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Kaley Cuoco Shuts Down Pregnancy Rumors (Again): 'Would You Say That to My Face?'


Kaley Cuoco would like everyone to know that she is decidedly not pregnant—and maybe, just maybe, people should stop speculating about whether or not she is.

The Big Bang Theory star posted a photo from what looks to be a very romantic trip with her husband, Karl Cook, and it got the rumor mill going in her comments section. One commenter wrote, “Are you hiding a baby bump?!?!” Another said, “When’s the baby due?” A third said, “But you look pregnant in tonight’s episode of Big Bang theory as well.”

Cuoco was having none of the speculation, so she shut it down where it all started: social media. Per People, the actress posted a screenshot to her Instagram Stories where she addressed the issue head-on. “I’m so sorry I bent over in a way to where my dress billowed in the wind and made you think this,” Cuoco wrote. “Question. Would you walk up to me and ask this straight to my face?”

This isn’t the first time Cuoco has taken on those who feel it’s okay to comment about her body and whether or not she is pregnant. Back in October, she posted a photo of herself and her sister on the red carpet and was faced with body-shaming social media trolls. “I posted a picture this morning of my sister and I from an event last night and people said I looked pregnant,” she shared in an Instagram Story. “Would you ever walk up to someone on the street or at an event where they’re obviously dressed up and say, ‘Are you pregnant?’”

“It’s just so comedic and shocking that people would ask that,” she continued. “I’m not pregnant. I guess it was a pregnant angle. Seriously, shut up.”

Cuoco is absolutely right that a pregnancy or, in her case, a non-pregnancy is nobody’s business but her own. So let’s just all stop the speculation, okay?

Related: Now People Are Shaming Kaley Cuoco for Her Nipples, and Will This Ever Stop?



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Living With Flat Affect: Like 'Resting Bitch Face' But Not Funny


We live in a time when “resting bitch face” is a joke, selfies are constant, and activist art implores us to stop telling women to smile: We’re as aware of our faces as ever. But the conversation still largely excludes people who don’t always have control of theirs: people with a flattened affect.

In psychology, the word “affect” refers to someone’s variability in facial expression, pitch of voice, and the use of hand and body movements, according to a University of Washington Department of Psychiatry glossary. A person’s affect can be “broad” (which is the norm), “restricted” or “blunted” (which both mean pared back in some way) or “flat”: lacking signs of affective expression, or having a monotonous voice and unmoving face.

Think about the time you’ve wasted wondering if you made an awkward face when trying to remember if you knew that person you ran into on the street, or if you scrunched your eyebrows too much in that job interview. For people with flat affect, emotional expression is limited, reduced or nonexistent. This isn’t an illness or a disorder in its own right, but a possible symptom of many brain conditions, such as depression, Parkinson’s disease, autism, traumatic brain injury and schizophrenia, according to the American Psychiatric Association’s Diagnostic and Statistical Manual of Mental Disorders (DSMV).

Flat affect is the face of lethargy and voice of apathy: no eye rolling, no winking, no smirking. “The rise of ‘Resting Bitch Face’ is kind of a step in the right direction,” says 30-year-old Kaille Kirkham, who says she was diagnosed with depression at age nine, and experiences a flattened affect. “Because it explains, no, my face doesn’t match with my feelings—don’t assume it does.”

Kirkham explains it like this: “You’re constantly expending energy trying to either display emotions you don’t feel, or explain yourself to people who perceive your expression negatively.” For her, her expressiveness dims when her depression is at its worst. Though experts are mixed on whether depression on its own leads to a flat affect, Kirkham describes a lack of connection to her emotions that she says reads across her face. “I’m mostly just exhausted at that point and have a hard time caring about anything, including how others perceive me.”

At the University of the Southwest in New Mexico, where Kirkham received her Master’s in counseling, she came across a description of flat affect in a textbook, and she saw herself.

“I immediately recognized it,” she wrote in an email to Glamour from Tokyo where she now lives and works as an English instructor. “I’ve been masking my emotions in public settings since I was very young.” She says she was diagnosed with bipolar disorder at age 19, and before that her childhood was tough; her parents chose to homeschool her to protect her from the “emotional ringer” she was put through at school. “Mental illness runs through both sides of my family, so even though at six I couldn’t articulate my depression and anxiety, my father recognized it.” Maybe he saw it on her face.

Wakilah Majied, 35, who experiences flat affect as a symptom of schizophrenia. She says she sometimes forces herself to smile to make sure she’s appearing friendly. “I do my best to give that same energy back to someone, but it doesn’t always come across the way that it’s supposed to.”

Jeffrey Lieberman, M.D., professor and chair of psychiatry at Columbia University, said that flat affect exists on a spectrum of severity, and most who experience it, don’t even know they have it. “[Flat affect] can create a dissonance in terms of how you think you’re making your way through the world and navigating day-to-day activities and what’s really happened. You’re getting a reaction from people that doesn’t align with your own self-image.” And that experience can be tough. “Expression of emotion is an integral component of personal well-being; if someone’s emotionality is unusual in some way, that’s potentially consequential. Just like if you had asthma and you suddenly couldn’t exercise—it limits you.”

Let’s say your co-worker, in a single conversation, shares both good and bad news: she got a promotion and her dog died. Your face would react without you having to say a word: your eyes opening in celebration; or the soft exhalation of a breath, as your mouth turns down to show empathy. For someone with a flat affect, their mouth may remain a straight line, or their tone of voice unchanged. It’s like a dial tone instead of a greeting.

Having a school textbook put a name to symptoms like this is an experience Kirkham shares with Wakilah Majied, 35, who came across the definition of flat affect last year in an abnormal psychology course at community college. The New Orleans-based substitute teacher says she thought, “Wow, I have this. This has to be what I experience.”

Majied’s flat affect was a symptom of her schizophrenia, a diagnosis she says she received at 28. She sees a psychiatrist about once a month to discuss how she is, and to titrate her medication, but says visits are short; her face hadn’t come up. But when she read the description—“still faces that show less anger, joy, and other feelings than most people”—the words on the page seemed to bridge a bewildering chasm between how she felt and how she knew she came across to others.

“I don’t want to give off that reaction as if I’m not welcoming, that I’m not friendly,” Majied says. But, throughout her life, she has heard that she gives that impression. As a teenager, she says her classmates and teachers told her she looked sad. Her own sister once said she noticed her appearing robotic, a blunt version of her former self. At her first job out of college, she was introduced to a co-worker’s friend, and said she was happy to see her social life beginning to develop, only to later hear that the friend thought Mejied “didn’t like her.” In an email to Glamour, Mejied wrote that these comments made her think, “it must be something going on with my facial expressions and body language.”

Mejied describes a disconnect that flat affect can create between the emotions someone feels (excitement to meet a new friend, for example) and the emotions they are able to express (such as with a heightened tone of voice, engaging eye contact or a warm expression). A study published in The American Journal of Psychiatry found that flat affect is common but not omnipresent in people with schizophrenia and depression, but some people with flat affect can move through life completely blunted.

An expressionless face might seem like no biggie when you consider the severity of delusions that people with schizophrenia can also experience (Majied said she endured terrifying visual hallucinations in her twenties, including seeing strange men on her wall and hearing voices). Not so, says Bethany Yeiser, 36, founding president of CURESZ Foundation (Comprehensive Understanding via Research and Education into Schizophrenia). “Flat affect is a devastating symptom. You might think, ‘Oh well, you’re just not quite interested. You’re a little aloof.’ But for me, that’s not what it was. The biggest thing I found with flattened affect is relationship problems. I loved my mom, but I just couldn’t express that love.”

Bethany Yeiser, 36, founded the CURESZ Foundation to spread awareness of schizophrenia. She experienced flat affect as a side effect of medication, a blank stare forming hours after she took a pill.

Yeiser was 20 years old and studying at the University of Southern California when she started to experience negative symptoms of schizophrenia, including flat affect. “I didn’t know that I had it, but looking back, my parents remember seeing me during an online phone call. They said my face was just like a rock,” she told Glamour over Skype.

Dr. Lieberman says that flat affect is just one behavioral symptom that occurs in a constellation of features of different illnesses, and they aren’t all psychiatric. It also shows up in developmental disorders such as autism, and degenerative ones including parkinson’s.

“We may disregard someone with facial masking because their facial expressions, or lack thereof, go against our social expectations. Also, it can be difficult to trust verbal communication when the facial expression doesn’t match the sentiment,” a daughter wrote in a blog post about her father’s Parkinson’s and the flat affect (or “facial masking” he experiences as a result).

As if literal communication hurdles weren’t challenging enough for people experiencing this, “flat affect” is also being tossed around online as an insult. A search on Twitter delivers pro-gun activists claiming Parkland survivor David Hogg has a flat affect, as well as critics speculating that Sarah Huckabee Sanders has it. Of course, these mentions are politically loaded and mired in the stigma that surrounds mental illness, but they do raise an important point: people can appear flat, either intentionally (say, when speaking about emotionally charged topics in the public eye) or as a feature of their personality (a tendency toward seriousness, for example).

Another painful reality is medical treatment that itself comes with flat affect as a side effect. A paper published in International Journal of Bipolar Disorders concluded that antidepressants such as SSRIs can cause emotional blunting and so can antipsychotics, according to a study by the Department of Psychiatry at Stellenbosch University and published in the journal PLOS ONE.

Bethany Yeiser experienced this. Her mother, Karen Yeiser, a nurse and author of Flight From Reason, a memoir about her daughter’s mental illness and recovery, told Glamour that within hours of Bethany taking one drug for her schizophrenia, a blank stare started to form on her face. “When she was at her sickest, with untreated schizophrenia, she was actually more animated and full of expression, much more than when she went on medication that had the side effect of flat affect.” That’s just the price you pay, she adds: “Sometimes you have to tolerate certain side effects in order to get medicine that saves your life.”

But Yeiser did end up switching medications. In an email to Glamour, Karen Yeiser wrote, “Recovery was like watching her personality slowly emerge from within a dense cloud and into the light of the sun.” Dr. Lieberman confirmed that the reversal of flat affect could indicate a “measure of the efficacy of treatment.” Yeiser went back to school to earn her B.S. in molecular biology and went on to write the memoir Mind Estranged: My Journey from Schizophrenia and Homelessness to Recovery.

Others are still the journey to finding a medication that fits, and a way to move through life with this symptom. Mejied says, “I have to pay attention to my reactions to the different medications. I don’t want my behavior to change, with regards to how I’m interacting with my family and the outside world. I worry about that.” To combat her fears about how others perceive her, she says she sometimes forces herself to form facial expressions by reminding herself to try to smile back when someone smiles at her: a gesture that comes so naturally to most. “I do my best to give that same energy back to someone, but it doesn’t always come across the way that it’s supposed to.”

Kirkham says it comes down to acting, which she took classes for as a kid and now does constantly—offstage. “When I’m not depressed or manic, I’m generally a bubbly, positive, and funny person. When I’m dealing with a flat affect, I have to keep that up, both to maintain the quality of my lessons, and so that nobody catches on.” And that’s no easy feat.

“It’s absolutely exhausting to pretend I feel something when I don’t, because I’m constantly thinking about smiling, laughing, keeping my voice energetic and chirpy—it’s acting, but for eight to nine hours a day. When I finish, it’s almost a relief to let it all just slide off my face and be flat.”





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I Asked Beyoncé's Makeup Artist to Give Me Her 'Teflon Face'


The hands that touch Beyoncé’s face touched mine. I’ll explain: While coasting 10,000 ft. in the air on a private plane courtesy of makeup brand Luminess, Sir John—the makeup artist behind Beyoncé’s iconic beauty looks—did my makeup, sharing his best tips along the way. It was comically glamorous, and there’s nothing I can do to make it relatable, so let’s just acknowledge that life is sometimes ridiculous and move on.

If you caught Beyoncé’s Coachella performance (hereafter referred to by its given name, Beychella), the term “Teflon face” might sound familiar. If you didn’t, it refers to how Sir John, faced with wind, sweat, and the dance moves of an icon, beat the odds and kept Beyoncé’s makeup in place for the two hours she spent on stage. It was the be-all, end-all of makeup shellac—and for some background, I’ve never made it to the end of the day with my makeup fully intact. Ever. But if anyone could teach me how, it was Sir John. Determined not to fail him, I watched, I learned, and I put his teachings to the test.

The Technique
Looking into my eyes, Sir John spoke his words of truth: You want to layer that sh*t (I’m paraphrasing, Sir John is a gentleman). The rule of Teflon makeup is to embrace layers into your life, because if you build it, it will stick. The key is to keep the layers thin and use different textures for each one, which will keep your makeup from turning thick and cakey. Where loading on heavy foundation and blush works for people on stage who need to be seen far away, doing the same for Beyoncé was out of the question—especially given that her face was going to be shown up close on the festival Jumbotrons, and on YouTube for the rest of time immemorial.

On stage, Sir John says that Bey was wearing at least two layers of makeup on every feature. Most crucial is the order you layer products in: powder on powder equals pageant-y, while powder on top of cream is surprisingly glowy. Sir John explains that creams, when they dry down, create a lock on your skin. When you top that with powder, it seals the deal and soaks up the inevitable sweat and oil that comes with a two-hour performance. I took tap dance as a kid, so I get it.

PHOTO: Rachel Nussbaum

Touched by the god known as Sir John.

Skin
Repeat after me: cream then powder. They’re the three magic words, especially when it comes to foundation. Despite trying almost every primer out there, the acne scars along my temple always manage to peek through by the end of the day (no matter how much I moisturize, my skin eats foundation like chocolate). So it took me aback when Sir John said that on B-Day, he’d skipped primer for the show. I rarely take the time for primer, so I’d assumed that was my foundation missing link. But, nope: More important is topping your liquid foundation of choice with a powder.

I tested this tip the hardest way I knew how: Riding the subway in the rainy, early days of New York spring. My down winter jacket doubles as my raincoat, so between the sweat and humidity I feel like I got the full Coachella experience. My hair frizzed a truly incredible amount, but my Teflon re-creation—a liquid foundation topped by a pressed powder mineral foundation—had only faded around 25 percent by the time I got home from work. My scars were visible, but just barely, so it looked like I still had tinted moisturizer on. It was remarkable.

Eyes
After putting down a cream shadow base, Sir John said he pressed a mix of brown and purple pigments onto Beyoncé’s lids for her performance. This isn’t my first time around the makeup block, so as the owner of a pair of super oily eyelids, I’d tried the ol’ cream-powder duo before. No luck—it’d creased instantly. So I took the spirit of Teflon, and went a step further: A creamy primer with serious dry-down, plus a cream shadow, topped with a swipe of translucent powder on an eyeshadow brush. For liner, I went with a gel pencil, then went over it with a dark eyeshadow from the Luminess Tarot Series Eye Shadow Palette in Lover on a slanted liner brush.

I’ll be honest, it was a long time to spend on eye makeup. But it was entirely worth it: My eyeshadow typically disappears by noon at the latest, but the lengthy routine held that color to my lids through a night out dancing and into the next morning. A friend commented on how durable it was, and yes, that did feel amazing. It was all worth it, just for that.

Cheeks
Loading on two layers of blush would send my already-pink cheeks directly into clown territory, so I opted to double up on highlighter instead. My preferred glow level is “sheen when the light hits your cheekbone just right,” so the cream-powder combo took some adjusting to; she was strong. But if you really want to shine, and you want your light to be seen from football fields away for hours, this is the way to go. If that sounds a little much, I found my ideal mix is a swipe of cream highlighter and a diffused wash of powder highlighter on top. It’s soft and it stays, but if the sun hits you just right it could blind a man.

Lips
When he was demonstrating the Teflon technique, Sir John mixed a shimmery pink lipstick on me with a light pink gloss. I respect his mastery, but even with the new formulas coming out, gloss still feels too early-aughts for my matte-loving soul. Instead, I filled in my lips with lipliner, and topped with a cream lipstick. It is not news to me that lipliner and lipstick go together like peanut butter and jelly, and have since the ’50s. Still, I never do it, and now I don’t know why. I put this to the hardest lip test of all: eating an everything bagel. When I looked in the mirror afterwards, my lip color had barely moved.

The takeaway? For all the primers, finishing sprays, and waterproof formulas out there, the Teflon technique comes down to thin layers and basic science. It’s not as fun as groundbreaking new technology, but through rain, sweat, oil, and bagel, Teflon makeup holds on.

Luminess Cosmetics paid for the author’s travel and accommodations for the purpose of writing this story.

Related Stories:
This $10 Mascara Held Up Through Beyoncé’s Entire Coachella Performance
Sorry BeyHive, Beyoncé Didn’t Actually Change Her Nails During Her Coachella Performance
This Quick Contouring Trick Will Make Your Life So Much Easier

Watch Sir John Demonstrate His Secret to Smoky Eyes:





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