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How to Apply False Eyelashes Without Damaging Your Real Ones


Like riding a bike or parallel parking, learning how to apply false eyelashes isn’t a skill that comes easily. But anyone who’s mastered it will tell you it’s well worth the practice. False lashes can make your eyes look bigger and more dramatic without the mess of mascara—and for the fraction of the price of eyelash extensions or lash lifts.

But we know few things can be more intimidating than putting glue near your eye, so we called on Benefit Cosmetics makeup artist Deanna Tharp to share her expert advice. Whether you want the drama of strip lashes or the full, natural look of individual false lashes, here’s everything you need know about how to apply false eyelashes like a pro.

How to Put on Eyelash Strips

Step 1: Choose the right eyelash set for your eye shape.

While most false lash stripes will fit all types of eyes, knowing your shape can help you get the placement of your lash strip just right. There are six main shapes: monolid, upturned, downturned, hooded, round, and almond, as this video from Smashbox demonstrates.

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If you have monolids (i.e., lids without a crease), you’ll want a shorter set of lashes that’s fuller at the outer corner to open your eyes up. Otherwise, you’ll want to cut strip lashes and stack leftovers at the outer edge (like the trick seen here). Upturned eyes, or eyes that are lifted higher at the outer corner than the inner corner, and downturned eyes (eyes that slope downward at the outer corner) also benefit from more volume at the outer edge. Think of these types of sets as the “cat eyes” of false lashes.

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Hooded eyes (or eyes with a prominent brow bone that don’t show a crease when open) can be easily weighed down by false lashes, so you’ll want long, fluttery lashes concentrated just above your pupil to open your eye at the center. Individuals or shorter lash strips work well for this.

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If you have round eyes (i.e., you can see the whites of your eyes above or below your irises), opt for curled lashes that lift and enhance the curve your eye shape. Anything too dense or voluminous will make your eyes look smaller.

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Lastly, almond eyes (i.e., when no whites of your eyes show above or below your irises while looking straight ahead) traditionally are the easiest to place lash strips on, since most styles work well with this eye shape. So feel free to experiment and see which style you prefer best.

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No matter which style you start with, you’ll want to line your upper lash line with black eyeliner first to hide the base of your falsies. Once that’s set, you’re ready to apply them.





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How to Dye Curly Hair Without Damaging It


Every curly-haired woman has a curly hair horror story. It might involve going to a salon that doesn’t know how to properly cut and shape. It might have to do with a stylist getting a little overzealous with heat and causing your subsequent fear of flatirons. It might even center on someone using a relaxer to “tame” your curls a bit (yes, this happens). We have trust issues, and rightfully so. Our hair is high-maintenance and sensitive at the same time. Anything that threatens our natural curl pattern—which we’ve spent years coddling, moisturizing, and detangling—is met with a lot of well-justified hesitation.

Naturally, when I decided I wanted to get highlights recently, I experienced an unsettling combination of feelings: cautious, skeptical, and extremely nervous. Even with the research I’d done on how to dye curly hair—an essential step before any salon visit—I still had a deep-seated fear that something could go wrong.

Thanks to my extensive research, it turns out I had nothing to worry about. My biggest piece of advice from this experiment: Find a great colorist. That’s undoubtedly the most important part of the process. Below, seven more tips on how to dye curly hair that’ll ensure you walk away with perfectly colored curls.

Book a Consultation—And Explore Alternatives to Bleach

Before any color appointment, you should always book a consultation. It’s helpful to bring in reference photos, then work with your colorist to see if it’s possible to duplicate those results on your hair type. Seventy-two hours ahead of my appointment, I went to London’s 3Thirty Salon to meet with stylist and owner, Tiff J. During our consultation, she asked what I was looking for and gave me more than enough time to ask all of my burning questions. Since I was shooting for a warm caramel shade and had “virgin hair” (meaning it hadn’t been colored before), she informed me that we would skip the bleach and opt for a permanent tint instead. If I had wanted a lighter tone, though, bleach would have been necessary.

That’s not to say bleach isn’t safe; you can use it on curly hair and retain your texture when it’s applied carefully and properly. Curly girls are often told that this step can ruin our texture and the only way to save it is to cut it off. This is and isn’t true—many factors go into taking your hair from healthy to fried. For instance, if your hair has a lot of elasticity to it and you’ve been moisturizing, you’re likely a better candidate than someone who uses a lot of heat and skips their deep conditioners. Another factor is your colorist, which is why the consultation is so important. Ideally, they’ll talk through some alternative techniques with you and work out a plan to limit damage instead of immediately pulling out the bleach. If that’s the case, you might want to book elsewhere.

“[Some colorists] think any dark hair that needs to be lifted more than four shades needs bleach,” says Tiff. “That’s where people go wrong.” However, keep in mind that if you already have color in your hair and want to go cooler-toned or lighter, your colorist may need to use bleach to lift it and cleanse the cuticle.

Load Up on the Olaplex

According to Tiff, a big saving grace for women who color their hair—both curly and otherwise—has been the invention of Olaplex. “That’s our best friend,” she says. “Colors break down the natural bonds within the hair, so what Olaplex does is rebuild as much as possible. That way you don’t feel like your texture changes so much.” She mixes the salon-grade product into the color itself, then shampoos and conditions hair with the rest of the range.



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Ashley Judd Sues Harvey Weinstein for Allegedly Damaging Her Career


Yesterday, actress Ashley Judd filed a lawsuit against former movie mogul Harvey Weinstein alleging that her career was damaged by lies he spread against her in the Hollywood community after she rejected his sexual advances. Judd was one of the first women to come forward with her story about the producer. In October, she told the New York Times she remembered thinking of an encounter with Weinstein, “How do I get out of the room as fast as possible without alienating Harvey Weinstein?”

The Times notes that it is rare for people to recover damages in suits such as this, as they can be hard to prove. But Judd appears to have a corroborating witness on her side, Lord of the Rings‘ director Peter Jackson. Judd claims that she was being for a prominent role in the film franchise when suddenly, the talks came to an abrupt halt. She told ABC News that she went from being invited to consider two roles to “poof,” nothing. “We never heard anything back and I remember calling my agent multiple times,” Judd said.

Her lawsuit alleges that Weinstein “torpedoed Ms. Judd’s incredible professional opportunity” by falsely telling Mr. Jackson that Ms. Judd was a “nightmare” who should be avoided “at all costs.” Jackson appears to back this up in a December interview with Stuff. “I recall Miramax telling us they [Judd and Mira Sorvino] were a nightmare to work with and we should avoid them at all costs. This was probably in 1998,” Jackson said. “At the time, we had no reason to question what these guys were telling us – but in hindsight, I realize that this was very likely the Miramax smear campaign in full swing. I now suspect we were fed false information about both of these talented women – and as a direct result their names were removed from our casting list.”

According to the Times, Judd is suing Weinstein for defamation and sexual harassment and for violating California’s broadly written Unfair Competition law, which prohibits “unlawful, unfair and fraudulent business acts and practices.” Her lawyer, Theodore Boutrou Jr says, “Ashley is fighting back, but she also wants to point the way for others” and that “if this isn’t an example of unfair business practice then I don’t know what is.” Judd says that any money won in the suit will be donated to the Time’s Up Legal Defense Fund.

Weinstein issued a statement denying Judd’s claims: “The most basic investigation of the facts will reveal that Mr. Weinstein neither defamed Ms. Judd nor ever interfered with Ms. Judd’s career, and instead not only championed her work but also repeatedly approved her casting for two of his movies over the next decade. The actual facts will show that Mr. Weinstein was widely known for having fought for Ms. Judd as his first choice for the lead role in Good Will Hunting and, in fact, arranged for Ms. Judd to fly to New York to be considered for the role. Thereafter, Ms. Judd was hired for not one, but two of Mr. Weinstein’s movies, ‘Frida’ in 2002 and ‘Crossing Over’ with Harrison Ford in 2009. We look forward to a vigorous defense of these claims.”



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