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Benefit Cosmetics Brow Contour Pro Review: How to Get Full Brows


When will nineties nostalgia peak? The decade is being revived in everything from fashion (see the return of stretchy Steve Maddens) to TV (Sabrina, Buffy, and Charmed are all getting reboots) to hair (scrunchies!)—and now they’re coming for our brows.

Sorry, is that triggering? Let me backtrack: You remember those clicky pens all the cool kids had in school? You’d fidget all of homeroom by pushing down a clicker to change the color of your pen? Well, Benefit Cosmetics is resurrecting them, but instead as a brow pen to more easily help you get that perfect, full-looking Insta brow. Divisively skinny brows aren’t back. Yet anyway. If they do return, you’ve got Rihanna to blame.

Available at Sephora starting today, the Benefit Cosmetics Brow Contour Pro comes in five shade ranges, each comprising four products in one tool: a lighter and a deeper filler shade, a highlighter, and an edge definer. The idea behind it is based off the brow contouring or “carving” technique most Instagrammers use to get that ultra-precise, ultra-thick brow. But instead of needing to deal with multiple brushes, products, and concealer, you can achieve with a single pen.

Brand reps recommend choosing your perfect color based on the definer shade, which should be just slightly lighter than your skin tone. The key is to start off tracing the shape of your brow from corner to tail with the light shade, fill, then add dimension with the darker shade. A little goes a long way (and the formula literally lasts all day), so you don’t want to go too heavy. Personally, I’d fill in a couple strokes and then blend in the color with a spoolie. Next it’s definer time. This is where the “carving” technique comes in: this more or less involves tracing directly under your brow with the definer shade to sharpen the line. Last up: the highlighter, which you want to put just under the arch to make the shape appear more sculpted.

Benefit’s already got a strong knack for brows. Its Gimme Brow gel has long topped the best-seller charts in the brow category (far before Boy Brow was thing), while you’d be hard-pressed not to find one its pencils in most makeup pros’ kits. What makes this tool so interesting, though, is that its’ consistency is neither a marker, gel, nor pencil. Rather, the product goes on like a pomade that’s meant to be blended.

Navigating the pen isn’t quite as intuitive as writing with them was. Despite being lightweight, it feels a little bit clunky to trace with at first, and I wish it came with a built-in spoolie. But its ease for travel more than makes up for it, and getting the motions down is pretty easy after a few initial test runs. Plus, it’s fun as hell to click and twist all day. What can I say? I’m a sucker for nostalgia.

Benefit Cosmetics Brow Contour Pro, $34, sephora.com

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Health

This Contour Powder Is the Only Thing Keeping Me From a Nose Job


Everyone has their insecurities. That’s the truth we must cling to to get by, but when I was in high school, it didn’t feel like I was being insecure about my nose. It felt like the simple fact of the matter: I had a big nose with a bump at the top of the bridge, and I hated it more than anything. Nothing would convince me I wouldn’t benefit from a rhinoplasty, not my mom saying she liked my nose (“well, I don’t,” I would acidly shoot back), not my friends saying it was fine or I’d grow into it, not the tons of photos I took of my profile so I could analyze just how big and bumpy it really was. And then, at my first beauty internship, I was organizing products one day when I found it: Kevyn Aucoin’s Sculpting Powder, the only thing that’s kept me from taking the plunge all these years.

To understand the magnitude of how good this powder is, you have to understand how much I loathed my nose. It looked okay when I looked in the mirror and automatically widened my eyes and raised my eyebrows (everyone has their “mirror” face), but when I smiled in photos, my nose dipped and spread and kept me from seeing anything else. I’d get a sinking feeling in the pit of my stomach when I was tagged in photos, so I avoided them. I started second guessing which was the “truth,” what I looked like in the mirror, or what I looked like in photos. The latter seemed more real, and it began to feel like surgery was the only way out from this problem I was sure I had.

All through high school and college, I set my sights on wearing down my parents until they saw from my point of view. It didn’t matter that one of my only memories of my grandfather revolved around my nose—toddler me demonstrating my very unique talent for touching my tongue to my nose (that dip pays off in one way and one way only). It didn’t matter how anyone else felt about my nose, because I felt powerless. I just wanted to like my smile. It didn’t feel like a huge ask, to look happy without hating myself afterwards, without facing the disappointing truth of what I looked like to everyone else. Maybe it was greedy, but I wasn’t satisfied with just looking “cute,” which I thought of then as the B+ of beauty. I wanted powerful, leading lady beauty, the kind of face that no one could say no to (therapy has been helpful for untangling this toxic link).

But when I picked up the Kevyn Aucoin powder, a world of opportunities spread before me, much like my nose. Contouring was just taking off, so it wasn’t yet at the intimidating level where every palette came with a million shades and a color corrector. Instead, it was simple. I dipped an angled contour brush into the powder and sucked in my cheekbones, dusting the powder in the hollows created by my fish-face. After watching a few YouTube tutorials, I was ready for the big leagues. With the barest layer of powder on my brush, I dusted it on the underside of my nose. If you don’t know what you’re looking for, you’d never notice it. But to my over-sensitive eye, it’s transformative.

PHOTO: Rachel Nussbaum

Before on the left; after on the right.

Where my nose by itself may always strike me as owl-y, after shortening my nose with a visual trick I can feel my self-esteem level up. Granted, these days I’m getting better at accepting myself (again, thank you, therapy), but on the days I want to really feel myself, it’s always and forever my last step. I’ve tried other contour products, and most will work in a last-minute duck into Ulta or Sephora. But on my very fair skin, the Sculpting Powder weaves the perfect illusion of a shadow, and comes in shades both a notch lighter and darker.

But I’ve never been one to accept good when better could exist, so after a few years spent with the Sculpting Powder by my side, I still booked a free consultation with a plastic surgeon. When I described what I was looking for—my nose, without the downturn that comes from that smiling motion—he said it might be doable, but such a small change wouldn’t be worth getting the procedure. It wasn’t quite the answer I wanted, but for now, I’m happy with my on-the-go powder. With three years between us and barely a dent in the pan, I’m not paying $20,000 for a nose job anytime soon.

Kevyn Aucoin The Sculpting Contour Powder, $44, sephora.com

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Health

How to Contour: This Easy Contouring Trick Will Make Your Life So Much Easier


In theory, contour seems like the dreamweaver of beauty techniques. A dusting of powder under your cheekbones, a slight shadow on the side of your forehead, and if Instagram is to believed, just like that you’re a sculpted piece of artwork with cut-glass features. In reality? No. Contouring: Game of Shadows sounds like a YA franchise, but it’s on the money—this stuff is hard. So when I sat down in a makeup artist’s chair at an Artis event a few weeks ago, I was determined to leave with her most basic, dumbed-down, 100-percent-can’t-mess-up contouring trick. What I learned: contouring’s golden rule is legitimately foolproof.

According to makeup artist Liani Reyes, the trick has actually been in front of us this whole time. Just by force of habit, I used to follow classic Instagram vlogger protocol and suck in my cheeks before dusting contour powder in the hollows (you know, the “fishy face” method). While that helps with general placement, Reyes says the technique actually has most people extending their shadow too far forward, which is how contour veers from believable into the land of, “ah, everyone can see I tried to do this and failed.” You wouldn’t naturally have a shadow fall super far down your face, so when you do, it loses the placement that makes contouring convincing. Not trying to say “we’ve been lied to,” but fishy face: how could you?

The rule Reyes lives by instead is stupid easy. Pull a fishy face again, and ready your contour brush. Then, sweep your powder into the hollow under your cheekbone, but stop blending directly below where your eyebrow ends. Done. It’s just that easy. As Reyes explains, the imaginary eyebrow barrier is like a bowling lane bumper for your contour. And I can confirm: after using the technique for a few weeks, I haven’t looked like I have dirt on my face once. I look like I have cheekbones, and it’s not stressful. It’s incredible.

As for what contouring product you choose, I’m ride or die for Kevyn Aucoin’s The Sculpting Contour Powder, which hits the ideal gray-toned brown to look like a shadow on my cool skin. In general, makeup artists like Sir John say that your contouring product of choice shouldn’t be more than two colors deeper than your skin tone. Light to medium complexions should look for taupe and similar gray brown shades, while women with dark skin tones should go warmer and pick up slightly reddish options like Benefit’s Hoola Cream-to-Powder Quickie Contour Stick.

Deciding between textures, it’s your call. Sheer-leaning powders like the Aucoin are good for beginners, while creams are more dramatic if you’re heading into a night of dim lighting. Whichever product you go with, rest easy: with your eyebrows to guide you, it’s tough to mess up.

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