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The Little Women Stars Just Said What We're All Thinking About Greta Gerwig's Oscar Snub


When the 2020 Oscar nominations were announced on Monday, it was clear the Academy had egregiously snubbed the work of women, including Greta Gerwig’s directorial efforts in Little Women and Jennifer Lopez’s acting in Hustlers. Plenty of people went off on Twitter, but the actual stars of Little Women decided to add their voices to the conversation, with Saoirse Ronan and Florence Pugh opening up about how Gerwig’s undertaking as a director should have been recognized.

Ronan (Jo March in the film) and Pugh (Amy March), were both nominated for their acting in the movie. Little Women also got nods for Best Picture, Adapted Screenplay, Costume Design Achievements, and Original Score. However, despite how well-received Gerwig’s adaptation was, she was conspicuously missing from a nomination list of all-male directors, a category that has historically left out women. Pugh had strong feelings about what Gerwig getting iced out means, telling Deadline it’s “a big blow, especially because she created a film that is so her and so unique and it’s just come out of her, and it’s been a story she’s wanted to do for so long.”

©Columbia Pictures/Courtesy Everett Collection

She continued, “I think everybody’s angry and quite rightly so. I can’t believe it’s happened again, but I don’t really know how to solve it. I don’t know what the answer is, other than we’re talking about it.”

Ronan, who also starred in Gerwig’s Lady Bird, also told Deadline, “I’m really happy that the Academy recognized [Gerwig] for Adapted Screenplay and Picture, and I feel like if you’ve been nominated for Best Picture, you have essentially been nominated for Best Director,” she said. “But to me, Greta, since she started, has made two perfect films, and I hope when she makes her next perfect movie, she gets recognized for everything, because I think she’s one of the most important filmmakers of our time.”

We hope so too.



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Little Women Review: Greta Gerwig's Adaptation Is Just As Good As You'd Hoped


She did. And so do the Marches, who can never decide if their passions and desires are sacred or sacrilegious. They each have flaws, or at least challenges: Meg is vain, Jo is tactless, Amy is selfish, and Beth is timid. And they each have ambition: Meg wants to run a beautiful home, Jo wants to breathe life into words, Amy wants to be noticed, and Beth wants to give and receive love. They all want to be as good as their mother (Laura Dern), who gives the scarf off her neck to a person in need. Their attempt to be good girls—and then to chafe against that and try to become great women—is so stressful that it’s a relief when Timothee Chalamet shows up as their wealthy, spoiled neighbor, looking as usual like the face a miniaturist would paint on a matchstick, and instantly starts sniffing the girls’ hair. Same with Meryl Streep, who plays the aunt, striding exquisitely into a new career phase as playing Iconic Old Bitches.

If the movie falls a little short of perfection, it does so for the same reasons as the Alcotts and the Marches did—because it reaches for it so hungrily. Every shot looks like an influencer’s Christmas card. Every other line of dialogue (mostly Alcott’s original, peppered with some additions by Gerwig) would be at home an Etsy throw pillow. I don’t mean to diss or diminish Gerwig’s work—Christmas cards are beautiful, and great quotes are put on merchandise for a reason. Louisa May Alcott was radical but this movie is not, and that makes it infinitely comforting. It also helps us understand why there have been seven remakes of a movie about wonderful young women living during chattel slavery.

Timothee Chalamet as Laurie in Little Women.©Columbia Pictures/Courtesy Everett Collection

The exceptionally dreamy cast of actors stride from season to perfectly-captured season, over sandy beaches and snowy fields and leaf-covered hills and rainy cobblestones. Watching them grow and love and experience loss feels like unwrapping a gift and seeing that it’s an album of family photos you had thought were lost. Or at least it did to me, a person who was raised in a family so devoted to Little Women that multiple members of it are named after the characters.

But watching it, I wished the movie’s actors and creators, in their determination to be perfect, could read the words of Mary Oliver, another American woman writer who was influenced by Transcendentalism:

You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert repenting.
You only have to let the soft animal of your body
love what it loves.

Little Women is devastating and exquisite and a little bit limited. And next time, we hope Meryl and Saoirse do a buddy comedy.

Jenny Singer is a staff writer at Glamour.



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