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'Riverdale' Season 2 Episode 10 Recap: Betty's Brother Is Here…and He's Creepy as Hell


Riverdale is back, my friends, and it’s appropriately bonkers. Did you expect anything less? Here’s how this high-key show rung in the new year:

It wouldn’t be Riverdale without Jughead opening the episode with an obnoxious voiceover, right? He’s clacking away—beanie in full force—about all the nonsense that went down before the holidays. The Black Hood was unmasked (well, so they think), Veronica’s now in cahoots with her scary-but-hot parents, and Penelope Blossom is sleeping with people for money. (Um, that’s what she was doing when Cheryl walked in on her? I mean, get your life and coins as long as you’re safe and in control, but this just came out of left field.)

Veronica is apparently on “ground zero” for the Lodge’s “plan,” which is still a mystery at this point. This show is really trying to make the Lodges seem like the mafia, and it’s hilarious. Meanwhile, Fred Andrews wants to know who the hell paid his $86,000 medical bill, and Archie wants to start a “band” filled with just redheads. Oh, God: Now that the Black Hood is caught, are we about to get Angsty Guitar Archie again? I’m annoyed, but also aroused. Someone keeps photographing Archie, too—probably the same person who snapped him and Veronica kissing before the holidays.

At school, Veronica tells Archie that it was her parents who paid Fred’s medical bills; this causes their teen hormones to rage, and they start making out—which Betty, who kissed Archie in the last episode, sees. Oof. This love triangle is going to be ridiculous.

The “plan” Veronica’s family was talking about earlier is the shutdown of South Side High School. The Lodges are planning on buying the land underneath SSHS, probably for something evil, and they’ve promised Mayor McCoy money to get the job done. Veronica clearly knew about this, because while the other kids are freaking out she’s like, “It’s chill, y’all. Calm down.”

Jughead and Betty are shook about this news because it means they’ll be at the same school again. Remember, they’re broken up, but probably not for long now. For some reason, Betty just can’t resist the allure of Jughead’s flappy black hair. (I can, if she wants tips.)

After this announcement, Betty comes home to find her sister, Polly, who’s apparently already given birth to her twins. Their names are Juniper and Dagwood, which Betty scoffs at even though her ex-boyfriend’s name is Jughead. Polly’s not back for good, though; she’s just home to pick up some stuff, and then she’s headed back to The Farm, the weird cult she joined after running away from home. Polly’s parents don’t even know she’s here right now. Savage.

Cut to Archie: He’s walking home from school and is stopped by “Special Agent Adams” from the F.B.I., who starts asking him about Hiram Lodge. Adams says the F.B.I. thinks Hiram is doing illegal activity tied to organized crime in Riverdale and wants Archie’s help catching him. Um, yeah he is. He’s sketchy AF. And hot! But mostly sketchy. They specifically want Archie to find out the truth about Nick St. Clair, who the Lodges ordered an attack on after learning he tried to assault Veronica and Cheryl.

PHOTO: The CW

Archie doesn’t fully agree to this, but it does make him worried about the Lodges paying off Fred’s medical bills…as it should. Who wants to be that deep with potential criminals? I’m officially terrified of Mark Consuelos.

And I’m uneasy about Polly, too: Betty’s not telling her parents that she stopped by the house earlier. Alice Cooper’s going on and on about how she wants to make sure Polly has “everything she needs” for the twins, but little does she know her daughter’s staying in that weird cult and blocking out her family. Why would you hurt mama Alice like this? Especially this season, when she’s proven to be the Best Ever?

Betty tells Jughead about Polly. The two meet up at Pop’s Chock’lit Shoppe to clear the air about going back to school together, and Betty asks Jughead for his social worker’s number. She wants to find her long-lost brother—mostly to help her mom cope with the loss of Polly. The Coopers are so messy.

But not as messy as Archie, who has dinner with the Lodges and starts asking them about South Side High closing, the Sodale Project, and the St. Clairs. They’re super evasive with their answers, which gives Archie pause. Also, Veronica asks Archie to help her “welcome” the new South Side students as a thank-you for the Lodges paying Fred’s medical bills. I’m so not into mobster Veronica.

I’m also not into Hostess Veronica, who rolls out the welcome wagon for the new South Side students…but only because of her family’s agenda. Cheryl iconically cuts her off, though, and tells the South Siders to GTFO. Archie diffuses, but he might be joining Cheryl’s side of this war: She tells him she saw Betty and him kissing before Christmas and that he should “consider changing his allegiance” if he doesn’t want that info to get out. Yes, Cheryl! Blackmail Archie and his doofy guitar! You look so good!

Chapter Twenty-Three: The Blackboard Jungle

PHOTO: The CW

They table this blackmail, though, for a conversation about Nick St. Clair. Cheryl accidentally tells Archie that Nick St. Clair assaulted Veronica, too, which he didn’t know about. He flips.

Later, Betty meets with a social worker and learns the identity of her brother: Charles Smith. She tells her parents about him—and about Polly, who’s gone M.I.A. Alice is sad about the latter, but intrigued by the former…even though she doesn’t let Hal believe that.

Meanwhile, all the Riverdale and South Side kids get acquainted with each other; there’s clear sexual tension between Kevin and a Serpent nicknamed “Fangs.” But their introductions are interrupted by the principal, who’s irate about a snake that was spray-painted on the school emblem. It’s obvious Reggie did it to set up the Serpents, but it causes the principal to ban all Serpent paraphernalia in the school. This West Side Story knockoff plot is wearing thin; where TF are Cheryl’s long monologues?

Jughead, who in my opinion is still a fake Serpent, is the only one pissed about the ban; the other Serpents are down with it because Riverdale’s a great school. He’s doing the most, as per usual.

Wow, Detective Archie’s in full swing this episode: He tells Agent Adams about Nick St. Clair’s car accident and Veronica’s assault, and Adams says Archie needs to talk to Nick himself to confirm. Because Veronica doesn’t know Archie knows about her assault, he needs a trojan horse to talk to Nick: an excuse that has nothing to do with Veronica. So he asks Cheryl if he can go on her behalf to snag another hush-money check. (The St. Clairs gave one to the Blossoms to keep them quiet about Cheryl’s assault, but Penelope threw it away.)

Snooze: The Serpents and the Riverdale jocks then get into a fist fight over the banned Serpent paraphernalia. Jughead gets suspended for not taking off his jacket. Blah, blah, stupid dudes, blah, blah. Veronica’s solution to this, oddly, is to buy the Serpents fancy new clothes. LOL, bye. F.P. tells Jughead to cut the shit and just take off the damn jacket. I’d say exactly the same thing. The Serpents later start wearing super preppy uniforms to school and are told that they’ll be suspended if they stop. So they keep wearing the clothes, but Jughead forms a secret club at Riverdale High where the Serpents can meet and “be Serpents” under the radar. Let it go, bro. You’re annoying.

Not snooze: Alice and Betty go to visit Charles, who’s staying at a roach-infested motel. He says he’s known about the Coopers since he was 18 and even drove by their house. He figured they didn’t want him around, which Betty says isn’t true in that pouty tone she uses when she’s trying to be serious. He’s super resentful that Alice wanted to “keep” Betty but not him and tells them to leave because he has a “client” on the way. He works in “fantasy fulfillment,” which…I don’t know what that is. Whatever, Alice is sobbing. We must protect Alice at all costs.

Chapter Twenty-Three: The Blackboard Jungle

PHOTO: The CW

Betty, for some reason, goes back to the motel and sees the manager beating up Charles (who calls himself Chic). She pepper-sprays the manager and gets Chic out of there. He stays overnight with the Coopers and acts generally creepy. At the end of the episode, he hovers over Betty’s bed like a full-on psychopath.

Also not snooze: Archie goes to visit Nick St. Clair and get Cheryl’s hush-money. He interrogates Nick about his accident, and then starts beating the crap out of him after Nick says Veronica is a shark. Cheryl gives Penelope the money in the hopes that she’ll stop having gentleman callers, but she doesn’t.

Archie comes clean to Veronica about visiting Nick, and she says there’s something “off” about him. He then comes clean about kissing Betty, but Veronica’s oddly cool about it. Well, maybe. For all I know, she’s secretly pissed.

Things end with Archie meeting Agent Adams; he’s down to keep spying for him, but wants to know his dad and Veronica will be safe. He also wants Agent Adams’ opinion on the Black Hood, because he thinks they didn’t catch the right guy. They stare at each other like two schoolboys playing cops and robbers, which is what Archie is, TBH. Damn it, this Black Hood shit isn’t over.

Parting thoughts: Chic’s going to start murdering people, isn’t he?



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New 'Riverdale' Trailer Has Your First Look at Betty's Brother


This week’s midseason finale of Riverdale left us with several questions: Is that creepy janitor really the Black Hood? Will Veronica find out about Archie and Betty’s kiss? Will Cheryl Blossom fulfill her destiny and become queen of the North Side? (OK, I made that last one up, but it’s true: Cheryl Blossom deserves the world.) One mystery that’s been lagging for several episodes, though, is the identity of Betty’s long-lost brother. We learned about him in the first season finale, but the details were sparse. Who is he? What does he look like? And when the hell will we actually meet him?

Well, this new trailer for the next episode, which airs January 17, has the answers. It looks like we’ll learn more about Chic, the only Cooper son, the second Riverdale returns next year. In the last few seconds of this teaser, Mama Alice says she wants to meet her son. And in the next frame, we see him: He’s tall, blond, and very cute.

Chic is played by Hart Denton, a newcomer you might recognize from the Toni Collette film Fun Mom Dinner. Lili Reinhart has posted photos and videos of them goofing off on set, but this is the first time we’ve seen him in an official Riverdale capacity.

Check out the trailer for yourself, below:

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If you remember from season one, Hal Cooper found out Alice was pregnant the night they were elected homecoming king and queen. Hal wanted her to have an abortion; she refused, and instead checked herself into Sisters of Quiet Mercy, where she gave birth to Chic and gave him up for adoption.

Knowing Riverdale, though, there’s probably way more to the story—and we won’t have to wait long to find it out.

Related Stories:

Even Lili Reinhart Thinks the Black Hood Mystery Isn’t Totally Solved Yet on Riverdale

Riverdale Season 2 Episode 9 Recap: The Black Hood Is Finally Unmasked

Betty’s Ponytail on Riverdale Has a Secret Meaning Behind It



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'This Is Us' Directors Explain Why We've Never Met Jack's Brother Before


Tonight’s episode of This Is Us—appropriately titled “Brothers”—packed a lot into 42 minutes. We learned via a super early flashback that Jack has a younger brother named Nicky, which gives us even more insight (and questions) into Jack’s mysterious past. We also saw Kevin struggle to keep up appearances at a charity gala because of his addiction to pain meds. Then, after Kate told Toby she’s pregnant, she sternly instructed him not to talk about their unborn child until after the baby is born. Of course, that was until she decided to bend that impossible rule and let Toby tell one person at a local coffee shop, which then turned into a Hootie & the Blowfish song-and-dance routine followed by an ode to Flashdance. Got that?

Obviously, we needed answers immediately about all of the above—so executive producers Glenn Ficarra and John Requa, who directed the episode, hopped on the phone to fill us in.

So, Jack has a brother. Was there ever any previous reference that this sibling existed?

John Requa: I don’t think we have, as far as we can remember. The point of this episode is to show that Jack has been hiding this. He also had a serious alcohol problem that he completely concealed from his wife and his family, and he’s concealed this dark part of his past as well. I think [it’s the same thing as] when we see Kevin keeping secrets and being evasive. We see the weaknesses of the father passed on to the son, so for this episode, titled “Brothers,” it fit nicely into the theme. The reveal informs all the scenes before it.

The way Jack is dealing with Kevin—it’s the first time you’re seeing Jack be a bit short and testy with his kids—and it turns out, there’s a reason because he really wants this brotherhood to work. Once you see he had a brother of his own, well, that raises all sorts of questions: Is there regret there? Is there something he’s trying to replicate? Or something he’s trying to fix?

Should we assume that Nicky Pearson is alive in the present day? Or will that be a mystery solved later in the season?

John: We’re never going to explore the Nicky storyline. [Laughs]

Glenn Ficarra: If This is Us has taught us anything, it’s never assume anything. It’s safe to say, though, that you’ll be surprised.

Fair enough. At the beginning of the episode, viewers are told that Jack’s dad, Stanley, is on his deathbed. We don’t see him die by the end of the episode. Will he be back, or was that it?

Glenn: Well, I think we’re certainly open to come back and revisit him, but the main takeaway is that this man, because of his choices and his relationship with Jack, is going to die alone.

John: Whenever his demise is, it will be a miserable and lonely one. The message of the episode is that there are two sides to Jack: the open, gregarious father, who really works hard to be a good dad and mend the fences between the two brothers, and there’s the side that keeps secrets. Then you see Kevin keeping secrets and going down a dark path. You see Randall being this very involved father, trying to make this relationship work with Déjà, and then you see, if you go down the dark path, where it leads. It leads to you dying alone with your son unwilling to visit you in a nursing home. In the microcosm of this episode, that’s what we’re trying to say.

In this episode, you worked with a lot of young actors—from Jack and Nicky to Kevin and Randall—on some really difficult scenes. What was that like?

John: Milo Ventimiglia has really taken it on to develop relationships with the kids. When we were shooting that really great scene in the tent with Parker [Young Kevin], it was just a great performance, and he’s this little guy! Milo came up to me and said, “Parker’s been working really hard, and he wants to deliver some emotional weight to this scene.” I said, “OK.” When somebody says that—an actor, or in this case, it was Milo—you really get your crew in line and get out of the way and let them do it. He came in there, and in take one he came from a really raw, emotional place. He really delivers a remarkable performance.

Glenn: To watch all the kids grow is a really great thing, but you don’t want them to lose that wildness of being children. We want them to be a family and drive their parents crazy, so you find a way to work with them that keeps them as a tight unit but doesn’t strip them down, either.

John: Milo knows all the rules right now. He’s like half-parent, half-acting coach for those guys. I always say when we’re about to direct an episode, “OK, Milo, what’s the deal?” And he says, “Well, this one, he’s thought about [the scene]…” Milo is a very thoughtful guy and he understands how tricky it can be. He was a young actor himself, and he really deserves a lot of the credit of the level of performances those kids get to.

Let’s talk about Kevin and Sophie for a minute. It’s really interesting to see him unravel just as his career is on the upswing and he’s back with Sophie. What can you share about what’s to come? And what’s Sophie’s role in this?

Glenn: In a lot of ways, he’s revisiting his relationship with Sophie. Kevin isn’t done growing yet. How Sophie factors into it, we’re going to see. Is Kevin on his way up or his way down? Just because he’s going back to this relationship with Sophie doesn’t mean he’s fixed all the problems. That’s really going to inform the next few episodes, and you’ll see where that’s going to go. It’s time he deals with that. Through no fault of her own, Sophie is unaware of what’s going on, just the way that Rebecca was unaware of what was going on with Jack and his problems. These things can be insidious and the shame of having a problem forces you to keep secrets. You can get really damn good at it.

PHOTO: NBC/Ron Batzdorff

John: Sophie is what he can lose, and how it affects his family and how it affects his relationship…that’s really what addiction is about. It’s not about wandering the streets. It’s about the people you love, and the damage you do to those relationships that are so vital in your life. Addiction is always an ensemble. It’s never about one person. An addict will say, “This is my choice.” But ultimately it’s not really your choice, because your actions affect the people that you love. The stakes of your actions are that you hurt people you love. In many ways, Sophie is what Kevin has to gain and what he has to lose as he goes forward.

Glenn: We talked with an addiction expert, who said the opposite of addiction is not moderation. The opposite of addiction is connection. The only thing that really can cure you of addiction is human connection, and it’s one thing you lose as an addict. You sever all those connections, and you fold in on yourself.

Finally, I want to ask about Kate and Toby. Who among the writing staff is such a huge Hootie & the Blowfish fan that they wanted that song to play during Toby’s celebratory dad-to-be announcement?

John: [Laughs] Tyler Bensinger wrote the episode, and his favorite band is Hootie & the Blowfish. He actually, for a period, follows them around, like people follow The Grateful Dead. He follows them around, and he wears—to the writing room—a Hootie & the Blowfish hoodie once a week. He loves them. He’s obsessed with them! He’s been lobbying, ever since he’s come on the show, to get Hootie & the Blowfish in there. We love it because it kind of makes sense that that would be Toby’s favorite song. Actually, it’s not his favorite song; it’s his happy song! [Laughs] It makes the scene really funny, I think.



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