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Zoey’s Extraordinary Playlist Is Glee Meets La La Land—and You're Going to Love It


Levy does sing on the show, though. All the characters do. At the risk of spoiler-ing, I can confirm that you will hear Lorelai Gilmore sing tunes by both the Rolling Stones and Miley Cyrus within the first four episodes of this show. Levy spent the summer going to voice lessons to prepare for the role and says she’s often surprised to find herself in the center of giant dance numbers—choreographed to non-annoying perfection by La La Land’s Mandy Moore.

“If the show gets picked up for a second season I have all sorts of plans,” she says, excitedly, before giving specifics. “Tap dancing classes.”

I feel I can say confidently that we would all very much like to see Skylar Astin, Lauren Graham, and the rest of this cast tap dancing. But there may never be jazz hands or 5-6-7-8s on Zoey’s Extraordinary Playlist. The musical numbers take place inside Zoey’s head, and the rest of the show is naturalistic. We meet awkward tech workers, lonely baristas, and families who are in mourning. Zoey’s big tech world is glossy, sure, but its inhabitants are isolated.

Jane Levy in Zoey’s Extraordinary Playlist.

Sergei Bachlakov/NBC

It’s not clear if Zoey’s ability to hear people’s thoughts is an Edward Cullen-style superpower or an imaginary escape—some type of coping mechanism. It’s moving and a little eerie but surprisingly relatable, right down to the emotional Whitney Houston covers. There’s even a fairly nuanced plot about how misogyny can infiltrate the workplace, even when your boss is a woman. For Levy, who has been outspoken about her feminism and support for women’s health groups (like Planned Parenthood), this topic is, unfortunately, familiar.

“I definitely have been treated in ways that I don’t think that men in my position would be treated,” she says. “I have been paid considerably less than my male co-stars, even on a movie in which I was supposed to be the lead. I actually ended up dropping out of it because I found out my co-star, who was male, was being paid more than five times as much as me and they would not negotiate a higher rate for me.”

She adds, “Some of my greatest confidantes in my life have been women.” (She’s close friends with Good Girls star Mae Whitman and comedian Jenny Slate, for example.) With this, I’m reminded of something Levy recently posted to her Instagram: a clip from the movie Dolores Claiborne, in which Judy Parfitt tells Kathy Bates, “Sometimes you have to be a high riding bitch to survive.” I ask Levy about it, and she laughs.

“I love women and I hope for a society and greater world to be more equal between the genders,” she says. “I’m all for equality, baby.”

Zoey’s Extraordinary Playlist premieres Tuesday, January 7, at 10 P.M. ET on NBC.

Jenny Singer is a staff writer for Glamour. Follow her on Twitter @JeanValjenny.





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Netflix's The Politician Review: It's a Hilarious Mix of Glee, Scream Queens, and, The Act


“I love to take bites out of the very confrontational nature of Payton and the over-confidence and the sort of lack of empathy and lack of regard for anyone else’s motives and feelings, because I’m very much not like that,” Platt tells Glamour about his character, who, at one point in the pilot, literally ponders whether or not he’s a sociopath. “It was delicious to play someone who is so headstrong and walks into a room and believes he’s the best person in the room.”

Boynton has similar feelings about playing the antagonistic Astrid. “She can be such a powerhouse and power presence, and I love those moments,” she says. “That happens mostly at her worst, and I love that part of her. I love playing Astrid at her most aggressive. She has such a presence and is not in the slightest afraid to take up space in the room.”

That aspect of The Politician is definitely refreshing. The female characters on the show—whether that’s Astrid, Dusty, or Georgina—aren’t concerned with being “likable.” They have elections to win, scams to execute, or mansions to iconically glide around. These women aren’t necessarily realistic, but they’re not idealized, either. They’re self-indulgent, over-the-top, occasionally villainous, and always entertaining. Think Chanel Oberlin from Scream Queens after 15 espresso shots.

Which, again, isn’t everyone’s cup of tea. The Politician paints its characters boldly and with broad strokes. It’s satirical and cynical and, at times, a bit dark. That aforementioned tragic event is truly devastating—and while it’s given the reverence it deserves, the pilot moves quickly back to Payton and Astrid’s win-at-all-costs antics. There’s not a ton of emotional nuance and sensitivity in The Politician. Know that before going in.

Ben Platt as Payton in The Politician.

Netflix

There are, however, several parallels to another Murphy classic: Glee. Payton could easily be the younger brother of Rachel Berry, McKinley High School’s show-choir all-star who was determined to make it on Broadway. “Payton definitely has that blind Rachel Berry, I will get it by all means necessary [motto],” Platt says.

That being said, Glee was a polarizing show, and The Politician will undoubtedly be too. It currently has a 55 percent rating on Rotten Tomatoes, so critics are pretty much down the middle. What ultimately will determine your taste for The Politician is your opinion on Ryan Murphy content. This isn’t one of his made-for-the-masses productions, like American Crime Story. His humor and brand are written all over this, in its most extreme forms. Personally, I loved it. Some will hate it. Regardless, I think you should give at least the pilot a whirl—if anything to see Gwyneth Paltrow prune flowers in full glam. I could watch nine hours of that alone.



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