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Amal Clooney Wore a Atelier Versace Gown for Her First Red Carpet Appearance Since the Twins


PHOTO: Franco Origlia/Getty Images

Human-rights lawyer Amal Clooney stepped out on the red carpet at the Venice Film Festival for the first time since she and her husband, actor George Clooney, had their twins. Named Ella and Alexander, the two babies were born at the beginning of June. Since then, the power couple has been busy—and not just with the newborns. They’ve been busy planning to open a school for Syrian refugees in the U.S., and George has been prepping for the premiere of his latest directorial effort, Suburbicon. And that brings us back to the Venice Film Festival, where Amal looked stunning. (But did you expect anything else?)

Amal paired her red lipstick, on-point brows, and vintage curls with a gorgeous full-length lavender silk dress—with a hint of peach peeking through from the last layer of chiffon. The gown itself is Atelier Versace, a line she’s worn more than a few times.

On Friday, she wore another elegant look. She was pictured leaving a restaurant in Venice with George wearing a strapless sapphire Missoni Resort 2018 gown, complete with layers of iridescent blue fringe that definitely call for some twirling.

But back to that Venice Film Festival dress: Check it out, below. Dreamy, right?

amal Clooney Venice

PHOTO: Venturelli/WireImage

So floaty!

amal Versace dress

PHOTO: Franco Origlia/Getty Images

Of course, we’ve always kept an eye on Amal’s style because it’s just so damn good. After all, she took her maternity outfits to the next level pretty much right after the couple announced their pregnancy (that dramatic red coat!).

We’re hoping to see more of the Clooneys after this first official post-baby appearance—if only to catch more of Amal’s beautiful wardrobe.

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VMAs 2017 Red Carpet: All the Celebrity Fashion From Lorde to Cardi B


Of all the awards shows, the MTV VMAs have always featured some of the year’s most OTT red carpet fashion. (Hello, Lady Gaga’s meat dress, anyone?) Anything goes on the step-and-repeat—and actually, the more outrageous, the better. In recent years, we’ve seen Miley Cyrus in barely-there Versace, Beyonce and Blue Ivy show everyone else up in mother-daughter style. The latest showing shaped up to be pretty stylish, too— click through to see all of the looks from the MTV VMAs 2017 to see what we’re talking about.



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Rachel Bloom Spends Up to $3,000 On Her Own Non-Sample-Sized Red Carpet Dresses


PHOTO: Dimitrios Kambouris

Rachel Bloom is getting real about the cost of award show season on celebrities who can’t simply borrow runway samples, as they’re wont to do. See, despite making small but necessary strides in the fashion industry, non-sample-sized celebrities still have a lot of trouble finding designers to dress them for the countless red-carpet events they’re expected to attend any given year. Because most of the gowns that make it onto best-dressed roundups are loaners or freebies—they’re usually limited to runway sizes 0 or 2—so, those who can’t fit into that limited range (and, according to the Center for Disease Control’s average, that’s most people) must look elsewhere—and, oftentimes, that means buying dresses yourself. And, according to the Crazy Ex-Girlfriend creator’s money diary on Wealthsimple, those one-off purchases add up.

When breaking down her expenses for the investment site, Bloom explained that, though the studio and network she works with for Crazy Ex-Girlfriend foot the bill for event-related hair and make-up most of the time, dressing herself for these engagements is a whole different story. “What has become apparent when I have to get clothes for these events is that I have a normal body,” she tells Wealthsimple. “A lot of fashion houses are reluctant to lend clothes that aren’t in the sample sizes of 0 and 2, so it’s getting harder and harder for me to find clothes without buying them.”

“That’s the whole problem with the fashion industry,” she continues. “My body size is literally normal and healthy, but when you put me next to a model, I look obese.” With the help and guidance of her writing partner (whom she credited with providing Bloom with a fashion education of sorts in an essay published in InStyle), the actress has resorted to buying herself her own fancy ready-to-wear and shoes for some occasions, when she can’t borrow
something to wear—though, as anyone who’s ever shopped for a formal event knows, this doesn’t come cheap. “Your typical nice designer dresses, at least the kind of stuff that I wear for events, can range from $500 to $3,000, and you want to wear a different outfit for every event because it’s a whole red carpet thing. It’s a lot of dresses.”

Bloom isn’t the only one to vocalize this unfortunate truth of dressing for the red carpet when you’re anything but sample-sized. Bryce Dallas Howard has openly talked about hitting up her local Neiman Marcus to wardrobe herself for award show season. Melissa McCarthy went as far as launching a clothing line to answer this recurring problem. Meanwhile, her Ghostbusters co-star Leslie Jones’ subtweet at all the brands that refused to dress her for the film’s press tour went viral; luckily, Christian Siriano stepped in to save the day.

“If you don’t fit into a sample that just needs a quick alteration, it’s almost impossible [to find a dress],” Ashley Graham told Glamour earlier this year. “I didn’t know I was going [to the 2016 Oscars with E!] until two weeks before, and at that point designers were already neck deep in designing custom pieces. Bao Tranchi [the designer who made the gown she wore to the red carpet] and I actually got set up by a friend who texted me, saying Bao wanted to dress me.” The timing doesn’t always work out at the last minute, though: The model recently revealed she had to sit out her first Met Gala (she was “on hold” for an invitation back in 2016) because she couldn’t find someone to make her a gown.

Bloom has developed a pretty honest, though mostly acquiescent approach to this issue, per her Wealthsimple as-told-to: “I guess it’s all part of the job. I guess if everything changes, I can always resell them.” She has poked fun at the business of the red carpet before, most memorably in a sketch for Adam Ruins Everything released last fall. Still, the fact that she’s accepted this practice as a sort of occupational hazard doesn’t detract from how much work there still is to be done—when we’re still seeing incredibly successful women, who want to look beautiful on a night meant to celebrate them or their peers (or simply have access to the same selection of garments made available to others like them!), be made to feel like they don’t have the “right” type of body. We’ve seen designers like Siriano and Tanya Taylor open their studios to these celebrities; hopefully, more will know to follow suit.

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