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Hailey Bieber Just Spoke Out About Defining Her Own Success


Hailey Bieber might be killing it at her career and happily married to a certain Justin Bieber, but that doesn’t mean she doesn’t suffer the same anxieties as the rest of us. As she opened up about in a recent interview, one of those includes having to work through the so-called “imposter syndrome” she’s felt working in the modeling industry, despite all her success.

Bieber, who graces the October cover of Vogue Australia, sat down with the magazine to not only discuss life with her famous husband but to also discuss what it’s like to be in an industry where your coworkers are Gigi Hadid and Kendall Jenner.

“My burn in the modeling industry has been slow, and I’ve had to learn to be okay with that,” she shared with the magazine about her career trajectory. “I’m shorter than most of the girls. Even though I’m 5-foot-8 [inches], I’m not a runway girl and I totally used to feel inferior to some of my friends. Look at Kendall [Jenner] and Bells [Bella Hadid] and Gigi [Hadid] … they’re all tall and doing every runway.”

Bieber with her good friend (and modeling co-worker) Kendall Jenner.

Noel Vasquez

According to Bieber, it took her a long time to come to terms with the fact that her career might take a slightly different path than her friends.

“For a while, there was a part of me that didn’t know if I could have the career I wanted if I couldn’t do runway,” she said. “I don’t think that anymore. I had so many people, like casting directors, say, ‘We don’t think she’s a real model.’”

Bieber shared that she felt disappointed about that for a long time—until she realized she could enjoy her own journey too.

“It was disappointing until I found my own lane. I don’t look short in photos. You can make it work and not have to do runway, and I’ve done a good job with that,” she shared. “I’m proud of myself for building a more commercial career that worked for me and being confident about it. I’ve hosted a show, I did major American campaigns, and a bunch of other things that I’ve really enjoyed. Sometimes I feel like I’m still finding my lane, but now I know I’m going in the right direction.”

She’s still thinking about her next projects, too: According to Bieber, she’d love to one day design and own her own collection. She’d also like to start a beauty brand if her husband is willing to lend her their last name.

“I couldn’t register it myself, because Justin owns all trademarking for his last name,” Bieber said. “Honestly, that was more about being proactive. I’m not sure how I want to dip into that space, and it’s been a conversation between me and my husband.”



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Taylor Swift Says She Didn't Really See Sexism in the Music Industry Until Red's Success


We’re just a couple weeks away from the release of Taylor Swift‘s latest album, Lover, on August 23. And in the lead-up to its release, we’re learning more and more about where Swift is at in her life—through Easter eggs left in her videos and commercials and in interviews, like her latest one for Vogue. (She graces the cover of the magazine’s September issue.)

In the interview, Swift opens up about various aspects of her career, including the shift she saw once she transitioned from a rising star in the industry to a powerful woman. When asked if she was always aware of sexism around her, Swift gives this thoughtful answer: “When I was a teenager, I would hear people talk about sexism in the music industry, and I’d be like, I don’t see it. I don’t understand,” she tells Vogue. “Then I realized that was because I was a kid. Men in the industry saw me as a kid. I was a lanky, scrawny, overexcited young girl who reminded them more of their little niece or their daughter than a successful woman in business or a colleague. The second I became a woman, in people’s perception, was when I started seeing it.”

“It’s fine to infantilize a girl’s success and say, How cute that she’s having some hit songs,” she continues. “How cute that she’s writing songs. But the second it becomes formidable? As soon as I started playing stadiums—when I started to look like a woman—that wasn’t as cool anymore. It was when I started to have songs from Red come out and cross over, like ‘I Knew You Were Trouble’ and ‘We Are Never Ever Getting Back Together.’”

In the interview, she also reveals a moment where she realized she wanted to be more vocal about her stance on LGBTQ+ issues. Swift describes driving in a car with her friend and collaborator, Todrick Hall, when he asked her what she would do if her son was gay. “The fact that he had to ask me…shocked me and made me realize that I had not made my position clear enough or loud enough,” she says. “If my son was gay, he’d be gay. I don’t understand the question.”

“If he was thinking that, I can’t imagine what my fans in the LGBTQ community might be thinking,” she continued. “It was kind of devastating to realize that I hadn’t been publicly clear about that.” Since then, she has spoken out publicly against certain political candidates and stood up for the Equality Act, along with more overt lyrics (and cameos) in her latest singles in support of the community, as well as a surprise appearance at the Stonewall Inn during Pride.

Swift explains why she wasn’t more vocal sooner, too. “Rights are being stripped from basically everyone who isn’t a straight white cisgender male,” she says. “I didn’t realize until recently that I could advocate for a community that I’m not a part of. It’s hard to know how to do that without being so fearful of making a mistake that you just freeze. Because my mistakes are very loud. When I make a mistake, it echoes through the canyons of the world. It’s clickbait, and it’s a part of my life story, and it’s a part of my career arc.”

You can read the full Vogue interview here.



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Why Ann Dowd Is Grateful She Found Success Later in Life


At Glamour’s 2018 Women of the Year Summit, The Handmaid’s Tale star Ann Dowd opened up about finding success later in life. Her story, below.

I want to tell you a brief story, if I may. When I was a young actress, 30 or so, I was on the way to my waitress job in my black pants and my white shirt and my black tie—glamour is not the word that would come to mind at all. Feminine? No. Nothing. I looked across the street and there were several limousines parked outside of the theater. And I looked at the marquee and it said, “About Last Night starring Elizabeth Perkins,” who was my classmate. I was going to wait on tables, and she was going to a premiere of her film that would launch her into stardom.

I got through the shift, and I went home on my porch, and I wept and screamed into the night, “When?!” When is my turn? And it was one of those dark nights of the soul—we’re all familiar, I’m sure. And a voice—I’m not kidding—quiet, probably from the inside, said, “It will all be fine. It will all be alright. You will be in your 50s. You will be 56.” And I said, “Oh no! No, no!”—missing the whole point of the voice—I said, “I’m not waiting until my 50s. I have no intention, so you can take that message and…”

Keep your love story alive.

Well, as it turns out, I was in my 50s, and I was 56 when I did the film called Compliance, which shifted things for me tremendously. But this story is interesting because what do you do between the ages of 30 and 56? Because, as we know, life is long. Life is short, but really life is long in that regard. So, darlings, I want to tell you a few things that I believe deeply in the hopes that it might, in some way, give you a moment to think.

Keep your love story alive—and by love story, I mean the love you have for the work that you do—for it is a pure and powerful dynamic, and it will sustain you. Pay attention and take care of it. We are here to do the work we are able to do—the work we love to do. It doesn’t mean there won’t be ups and downs; there will be plenty of them. Keep the love story alive.

For some reason, I had an unshakable faith that all would work out. I don’t know if it’s because of that voice, which I tried to stop and kill, or because I just thought, I am an actress, and that is what I’m going to do. I didn’t spend a lot of time thinking about the future. I would suggest that—a little time, but not a lot. Pay attention to where you are. Celebrate the small victories. Every time I got a role, I thought it was the greatest thing in the world. I didn’t care if I had two lines or if it was a Broadway opening, which was thrilling. I thought, Oh my gosh, someone said yes. Someone said, “I see. I agree with you. Go on now.” It’s a beautiful thing, but celebrate the small ones, darlings. It may take time.

Stay humble. Stay grateful for every single day and for all that goes on in that given day. I can tell you from experience there is nothing worse than an ego gone wild. When I see it in the business I’m in, I want to say, “Sit down a minute. Who raised you? I don’t think your mother and father thought this would be the way to go.” Darlings, stay humble and grateful. It will suit you. It will support you. Use your manners. Manners are a wonderful and forgotten thing. Use them.

I can tell you from experience there is nothing worse than an ego gone wild.

Darlings, take many trips out of your head and into your heart and soul. That is where freedom lives. That is where lack of judgement lives. And that is where hope and love thrive. It’s a very good compass, that heart and soul. Consider it as often as you can.

I mean this without any irony: I worry about your generation because you came into the world with phones and things, didn’t you? So why would know there’s another way? I could barely find the phone in our house growing up. Darlings, put them down and do so regularly. I promise you this: The answers come with the silence. In the quiet. The answers for you and the secrets that are yours alone to know come in the silence. You don’t find them in the phone or in the computer or on the television. Consider nature a very good teacher. Keep learning.

Let the world know in no uncertain times what you plan to do. When I came to New York—I’m not kidding you—I had no agent, no job. I stood in front of Broadway houses—I didn’t care who saw me—and I said, “How are you?” to the theater. “I will be seeing you soon, and I will not be in the audience. I will be on your stage, and I thank you.” I did it countlessly. Don’t obsess about the details of how. Just let the universe know, “Excuse me. I’m coming. I’ll be here in a minute. And thank you.” Gratitude. I remember those days of loneliness and despair. When I didn’t have an audition or anything happening, I would go straight to the bedroom, I would take out my monologues, and I would do them. And I would remind myself in the mirror, “You are an actress, and you are in charge of your life.” It is not for others to say—no, yes, anything—you are in charge. That is the gift you came into this world with.

It is not for others to say—no, yes, anything—you are in charge. That is the gift you came into this world with.

Here’s the last thing I want to tell you, and I think it’s the most important: You do not have to be the best. That’s a whole lot of pressure, darlings. Say no to it. The last thing I’m going to do is read you a beautiful poem, and if you could think about when you have time. It’s called The Wild Geese, and it’s written by Mary Oliver.

“You do not have to be good. You do not have to walk on your knees for a hundred miles through the desert repenting. You only have to let the soft animal of your body love what it loves. Tell me about despair, yours, and I will tell you mine. Meanwhile the world goes on. Meanwhile the sun and the clear pebbles of the rain are moving across the landscapes, over the prairies and the deep trees, the mountains and the rivers. Meanwhile the wild geese, high in the clean blue air, are heading home again. Whoever you are, no matter how lonely, the world offers itself to your imagination, calls to you like the wild geese, harsh and exciting—over and over announcing your place in the family of things.”

I wish you, from the bottom of my heart, all the very best. Thank you.

Find out more about Glamour‘s 2018 Women of the Year here.

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