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CVS' New Photoshop-Free Beauty Ads Were Produced by Women


Back in January, CVS announced it was planning to no longer digitally alter images featured in its beauty ads—which it defined as “changing or enhancing a person’s shape, size, proportion, skin or eye color, wrinkles or any other individual characteristics.” In a push for transparency, the pharmacy also revealed it would be putting a logo on un-retouched images, so shoppers would be able to tell which images had not been enhanced. Now, we’re finally getting a look at what authentic advertising really looks like in the beauty industry.

On Thursday, CVS kicked off its “Beauty in Real Life” campaign, which features a diverse cast of real women from all over the U.S. in un-retouched print and video imagery.

“They don’t need to be photoshopped. There is just so much more depth and substance. It makes women just feel better,” Norman de Greve, senior vice president and chief marketing officer for CVS Health, told WWD. “We want it to be aspirational for women to say, ‘Hey I want to look like that,’ but feel it is realistic, too.”

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“Beauty in Real Life” is the biggest beauty campaign CVS has ever done, and it’s worth noting that the cast, photographer, director, and marketing and beauty teams were all women. In the ads, women are seen using the actual products they use in real life, doing things like getting ready in the morning or putting on makeup to go out at night. The photos all feature the “CVS Beauty Mark” to indicate the images haven’t been altered or edited.

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PHOTO: CVS Health

PHOTO: CVS Health

PHOTO: CVS Health

PHOTO: CVS Health

As announced earlier this year, the brand’s goal is to phase out Photoshop completely by 2020. “The connection between the propagation of unrealistic body images and negative health effects, especially in girls and young women, has been established,” then–CVS Pharmacy President Helena Foulkes said at the time. “As a purpose-led company, we strive to do our best to assure all of the messages we are sending to our customers reflect our purpose of helping people on their path to better health.”

The company is also encouraging the beauty brands it works with to re-consider their retouching practices. “Brands are getting excited about it and [are] reviewing how they shoot their models,” de Greve told WWD. “Some of the top models in the world are getting excited about it, too.” So far, he said, the response has been overwhelming positive.

“This is a health issue… having unrealistic expectations leads to stress in daily lives,” said de Greve. “We want to be part of the solution and encourage others to join us.” With more and more unretouched campaigns getting attention, it’s only a matter of time.

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Target’s New Swimwear Ads Are Photoshop-Free, and It’s Beyond Refreshing





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We Need More Beauty Ads Like Babor's Unretouched Campaign


During the last few months, the slow move toward a beauty industry that represents all women has turned into a streak. The benchmarks keep coming, between the Fenty effect on foundation ranges, CVS phasing out Photoshop, women of all professions fronting CoverGirl, and as of yesterday, Revlon appointing Ashley Graham as its first plus-size spokesperson in over a decade. Today Babor continued the barrier-breaking theme, revealing a completely unretouched campaign—a first for a skin care brand.

Created in collaboration with the All Woman Project (AWP), Benjamin Simpson, Babor’s SVP of marketing, wrote in a press release that while the campaign has been in the works for months, the need for unaltered visuals is more important than ever. The brand’s aim was to showcase “empowerment, strength, inclusivity, imperfections, and true beauty, while provoking an important conversation that is at the forefront of every part of a woman’s life today,” Simpson wrote.

To that end, the company looked beyond the usual models we’re used to seeing in skin care ads (so: 20-somethings with “perfect” skin), and tapped a group of models, activists, mothers, designers, and editors for the campaign. Notable progress in beauty advertising representation started with including women of all skin tones, but the brand echoed both CoverGirl’s and Revlon’s decisions to include women of all sizes, ages, skin tones, textures, and professions. That group includes AWP cofounders Charli Howard and Clementine Desseaux; model, activist, and mother Denise Bidot; former model and Glamour editor Lauren Chan; Nykhor-Nyakueinyang Paul, international activist and model; Becca Thorpe, vice president of Muse Models and director of Muse Curve; 57-year-old model Nicola Griffin; and Sharon Lombardo, creative director at Anne Klein.

Desseaux, cofounder of the AWP and one of the models in the ads—which were created to market the brand’s AWPxBABOR Beauty Ampoule Set—said that coming from a French background and Europe’s rigid beauty standards, she’s especially attuned to the importance of diversity in beauty campaigns. “As a French woman who suffered from being ‘different’ growing up in my country, it’s important to me that beauty brands set an example and take a stand for diversity. Putting not only our imperfect, unretouched faces on their packaging but also our natural bodies shows how far they are willing to go in representing all women.”

From her perspective, Chan says the experience was no less significant, even given the vulnerability required to make it happen. “It was an uncomfortable shoot to do, being in underwear, unretouched, and lubed up in oil,” she told Glamour. “But you see the finished product, and you’re like, Damn, I feel really good about that. And to be honest, at first, I didn’t expect to. So hopefully when people see a beauty brand aligned with this, they feel a little more beautiful and a little more included.”

Chan said that while the surge of brands joining the self-love movement might seem like a fad, the test will be if companies commit to diversity in advertising. On Babor’s part, Simpson said he sees the shift becoming permanent. “I think we’re all looking for a lot more inspiration and a lot less aspiration. It’s time to get real about beauty and self-love, and take the focus away from what we perceive as our flaws,” he said. “We wanted to show a group of strong women and prove that beauty has no boundaries. There is an emotional connection and authenticity in what we’re doing, and we hope to connect with women who share our values. We took a long hard look at ourselves, and this was about doing what feels right.”



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Ashley Graham Discusses Why It's Taken So Long for Curvy Women to Be in Beauty Ads


On Wednesday, Ashley Graham was announced as the new face of Revlon, making her one of just a small number of curvy women to front a beauty campaign. Here, she reflects on why we need women of all sizes represented in the beauty landscape—and how far the industry still has to go.

If you ask any big girl what’s her favorite thing in her closet, she’ll give you one of two answers: accessories or makeup. It is how it is because, traditionally, we’ve never had clothes that were cool enough or accessible enough for us. The beauty of makeup, though, is that it isn’t about size—it fits into every person’s makeup bag and should work for every single face. And yet, when I was growing up, the women I saw in beauty campaigns were always unattainable. They were either an A-list movie star or a super thin model I’d never seen before.

Back then, I didn’t understand the effect that would have. I wasn’t really looking at those women to identify with them, I just wanted to know if a foundation was going to look beautiful on my skin. But the more you don’t see women who look like you in images that reinforce what’s “beautiful,” the more that affects your perception.

When I first started gaining weight in my teens, I remember my mom walked in on me while I was rubbing my hip. I told her, with tears in my eyes, “It just bulges out right here.” She was like, “Ashley, that’s just a part of your hip and your butt. If you didn’t have that, you wouldn’t fit into this family.” Then it kind of hit me. It was okay. That side butt—that’s what my husband calls it now—is just something the women in my family have.

“There’s no size requirement to fit a lipstick, so why have there been so few curvy models in beauty campaigns up until this point?”

I was lucky then—and still now—to have a positive role model. But where are the role models for the rest of us? There’s no size requirement to fit a lipstick. So, why have there been so few curvy models in national and worldwide beauty campaigns up until this point?

Here’s the crazy part, I don’t have an answer for you. I’m 30 years old, and I’ve been modeling for 18 years. And every single year I’m like, “Why has no one been knocking on my door? Why are there no beauty brands that are like, ‘Hey, we want Ashley Graham?'” I really think it’s because so many brands are comfortable with the status quo. For years, mainstream society created narrow definitions of what beauty means.

In the past, I’ve been been told things like, “Well, you’re only plus-size from your neck down; your face isn’t plus-size.” What does that even mean? If my face isn’t “plus-size,” then by that logic, why wouldn’t you put me in a cosmetics campaign? That’s always confused me. It’s like I’ve been boxed into a category where I can only be used in fashion campaigns where other women look like me. Which is why when you hear voices standing up for inclusivity, or see you body positive hashtags, it’s important. It shows there’s a demand for better representation. There are so many different types of models now with unique perspectives on beauty, brands should actually use them.

What I’ve been hearing from women is that if we don’t see ourselves in a campaign, then we’re not going to want to buy your product. We know a lipstick isn’t going to change us into looking like the model wearing it. But if you bring in models who are representative of the everyday woman—which, by the way, the average-sized American woman is a size 14—we are going to want it so much more because it feels accessible. It’s very basic if you think about it: The more you see someone who looks like you in the campaign, the better you’re going to feel about yourself, because you’re not striving to be someone you’re not. We’re not trying to be an idea of what the beauty industry is telling us we should look like. We’re making our own beauty.

PHOTO: Courtesy of Revlon

Revlon’s Live Boldly campaign, starring Achok Majak, Raquel Zimmermann, Ashley Graham, Imaan Hammam, Adwoa Aboah, and Rina Fukushi

I also think Photoshop plays a huge role here. I’m personally okay with fixing the light or removing a really big blemish that’s taking over the photo. But don’t completely change my body, and don’t change the shape of my eyes or my skin tone or my hair to make it look fuller or more “perfect.” I don’t agree with that. It was actually an important factor in creating this campaign for Revlon. When I found out Cass Bird was going to be the photographer behind it, I was really excited. If you know anything about her work, you know that she hates retouching.

At the end of the day, I hope people understand how groundbreaking this is—that Revlon now has a curve model with a contract on their campaign. This should be the norm. I tell myself the affirmation “I am bold, I am brilliant, I am beautiful” every morning and that’s exactly what this campaign is about. I’m really hoping and striving that in the next 10 years we don’t even have to discuss this. Beauty is beyond size. If more people get vocal on social media, and more brands and designers put all types of women in their campaigns, it will change how we see beauty. We have to stay loud about it.





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CVS Will No Longer Photoshop Its Beauty Ads


Photoshop is no secret of the beauty industry, yet body positivity activists have put their finger on one certainty: Being bombarded with digitally altered images effects our perceptions of ourselves. Now, CVS Pharmacy is rolling out an initiative to bring a reality check to the advertising industry.

CVS just announced it’s putting new standards in place for how it alters beauty imagery used in its stores, social media, and ads. On top of those guidelines, it’s rolling out the CVS Beauty Mark, a watermark that will indicate images that haven’t been digitally altered, which it’s defining as “changing or enhancing a person’s shape, size, proportion, skin or eye color, wrinkles or any other individual characteristics.”

We’ve seen similar initiatives from fashion brands like Aerie, Target, Asos, and Missguided, but Photoshop still pervades beauty advertising.

“As a woman, mother and president of a retail business whose customers predominantly are women, I realize we have a responsibility to think about the messages we send to the customers we reach each day,” Helena Foulkes, President of CVS Pharmacy and Executive Vice President, CVS Health, said in a press release. “The connection between the propagation of unrealistic body images and negative health effects, especially in girls and young women, has been established. As a purpose-led company, we strive to do our best to assure all of the messages we are sending to our customers reflect our purpose of helping people on their path to better health.”

For now, the Beauty Mark (pictured in the right corner at top) will be limited to only CVS-created imagery. But execs are working with other drugstore beauty brands and industry experts to develop retouching guidelines, with a goal of across-the-board consistency and transparency. The watermarked imagery will start to show up in CVS stores this year, and by 2020, it’s aiming for all ads from other brands to follow suit.

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Gigi Hadid Stars in an Un-Retouched Video for ‘Love’ Magazine’s Advent Calendar



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