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Ryan Reynolds Trolled That Conversational Peloton Ad and the Internet Has Thoughts


Ryan Reynolds loves a good Internet troll—just ask his wife Blake Lively—so it should probably come as no surprise that he wasted no time weighing in on that controversial Peloton ad that took over social media last week. In a new commercial for his Aviation American Gin brand, Reynolds recruited the wide-eyed Peloton wife (actress Monica Ruiz) and gave her a script that implies she finally escaped her exercise bike, and perhaps, the husband who gave it to her.

Just to quickly recap: The Peloton ad—which shows a woman receiving a Peloton bike from her husband for Christmas, then tracking her progress over the year by vlogging her rides—touched a nerve with millions of people. Critics called it everything from “sexist” to “body shaming,” while others joked that the woman’s eyes were practically screaming “Get me out of here!” It seems like Reynolds took the latter idea and ran with it, because his ad involves the woman sitting at a bar, looking completely dazed and exhausted, while having a drink with her friends. “This gin is really smooth,” is all she says before her pals chime in with, “We can get you another one, if you’d like” and “You’re safe here.” (Fun fact: One of the friends is Mercedes from cycle two of America’s Next Top Model.)

The whole thing is subtle and the only obvious dig on the ad is when one of the woman’s friends says off-camera, “You look great, by the way!” But Reynolds did make sure we got the joke on his Instagram, where he posted the ad with the caption, “Exercise bike not included.”

For the most part, people laughed about Reynolds extending the Peloton wife saga.

The Peloton Wife actress also shared a message that shows the whole thing was meant in tongue-in-cheek—and that she was ready to brush off the controversy over the original commercial. “So much fun with these girls. Let’s make light of this!! Cheers!!” she wrote.

Ruiz also gave a statement to CNN saying that despite the backlash to the Peloton ad, she’s glad she got the gig. “I was happy to accept a job opportunity earlier this year from Peloton and the team was lovely to work with,” she said. “Although I’m an actress, I am not quite comfortable being in spotlight and I’m terrible on social media. So to say I was shocked and overwhelmed by the attention this week (especially the negative) is an understatement.” That said, getting the call from Reynolds certainly helped. “When Ryan and his production team called about Aviation Gin, they helped me find some humor in the situation,” she said.

But really, who wouldn’t want a call from him? No offense, Blake.



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Leave The Peloton Bike Ad Lady Alone


Peloton, a company that sells (checks notes) bikes that don’t go anywhere, is worth nearly 10 billion dollars. But the latest Peloton Bike ad—you know, the 30-second spot that went viral and drew comparisons to the brainwashed family from Get Out—just lost the company almost one billion dollars and sparked an endless stream of Twitter hot takes.

In case you’ve been sitting this internet controversy out, the infamous ad—which shows a woman receiving a Peloton bike from her husband for Christmas, then tracking her progress over the year by vlogging her rides—touched a nerve with millions of people. Critics called it “sexist,” “body shaming,” “abusive” and “dystopian.” Something about the sleek aesthetic of the ad, coupled with a plot involving a man getting his wife exercise equipment—equipment she takes to like a hamster on a wheel—unleashed a kind of public anguish.

Comedian Eva Victor’s very funny parody of the ad has over three million views:

Watch the ad for yourself:

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Normally we’re all for any outcry about perceived sexism. But the intensity of the anger over the Peloton bike ad has its own eeriness. The woman in the ad is not being “abused” or “controlled,” and insistence that she is suggests that women can’t make their own choices about their desires and their bodies. America has an obsession with thinness, and that can’t be disentangled from exercise crazes like Peloton. But it’s also oddly disrespectful to act like exercising—albeit on fancy equipment and for social media glory—is something women do solely to please men. It’s just more complicated than that.

It’s ironic that the company so garbled their message in this ad, because so many women have been open about finding friendship and wellness through Peloton that have nothing to do with fitness—or their partners. The hundreds of thousands of women who have created networks based on their at-home workouts can’t be reduced to a reaction to the male gaze. How hard would it have been to make an ad about what so many Peloton women actually seem to have a cult-like devotion to: community.

Maybe part of the anger over the Peloton bike ad is how accurately it reflects consumerism right now, and how uncomfortable that makes us. Peloton Lady and her (maybe evil) Peloton Husband live in a pristine, open concept house with hardwood floors, high windows, and one very well-behaved child. Peloton Lady’s skin is dewey but matte. She comes home from work in block-heeled pumps and a cream-colored coat with a statement lip. She wakes up in matching menswear separates. Everything the Peloton family owns is minimalist but perfect, like it all came from prestige direct-to-consumer startup brands.

It’s a very 2019 fantasy. And when we see clearly that our deeply held fantasy is also a carefully calculated bid by a private company to make money, it suddenly feels more like a nightmare. Friends, Romans, countrymen determined to rescue Peloton Lady from her living hell, consider this hot take: The Peloton Lady isn’t a hostage, but we are.

Jenny Singer is a staff writer for Glamour.



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