Jamie needs a new pair of pants, and I certainly disagree with that. Jamie needs no pants, ever, but fine, whatever. He heads to the back room but insists Claire go with him. It’s as if he can’t really believe she’s there, with him, in the flesh. Believe it, Jamie! It’s all about to go down.

Like a good father, Jamie asks about Brianna and seems glad that his daughter knows who he is. Claire shows him pictures, quickly explaining that photographs aren’t the devil’s work, just the product of a thing called a camera. They talk about their child, and I suppose it’s all very sweet and tender. Claire tells Jamie she’s a surgeon, and he says, “You always were one. Now you have the title to go with it.”

Jamie shares that he has a son, “Willie,” and all Claire needs to know is, “Did you love his mother?” to which Jamie says no. They discuss Frank, very briefly because he’s dead and no one but his sidepiece likes Frank. All of the talk is shy and tentative; really what they are trying to gauge is if there will be anyone in the way of their reunion. GREEN MEANS GO, JAMIE & CLAIRE! GREEN MEANS GO! THE LIGHT IS GREEN!

Suddenly, Jamie remembers he has an appointment, and he and Claire head to a tavern. On the way, they run into Fergus, who is delighted to see Claire. He’s quite grown up and handsome now. Fergus needs to talk to Jamie about a Mr. Willoughby. They step aside and Fergus says, “What about?” implying that there’s something we do not yet know. We’re not going to figure it out in this episode, though, so let’s just worry about all that later.

At the tavern, Mr. Willoughby is in a bit of trouble because he licked a barmaid’s elbow without paying her. Things were not so different in the 1800s, I guess. While Claire and Willoughby get to know one another, Jamie goes off to a dark cellar to talk to Sir Percival, an Englishman who thinks none too highly of Jamie and to whom Jamie pays some kind of tax for selling something on “High Street.” Jamie is obviously up to some kind of illegal hustle, and the show is setting up the next major plotline, so I reckon we’ll have to keep an eye on this.

As their day ends, the Frasers go to a brothel where the Madame Jeanne, the proprietress, is none too pleased to learn Jamie has a wife. Jamie lives in the brothel and Claire is quietly seething. She asks if he’s living there because he’s such a good customer but Jamie assures his wife that Madame Jeanne is his customer, and the brothel is just a comfortable place to lay his head. As one does.

If you can believe it, this couple still has more questions before getting it on. “Sassenach, why have you come back?” Jamie asks, wanting to know if Claire is just passing through to let him know about Brianna or if she is there to be his wife. They talk more, and holy hell, all of this preamble is excruciating. Sure, it’s kind of romantic and true to what a reunion after twenty years would look like, but just as we have waited for six episodes, we’re now being forced to wait still longer within the episode. Jamie and Claire continue to reassure each other that the fire still roars between them. Still no sex, though, because now it is time for dinner.

After dinner—and yet more catching up—finally, FINALLY, Jamie invites Claire to bed, and she accepts his invitation. I accept his invitation. We all accept his invitation. They stare lovingly into each other’s eyes and start undressing as a fire crackles in the background. (The score is back to reminds us that they are about to bone. Bone tones. HA!) We are also painfully reminded that in ye olde times, people wore quite a lot of layers with complicated systems of fastening and closure. My god.

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PHOTO: Aimee Spinks/STARZ

When they are finally unwrapped, Claire is nervous as hell. Jamie reassures her, “You’re the most beautiful thing I’ve ever seen.” You would think they would be getting down to it, but first they blabber a bit more about their wedding night. When they do kiss and fall onto the bed, Jamie practically breaks Claire’s nose. They try again and bump awkwardly again, and at this point the show is just being cruel but fine because once Jamie and Claire get going, it’s great. After she is revved all the way up, Claire orders, “Do it now and don’t be gentle.” Jamie does as he is told. It’s incredibly hot and breathy and grunty, and Claire and Jamie are both assured that they’ve still got it. High fives all around.

As far as I’m concerned, they should spend the rest of the episode in bed having incredible sex because that’s why I watch this show, but alas, I did not write this episode. They blabber some more during the afterglow, reaffirming their mutual admiration and sexual compatibility. Claire also tries to figure out what Jamie really does to make a living. Given the outstanding condition of his body, he is not merely working as a printer. She runs through some disreputable career options, but Jamie remains coy. He admits to being a traitor, arrested for sedition “six times in the past two years.” After a bit more cajoling, he also admits he’s a booze smuggler.

Thankfully, they stop talking and start having sex again, slower this time, now that the primal urge has been somewhat satisfied.

Then it’s time for more love talk. Claire asks Jamie, “Did you ever fall in love with anyone else, after I left?” and he says, “No, Sassenach. I never loved anyone but you.”

Reassured for the umpteenth time, Jamie and Claire start making love yet again (praises!). There’s a knock on the door because breakfast is ready, but Jamie sends the food away. Claire asks, “Don’t you want to eat?” and Jamie grins, while sliding down Claire’s body because he knows where breakfast is really at: between a woman’s thighs.

When they have finally satiated themselves, Jamie leaves Claire in bed because he has to go handle some smuggler business. While she is lounging, Ian Murray, Claire’s nephew, shows up and they have a mini-family reunion. It’s kind of hilarious how everyone handles Claire’s return with bemusement more than shock.

Claire heads downstairs to find some food and sits down to eat with some of the women working at the brothel who mistake Claire for the new girl. It’s a charming, bawdy little scene where they discuss bathing techniques, birth control methods, and how to get a customer off fast. Unfortunately, Madame Jeanne interrupts and doesn’t at all appreciate Claire dining with the women. There’s something going on with the madam—perhaps she has feelings for Jamie, who knows.

When Claire returns to her room, there’s trouble—a man waiting, threatening Claire and wanting to know where Jamie’s ledgers are. She orders him to get out but he is unmoved, grabbing her by the throat—a strange way to end such a lovely episode. This show will never stop relying on the imperiled woman as a plot device and it’s particularly infuriating to do so at the end of an episode filled with such love, passion, and overall sexiness. It’s as if the show is determined to remind viewers that women on this show are never, ever safe. There are some things, I guess, that cannot be escaped, not even in fantasy.

Roxane Gay is the author of Bad Feminist, Difficult Women, and most recently, Hunger. She is also the author of World of Wakanda for Marvel and a contributing opinion writer for The New York Times.

Watch Claire and Jamie’s reunion—at last!—here:

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The Best 'Outlander' Sex Scenes


Let’s be honest: The best part about Outlander is the sex. The love scenes on this hit Starz series are some of the best on TV, and there are several reasons why. For one, there’s the way in which these scenes are framed: They’re completely dictated by Caitriona Balfe’s character, Claire. The sex is seen through her eyes, which makes it pretty damn empowering—not to mention saucy and sweaty and primal and just amazing. It doesn’t hurt that the three actors doing the most boning—Balfe, Sam Heughan, and Tobias Menzies—are insanely good looking, either. And these 10 scenes, below, are the hottest of the bunch. Grab a glass of water before reading. You’ll need it.

Season one, episode 11: Jamie gets handsy.

Claire doesn’t waste any time telling Jamie that she’s a time traveller, and his reaction to the news is incredible: He brings Claire to orgasm by using his hands. “I want to watch you,” Jamie says to Claire seconds before she climaxes. Damn.

PHOTO: Starz

Season two, episode four: In Paris, with blue light.

The context here is what makes this scene so significant. Remember, Jamie was so traumatized from being raped by Jack Randall that he couldn’t sleep with Claire without picturing him. It’s in this moment, though—after several months in Paris—where they reconnect for real. It’s glorious.

PHOTO: Starz

Season one, episode one: Frank gets on his knees.

Yes, Frank and Claire have sexy scenes too. Exhibit A: This moment from the pilot, where Claire makes Frank go down on her outside while they’re exploring the Scottish ruins. What an amazing detour.

PHOTO: Starz

Season one, episode one: Claire and Frank’s second honeymoon.

It’s the first sex scene in Outlander—ever—and it’s an important one. This moment explains just how integral sex is to this series: It’s used as a communication tool more than anything. Claire and Frank’s bone session here is smoldering, but it’s also the primary way they’ve connected since Frank’s return from war. She says this in her voiceover.

PHOTO: Starz

Season one, episode seven: Claire and Jamie’s first time.

This happens at the top of their wedding night. Granted, it’s not that great—Jamie’s a little rusty—but its significance earns it a spot on this list. After all, it’s the gateway sex for the amazing orgasms to come.

Season two, episode eight: A makeout session that’s hotter than sex.

Jamie and Claire don’t even take their clothes off here, but they still give me heart palpitations. Seriously, who in real life kisses like this? They’re just so into it—like horny 16-year-olds on prom night. I’ll die happy if I can have just one makeout session this explosive.

PHOTO: Starz

Season one, episode nine: Claire punishes Jamie.

This moment starts out uncomfortable: Jamie thinks it’s a good idea to spank Claire as punishment for her getting caught by the British. She pushes back, of course, but then shows Jamie she’s cool with rough sex if it’s consensual. That’s when the heat turns up. “Raise your hand to me again, James Fraser, and I will cut your heart out,” Claire says during their rendezvous.

PHOTO: Starz

Season one, episode 10: Knock-knock.

We’ve all been there, right? Your partner’s going down on you, but then a nosy Laird starts tapping at the door. Mere mortals would be startled by this, but not Jamie. Nope, he keeps going—even when the knocking intensifies—and gets Claire to climax. Whoever’s outside can wait, damn it!

PHOTO: Starz

Season one, episode eight: Jamie and Claire bang outside.

Do we need to explain this further? They’re outside! Everyone knows sex in the grass is better than sex in the bed.

PHOTO: Starz

Season one, episode seven (part two): Jamie and Claire’s wedding night gets steamy.

Their wedding night started off slow, but by round three they’re off to the races. The foreplay in this scene is arguably better than the actual sex: Claire has Jamie strip for her. The vibe is electric by the time they make it to the actual bed.

PHOTO: Starz

So did this headline lie? Are you not feeling things? Maybe this final nugget will do the trick: Here’s a super-cut of these scenes. You can thank me later.

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'Outlander' Season 3 Episode 6 Trailer: Here's Your First Look at Jamie and Claire's Reunion Sex


Outlander fans have been waiting for one thing (and one thing only) this season: Jamie (Sam Heughan) and Claire’s (Caitriona Balfe) reunion. Or, more specifically, all the sex that’ll happen once they reunite.

It’s been 20 years since the two have seen each other, but last night’s episode finally set things in motion for them to be together again. Claire used the standing stones to travel back to 18th century Edinburgh, which means she and Jamie are finally in the same century at the same time. This isn’t the only thing Outlander fans have to look forward to, though. The sixth episode, which airs October 22 and is titled “A. Malcom,” will be a super-sized 74 minutes, giving fans time to really enjoy Jamie and Claire’s reunion.

And what a reunion it is. Starz released both a photo and quick teaser trailer of Claire and Jamie’s rekindling, and they can be described in one word: hot. Like, insanely hot. So hot that you might want to grab a glass of water before you continue reading this post.

Let’s start with the photo, which Starz tweeted out on Monday (October 9) from Outlander‘s official page “When the love of your life is back in your arms, nothing else matters,” they captioned the pic. Jamie’s hair, as always, is looking 20 out of 10.

The video is even steamier. It’s brief, but it’s memorable. Their thirsty stares! The heavy breathing! Jamie suggesting to Claire that she “come to bed” with him! It’s all just too much…in the best way possible, of course. Watch it for yourself, here.

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Is it October 22 yet? There’s absolutely no way Outlander fans can make it until then.

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TV Sex Scenes That Are Better Than Porn: Game of Thrones, Scandal, Outlander, and More



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'Outlander' Season 3, Episode 5 Recap: Loose Threads Are Tied and We Finally Get the Reunion We Were Promised


This article centers on Season 3, Episode 5 of Outlander, “Freedom & Whiskey.” If you’re not yet caught up with the show, be warned: Spoilers abound.

Most of this week’s episode of Outlander is set in Boston during the 1960s as Claire and Brianna try to get back to their lives after an eventful summer in Scotland. Re-entry proves challenging for both mother and daughter: Brianna has to make sense of her parents’ marriage and the truth of her biological father, while Claire has to try and accept that she will never see Jamie again.

There is no sex in this episode. I am just putting that out there so you don’t end up disappointed. I won’t say that this week’s episode is bad. It’s just…different; a bit slow-moving, though there’s the pay-off we were promised at the end of last season: a reunion between Jamie and Claire.

Claire goes back to work, being a badass while saving a woman’s life during surgery. (Her personal life might be a disaster, but professionally, Claire is on point.) Such is not the case for Brianna who is wholly disinterested in school since she now knows that time travel is real. After history class (this show, again, with the lack of subtlety), her professor pulls her aside and tells her she is failing. He knew her father, and what can he do to help, and so on. All Brianna can tell the concerned professor is that she’s fine which is universal for, My life has fallen apart, but I don’t want to talk about it, thank you very much.

PHOTO: Aimee Spinks/STARZ

It’s the holidays and at home, Brianna is wistful for her father (well, one of her fathers), rubbing his favorite chair, holding his pipe, and looking at old pictures. I kept wanting to feel what I knew I was supposed to feel during this scene—and pretty much any scene with Brianna—but I couldn’t. Her character is irritating, which is totally fine because sometimes people are irritating, but still, the emotional resonance of a young woman mourning her father just wasn’t there, and it was supposed to be.

Claire’s work husband, Joe, presses Claire about what really happened in Scotland and she tells Joe there was someone from her past, but she can’t really tell him that the love of her life is lost in 18th-century Scotland. She says something cheesy about fate keeping them apart and Joe, bless his heart, says, “Fuck fate.” He is the one person on this show who cuts through the nonsense and melodrama and he is greatly appreciated.

Roger, poor sweet Roger, arrives in Boston to surprise Brianna and when he shows up at the Randall home, Claire and Brianna are having a loud fight about Brianna’s decision to withdraw from Harvard. Brianna explains that she can’t return to her previous life knowing what she knows about her true parentage. And then she runs off, leaving Roger in the friend zone with Claire. Yikes.

All is not lost. As Roger and Claire chat, he reveals that he has found Jamie, which is like, Way to bury the lede, Roger! In a 1765 article he found, there was a line, “For as has been known for ages past freedom and whisky gang together”—the exact line Claire once quoted to Jamie. The printer of the magazine was Alexander Malcolm (Jamie’s middle names), who was apparently living in Edinburgh. Roger expects Claire to be happy with the news, but not so much—she says she gave up her hope and also can’t take it up again. She also can’t leave Brianna because motherhood, etcetera. Roger, having struck out twice in one night, asks what he can do to help, and Claire asks him to not tell Brianna he’s found her other father. This show takes every single opportunity to draw out the inevitable. Sometimes, it makes for good drama. Other times, like now, it’s just irritating.

Back at work, Claire and Joe have a mini-episode of Bones while studying the hundred-year-old bones of a woman found in a cave in the Caribbean. Then Joe gets down to business, asking, “What aren’t you telling me about your man in Scotland?” Claire admits Jamie is Brianna’s real father, and Joe, who is the most amazing wingman a woman could have, tells her to get a grip and go fight for the man she loves. Again, Joe comes through in the clutch.

Meanwhile, Brianna, in the throes of her young life crisis, concludes that history is “just a story; it changes depending on who’s telling it,” and also: “History can’t be trusted.” Girl, I guess.

Outlander Season 3 2017

PHOTO: Aimee Spinks

At a reception celebrating a fellowship established in Frank’s name, Claire runs into Frank’s sidepiece, Sandy, who is still quite bitter and angry. “You should have let him go,” she tells Claire, and Claire gets downright indignant. Sandy is gonna be heard, though, and she tells Claire that the other Mrs. Randall was selfish and wanted it all, thereby keeping Frank and Brianna from happiness. Again, yikes. It is one of this episode’s more interesting scenes because we see that Claire and Frank’s marriage of inconvenience created quite a lot of collateral damage. I blame Frank, who, as Sandy bitterly points out to Claire, could never stop holding a torch for her. Alas.

Afterwards, Brianna asks who Sandy was and Claire admits that she was Frank’s sidepiece. Brianna takes the news surprisingly well. Claire assures Brianna she was loved by both Claire and Frank, and she also admits that Roger found Jamie since they are having such a deeply truthful moment. For once, Brianna is slightly bearable and encourages her mother to go find the love of her life somewhere in time. The end of our wait is nigh!

While watching the Apollo 8 mission, Claire waxes poetic about her own journey, and just like that, she’s ready to go back to the 18th century. Sure, she has yet another heart-to-heart chat with Brianna about the possibility they might never see each other again, but it’s clear she’s going. It’s like an episode of Lost with someone screeching, “You have to go back!”

To draw things out just a little more, Claire admits she is not only nervous about leaving Brianna, she’s also worried Jamie might have forgotten her or that she’s gotten too old, and so on. (Time-traveling surgeons, they’re just like us.) Joe assures Claire she and Jamie will still find that old loving feeling. That’s all she needed to hear. Onward, she goes.

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PHOTO: Aimee Spinks/STARZ

Around the Christmas tree, Claire opens a gift from Roger and Brianna—antique Scottish currency and a book of Scottish history. Claire, being clever, is also taking some scalpels and penicillin she stole from the hospital. Love makes thieves of us all. Brianna gives Claire a topaz pendant to wear through the stones because the stones require a gem sacrifice to let people through, apparently. Claire then sews herself the perfect dress with lots of pockets so she can carry everything she needs. Claire is a Swiss Army knife of a woman—she can perform surgery, sew, cook in a fireplace, call up knowledge of herbs—basically she can do whatever is required of her when it is required of her. This show never troubles itself with reckoning how overly convenient Claire’s knowledge base is, and I suppose that’s fine. If we can suspend our disbelief enough to believe in time travel, we can believe Claire is perfect. To finish things off, she dyes her hair to hide her pesky grays. (Just like us!)

When they say goodbye, Claire gives Brianna the Scottish pearls Jamie gave her on their wedding night. They hug and murmur sweetly to each other. Claire thanks Roger for finding Jamie and then the three enjoy a shot of whisky, with the toast, “To freedom and whisky.” All things come full circle.

As the episode closes, Claire is in 18th-century Edinburgh. She walks along the cobbled street and asks a random boy where she can find the printer, Alexander Malcolm. This random boy, of course, gives her the exact directions to find Malcolm. Seriously.

Before long, Claire arrives at the print shop, and after pausing to breathe deeply, she enters. She walks, slowly to a balcony overlooking a workspace where Jamie stands, his lovely hair in a ponytail, his back turned. Jamie speaks to her as if she is someone else named Jordy. “It isn’t Jordy. It’s me…Claire,” she says. Slowly, Jamie turns, his face shifting marvelously as he realizes it is indeed Claire smiling down at him. And then he passes out, and the episode is over.

Watch Claire and Jamie’s big reunion here:

Most of the loose ends have now been tied. Brianna is squared away with Roger in the 20th century, and Claire is a doctor so she’ll be able to revive Jamie so they can get back to having incredibly hot sex. And all of this comes, we hope, along with Claire and Jamie, in the next episode!

Roxane Gay is the author of Bad Feminist, Difficult Women, and most recently, Hunger. She is also the author of World of Wakanda for Marvel and a contributing opinion writer for The New York Times.

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'Outlander' Season 3 Episode 1 Premiere: New Season, Nothing to See Here (Yet)


The article centers on Season 3, Episode 1 of Outlander: “The Battle Joined.” If you’re not get caught up with the show, be warned: spoilers abound.

The first season of Outlander made us all believe this was going to be a show about hot sex on the Scottish highlands between time-traveling British nurse Claire Randall and her dashing lover (now husband), Scottish Highland warrior Jamie Fraser. But things took quite the turn when Jamie Fraser ran into the sadism of Black Jack Randall. Throughout the second season, the show’s tone was much darker; there was much more at stake than the tension of whether or not Claire would ever find her way back to her own place and time, or how much sex Claire and Jamie would have. Instead, we were concerned with matters of fate, history, and fortune. We were innocent in the first season, and then we were not. All the while, the show grew wildly in popularity because of the melodrama, the men in kilts, the intricate plots, the historical imagination, the exceptional production values—but mostly the sex, because for once, we have a show where men’s bodies are as gratuitously displayed as women’s bodies and it feels celebratory, not exploitative.

When we last saw the Frasers in Season 2, they were exiles from Scotland and living in Paris. Claire’s costumes were exquisite, as were her devious plans to both support and upend the Jacobite rebellion so she and Jamie might preserve the Highland way of life. This was always the crux of the show—Claire knows how things turn out for nearly everyone she encounters in the 18th century and as such, she is in the position of trying to protect those she cares for most from a history she likely cannot change.

Throughout the second season, we see Claire and Jamie trying to reconnect after Jamie’s trauma. The couple fights to hold together when their daughter is stillborn and they face enemies new and old. And then, they travel back to Scotland, still both leading the rebellion and trying to undermine it. Alas, their efforts are for naught. As the finale ends, the Battle of Culloden is nigh. Claire returns, through the stones, to the 1940s and her exceedingly dull husband Frank so she and Jamie’s child might live.

It has been more than a year since the second season of Outlander ended—so long, in fact, that the show’s more passionate fans refer to this time as “Droughtlander.” And what a drought it has been—no Claire, no Jamie, no bagpipes to soothe us.

PHOTO: Aimee Spinks/STARZ

Jamie faces Black Jack Randall at the Battle of Culloden.

From the outset of the Season 3 premiere, know that not much happens nor does this episode pick up where the Season 2 finale left us—with Claire visiting Scotland in 1968 with her daughter Brianna, discovering that Jamie did, indeed, survive the Battle of Culloden, and vowing that she would go back to 18th-century Scotland. In other words, the drought may be over but our lips are still parched. The show knows what we want and they are going to make us wait for it, though I have no sense of how long that wait might be.

The first episode of Season 3 opens in the aftermath of the Battle of Culloden. Across the moor, we see dead bodies, mostly Highlanders. Redcoats wander amongst the bodies, occasionally stabbing at men who are still alive with their bayonets because nothing says “honor” like attacking helpless men. Slowly, the camera pans to Jamie, amidst all those dead bodies, fairly close to death himself with a Redcoat lying on top of him. Suffice it to say, Jamie has looked better. The only satisfying glimpse we get throughout the episode of his impeccable body is of his exceedingly well-defined pectoral muscles. That’s it. The struggle is so very real.

As he lies there, gaunt and gasping, Jamie recalls the actual battle of Culloden. The Jacobites are being bombarded and Jamie implores the utterly ineffective Prince Charles Stuart to allow the men to charge so they can have a fighting chance. Then, the Jacobites charge the Redcoats and it’s blood and gore, flesh and blades clashing. The sound effects are very…vivid.

Suddenly, amidst all the fighting men, Jamie spots Black Jack Randall, and it’s on like Donkey Kong. The men run at each other and a battle within the battle ensues, like a war version of Inception. Black Jack injures Jamie with his sword, but in the end, Jamie is victorious. The Redcoat lying atop Jamie on the battlefield is, in fact, the corpse of Black Jack Randall. It’s kind of a disappointment that Black Jack’s death—something most of us have been wanting to see for two seasons—is relatively anticlimactic, but at least we have the relief of knowing he won’t smarm about the world with his sadistic impulses.

As Jamie lies among the dead, it begins to snow, and he hallucinates that Claire is walking toward him. He keeps moaning pathetically—and let it be known, this is pretty much all he does for the entirety of the episode. “Are you alive, Jamie?” Claire asks, and before he can answer, he realizes it is actually Rupert, his clansman, speaking to him and saving his life.

Outlander Season 3 2017

PHOTO: Aimee Spinks/STARZ

Claire and boring Frank scout a new apartment.

And then, we are in 1940s Boston. Claire and Frank Randall are looking at a new house where they might make a home. Frank is as charmless as ever as he waxes on about all the meals Claire will prepare for him in their new kitchen. It’s like, Shut up Frank. She barely tolerates you, let alone has any interest in feeding you. Months later, Claire is struggling to light the gas stove. She is heavily pregnant and in none too good a mood. She sits, defeated, on the couch, staring into the fireplace…and has an idea! Before long, she has found firewood and is cooking Frank’s dinner in the fireplace, as one does. She has also met a neighbor, Millie Nelson, who chats with Claire as she prepares dinner. Millie simply cannot believe Claire is trying a new way of cooking without knowing if Frank likes it or not. Imagine, not centering your life and choices around your husband’s desires! What madness. Throughout their conversation, we are reminded just how regressive gender roles were at the mid-century. If ever there was an argument for day drinking, this window into life as a 1940s housewife makes it. And it only gets worse.

The Randalls attend a party where Claire meets Frank’s boss—a man who is, like most of the men we’ll see in Boston, total trash. During a conversation about politics, Claire dares to offer an opinion about the upcoming election between Truman and Dewey, and the boss snarks, “Professor Randall, you’re going to have to pay closer attention to your wife’s reading habits.” A profoundly sexist conversation follows where the boss makes it clear that he has nothing but contempt for women, and Claire makes it clear that she has nothing but contempt for her husband’s boss. She seems downright miserable—trying to be a good wife, yearning for Jamie, and having to deal with the patriarchy.

Over breakfast some time later, the cracks in the Randall marriage really begin to show. Claire tells Frank she wants to apply for American citizenship, and when Frank tries to touch Claire’s belly, she flinches. They argue, and Frank wants to know when Claire is going to stop freezing him out. When he snaps, “I’m not the one who’s been fucking other people,” Claire throws an ashtray at Frank’s boring head, and he escapes to work. Before he leaves, he asks Claire to go or stay, so long as she does what she really wants to do. He doesn’t mean that, of course, and that’s what’s so terrible about Frank. He pretends to be the good guy, the understanding guy, but really he’s just passive aggressive and resentful.

Outlander Season 3 2017

PHOTO: Aimee Spinks/STARZ

The cracks in the Randall marriage are really starting to show.

Back in Scotland, Jamie, Rupert, and other Jacobites take shelter in a nearby barn. Jamie remains close to death. Things are grim. The Redcoats find the Jacobites and one Lord Melton gives them an hour to prepare for execution. As is the British way, the executions are very well mannered. The men give their names to a clerk, and then are brought outside, propped up against a pole, and shot. Jamie continues dying and looking deathly. Before it’s his turn to be executed, Rupert comes as close to forgiving Jamie for murdering Dougal as he can, and then goes to meet his fate with his characteristic sass.

When it’s finally Jamie’s turn to meet the executioner, Lord Melton is presented with quite a dilemma. Turns out, Melton’s brother is John William Gray, a man whose life Jamie spared. In return, Gray promised Jamie that he owed him a debt of honor. He decides to spare Jamie’s life, sending Jamie to Lollybroch to reunite with his family. Jamie Fraser is both the luckiest and unluckiest man in Scotland.

Back in Boston, Claire goes into labor. In the hospital, she is ignored and condescended to by the obstetrician, who asks Frank how far apart Claire’s contractions are—even though Claire is the one who knows, what with it being her body and all. In the delivery room, she is alone with the medical team and despite her protests, they sedate her, saying, “When you wake up, you’ll be a mother.” If there’s a moral to this story, it’s that it has generally sucked to be a woman at every single point in history.

When Claire comes to, she is frantic, wanting to know if her baby is dead or alive. And then Frank appears, holding her daughter. Frank and Claire come to an understanding of sorts, vowing to make this a fresh start—as if that’s even possible when we know how incredible the sex between Claire and Jamie was. As the new parents fawn over the baby, the nurse asks, “Where’d she get the red hair?” It’s as awkward a moment as you might imagine and also the ending to a really underwhelming episode.

Given what we know from the Season 2 finale, Claire is going to make her way back to Jamie, but the third season premiere offers no hint as to how or when that is going to happen. Jamie is back at Lollybroch; Claire is stuck with boring Frank. I still haven’t read the books so I have no idea what’s going to happen next, but stay tuned for next week where hopefully, Jamie will be more naked and also more alive.

Roxane Gay is the author of Bad Feminist, Difficult Women, and most recently, Hunger. She is also the author of World of Wakanda for Marvel and a contributing opinion writer for The New York Times.

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Caitriona Balfe Says There's Less Sex on 'Outlander' Than You Think—and That's a Good Thing


PHOTO: ©Starz! Movie Channel/Courtesy Everett Collection

If it seems like everyone’s talking about Outlander lately, it’s because…well, they are. Three years after the show’s premiere, more people are catching on to what fans of the STARZ series have loved since day one: the epic storytelling, sweeping locations, and, oh yeah, those sex scenes.

“It’s been such a whirlwind,” Irish-born actress Caitriona Balfe (who plays Claire) tells us. “I got the job and moved to Scotland almost four years ago, which is crazy to me. You just get enveloped in this very passionate fandom and get hit with this wall of love and support. It’s not very often these shows hit, and people don’t always connect with what you do, so it’s nice to be on something people are watching.”

And watching they are. Fans are counting down the days (and episodes) until Claire (Balfe) and Jamie (Sam Heughan) can hopefully find their way back to each other. Of course, there’s also her marriage to Frank (Tobias Menzies) in 1948 to contend with (just a small snag) and a newborn baby. We’ll how this all plays out when the season premiere arrives on Sunday, September 10—until then, Balfe filled us in on everything to expect. Get ready.

PHOTO: ©Starz! Movie Channel/Courtesy Everett Collection

Heading into the third season, Jamie and Claire are in different centuries, so the dynamic will be different. How will the show handle the new direction where sex seems like it won’t come into play?

Caitriona Balfe: It’s funny, because there’s probably less sex in our show than people think. It’s just when we do it we try to empower these two characters to represent this meta-physical and all-encompassing love, so we get branded as, “It’s so sexy!” But if you look at the amount of episodes that it features in, it’s not in every single one. I also think those moments have to be earned by the characters and their journey. We’ve always said that as a show, we try to make it not gratuitous. You don’t want to cheapen it.

I love the beginning of this season because you see what life is like for these two characters without each other and how impactful that is in two very, very different ways. For Jamie, he knows Claire is living a life somewhere else, and that’s so evidently painful. Sam plays it so beautifully. For Claire, she’s now a widow in her mind. She believes he’s died, and how does someone move on and live a life when the love of their life has gone? She has a baby to protect and raise, and that has a huge impact on the decisions she makes going forward. And then, we get to play this great compromise marriage that’s complicated and disappointing and sad but also has moments of levity and connection. It’s fun to play that as an actor.

How did you approach going in to the season knowing Claire is still so feminist and tough but is arguably in an even more restrictive environment than when she’s in feudal Scotland?

Caitriona: The great thing is, it’s easy to look at Claire and be like, “She’s a modern woman in an ancient time; it’s such a patriarchal society, and of course she’s going to buck the system.” But in episode one, you see the first instance of it—when she’s at the dean’s office in the university, and the dean is so dismissing and puts her down so much, you see her kind of take it, but I believe that’s the moment she makes the decision of, “You know what? Fuck you, I’m going to go to medical school.” You realize it doesn’t matter what time period Claire is in, she’s going to break through the glass ceiling. That’s what I love. You see that her first day of medical school where, again, she’s being put down and dismissed, and she’s like, “Screw you.” She forms this great alliance with Jo Abernathy; you see the culture of the time—they are both the outcasts—but then the great thing is that you see them graduating, and it’s like, “Yeah, she’s formidable, and she’s not going to let these people put her down.”

The show really relies on the female gaze. Will that continue this season?

Caitriona: With all the sex scenes, or anything like that, we always try to approach them from a place of empowerment—not only the characters, but of the actors and the audience. That’s no different to how I approach it, to how Sam approaches it. What we’ve always said is that we’re not just this feminist show. What we are is a well-balanced, well-rounded look at a relationship; we give as much credence to the female perspective as we do to the male. The only reason that gets called feminist sometimes is because we’re not really used to seeing it so evenly distributed on TV. But it wouldn’t work if it was just from her perspective or if the men on the show were just 2-D portrayals. So, I just like to think of us as a show of equality. We try and do that this season, as we have the previous [seasons].

If Claire were to exist as a 20- or 30-something in 2017, what do you think she would be doing?

Caitriona: She would probably be campaigning strongly for Planned Parenthood. I think that given her medical…she will always be a doctor. I think that’s her gift in life—to be a healer of some description—but she would be appalled at the conversation around women’s health and women’s rights at the moment. I think she would be trying to fight against that very strongly.



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