Category Archives: TV & Movies

On the Beach at Night Alone

The inert Korean drama “On the Beach At Night Alone” is a prime example of why personal art isn’t necessarily good art. Writer/director Sang-soo Hong (“Right Now, Wrong Then,” “The Day He Arrives“) has taken his real life extra-marital affair with actress/frequent collaborator Min-hee Kim, and created a painful series of talking points that never coheres…

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The Star

You know what would make the Nativity story so much better? Wise-cracking animated animals that save the day—or so the creative team behind this holiday-themed family flick thinks. The critters apparently have waited far too long to be hailed for their participation on that special night. That appears to be the motivating factor behind “The…

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Sweet Virginia

In his 1956 essay “On A Book Entitled Lolita,” Vladimir Nabokov recounts both the imaginative origins of his groundbreaking novel and the difficulty he had finding a publisher for it in the United States. One rejection suggested that Nabokov recast the novel’s action in “short, strong, ‘realistic’ sentences;” Nabokov’s imagined examples still stand as hilarious,…

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“Porto,” a film about the emotional aftermath of a powerful one-night stand, is a poetically assembled tale of lust, obsession and nostalgia. It aims (maybe too obviously) to be a modern version of one of those mid-twentieth century European Art Cinema classics in which beautiful people with beautiful clothes sit in beautiful restaurants and bars…

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Jim & Andy: The Great Beyond

There were rumors for years about Jim Carrey’s behavior on the set of Milos Forman’s “Man on the Moon”—stories that he never broke character, either as Andy Kaufman or his alter ego Tony Clifton. Twenty years after the production of that film, Chris Smith (“American Movie”) has directed a very unique behind-the-scenes study that doesn’t…

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Roman J. Israel, Esq.

“Roman J. Israel, Esq.” looks like prime Oscar bait. It has the glow of nobility and importance emanating from every frame courtesy of Robert Elswit’s cinematography. The screenplay by writer-director Dan Gilroy is filled with dialogue about civil rights, the prison industrial complex and the common man. And its lead actor’s famous good looks have…

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