Categories
Health

'Glamour' Women of the Year 2019 Honorees


In the 29 years that we’ve celebrated Women of the Year, our honorees have broken glass ceilings, shattered records, and redefined success on their own terms. This year we welcome eight new women into this sisterhood who, like the honorees before them, are using their chosen profession and inimitable spirit to push our culture forward.

Like soccer player Megan Rapinoe, who not only helped pave the U.S. Women’s National Team’s path to World Cup glory—scoring six goals during the competition—but led a tireless fight for equal pay. In March 2019—on International Women’s Day—Rapinoe and the rest of the team sued their bosses for gender discrimination. Flash forward to their epic win this summer, when the stadium started chanting “Equal pay! Equal pay!” as they took their victory lap. Or teenage environmental activist Greta Thunberg, who made a two-week voyage to the United States on a sailboat—and stood up to world leaders everywhere, challenging them to take action on climate change. As well as actors like Charlize Theron and Yara Shahidi, who, while at different points in their careers, refuse to play it safe either on screen or in their individual crusades.

We couldn’t be prouder to introduce you to Glamour’s 2019 Women of the Year. They are a diverse group, including an author, director, actors, and activists fighting to make a lasting difference. But despite their different fields, our honorees have one thing in common: They’re warriors on the frontlines of change.

Below, read about the remarkable women who comprise Glamour’s 2019 Women of the Year, and head here to buy your tickets for our annual summit and awards ceremony celebrating these women in New York City on November 10 and 11.

Charlize Theron, The Rebel

For 25 years, the Oscar-winning superstar has refused to conform to anyone’s expectations of who she should be. And therein lies the secret to her singular success.

Charlize Theron was photographed in London by Miguel Reveriego. Stylist: Leslie Fremar; hair: Adir Abergel at SWA Agency; production: Studio Lou. Dior bodysuit. For her look, try Diorshow Brow Styler ($29), Rouge Dior Ultra Care #328 Bare ($38), Dior 5 Couleurs #157 Magnify ($62; dior.com).

Greta Thunberg, The Revolutionary

16-year-old climate activist Greta Thunberg is on a mission to save the planet—but she can’t do it alone.

Greta Thunberg for Glamour Women of the Year 2019.
Getty

Ava DuVernay, The Trailblazer

As famous as any of the stars she casts, the filmmaker is using her spotlight to fight injustice.

Ava DuVernay for Glamour Women of the Year 2019.
Ava DuVernay was photographed in L.A. by Dana Scruggs. Stylist: Jason Bolden; hair: Nena Melendez; makeup: Adam Burrell at the Only Agency; set design: Evan Jourden; production: Viewfinders. Giorgio Armani top and skirt. Chopard earrings.

Megan Rapinoe, The Champion

The World Cup star and equal-pay hero doesn’t care what the world thinks of her (or her controversial pose). She’s the unapologetic pink-haired icon we’ve needed in 2019.

Megan Rapinoe for Glamour Women of the Year 2019.
Megan Rapinoe was photographed in NYC by Gillian Laub. Stylist: Savannah White; hair: Lacy Redway at the Wall Group; makeup: Jeanine Lobell at Home Agency. All clothing, Proenza Schouler. Jenny Bird earrings. For her look, try L’Oréal Paris Infallible Flash Cat Eyeliner ($10), Paradise Enchanted Blush ($13), Infallible 8- Hour Le Gloss ($10, lorealparis usa.com).

Yara Shahidi, The New Voice

She can’t even legally order a beer, but the Grown-ish star has already cemented her status as a voice of her generation.

Yara Shahidi Glamour Women of the Year 2019.
Yara Shahidi was photographed in L.A. by Emma Summerton. Stylist: Gabriella Karefa-Johnson; hair: Kendall Dorsey at Factory Downtown; makeup: Emily Cheng at the Wall Group; manicure: Tracy Clemens at Opus; set design: Robert Duran at Frank Reps; production: Viewfinders. All clothing, Prada; Dinosaur Designs and WKNDLA earrings.

Margaret Atwood, The Oracle

Our 2019 Lifetime Achievement winner’s terrifying literary predictions are truer than ever, but so is her faith in women.

Margaret Atwood Glamour Women of the Year 2019.
Margaret Atwood was photographed by Brittany Daigle. Stylist: Jaclyn Bonavota; hair and makeup: Ronnie Tremblay at P1M. Set design: Caroline Pandeli. Production: Plutino Group. Issey Miyake jacket. Wolford top. Salvatore Ferragamo scarf. Cuchara earrings.

Tory Burch, The Visionary

For 15 years she has quietly, carefully ruled American fashion. Now the woman behind the unbreakable brand has designs for global domination.

Tory Burch for Glamour Women of the Year 2019.
Tory Burch was photographed by Pamela Hanson. Tory Burch dress, earrings. Sittings editor: Shilpa Prabhaker Nadella. Hair: Tara Jarvis; makeup: Berta Camal.

The Women of RAICES, The Guardians

Long before the crisis at the border made headlines, a group of activists took a stand for its victims.

The women of RAICES for Glamour Women of the Year 2019.
The women of RAICES were photographed by Marie D. De Jesús.
'Glamour' Women of the Year 2019 Honorees

Come back each day this week to read profiles of the 2019 Glamour Women of the Year honorees and get your tickets to the three-day event here.



Source link

Categories
Health

This Chart Breaks Down the Lack of Female Best Director Honorees at the Critics' Choice Awards Since 1995


The Critics’ Choice Awards provided an extremely fast follow-up to the Golden Globes, an event where Time’s Up dominated and women’s representation—especially in categories like directing—were hot topics of conversation. The Thursday evening award ceremony, however, lacked a lot of the punch of Sunday evening’s epic kick-off. Gone were the Time’s Up pins and speeches about women’s empowerment—with a few noteworthy exceptions like Gal Godot’s “See Her” award, featuring a rousing introduction by Wonder Woman director (and 2017 Glamour Woman of the Year) Patty Jenkins. There were some uncomfortable moments, like Elisabeth Moss getting played off after accepting her award for The Handmaid’s Tale.

For this award season, we’re eschewing some of the standard fare of previous years—consistent “Best Dressed” round-ups, for example—to focus on spotlighting the ways women are changing Hollywood, from record-breaking awards to the characters redefining how woman are portrayed on-screen. We’re also digging into the data behind key categories at all the major award shows. Just how often do women get nominated? And how often do they win? And are we getting better at being truly representative of the people watching TV and film?

Our reasoning is simple: we believe that better representation—both in front of and behind the camera—means healthier workplaces, and better storytelling.

In the case of the Critics’ Choice Awards, categories like directing are just as lacking when it comes to women as its peers. (The Golden Globes, for example, didn’t nominate a single female director this year, and a woman hasn’t won in this category since 1984.) We break down the honorees since 1995 in this chart. (Note that in some years, there was only a winner that was honored—no nominees—and that years correspond to the year in which film hit screens.) While Greta Gerwig was nominated for Ladybird, the 2017 winner in this category was Guillermo Del Toro. The only female Critics’ Choice Award winner for Best Director since 1995 was Kathryn Bigelow, for The Hurt Locker.

In addition, we looked at the recent data—from 2009-2017—across a variety of gender-neutral categories like Editing and Best Original Screenplay, and found that here, too, women are woefully underrepresented. Categories like Editing, Adapted Screenplay, and Director have had only one winner who identifies a female since 2009; there have been zero female winners for Original Screenplay in that time.

You can filter the results by clicking on any of the categories at the top, and you can also hover over any of the individual squares to see the nominee—male (in gray) or female (in peach)—and the work for which they were nominated.

To be sure, this data is just a limited window into women’s representation in the overall business—and also doesn’t factor in the inequality that women of color, for example, face—but even this limited window offers a stark portrait of how far we have to go. The good news, at least, is that we’re speaking up and getting loud. Change is sure to follow.

Graphic: Condé Nast Data Visualization

MORE FROM HOLLYWOOD’S BIGGEST SEASON:



Source link