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Category Archives: TV & Movies

Holler

Nicole Riegel’s debut feature “Holler” is a film to treasure—an intimate drama about family and work, steeped in details that can only have been captured by a storyteller who lived them. It follows a tough, resourceful high school senior named Ruth (Jessica Barden) whose family struggles to survive in a dying industrial community, and who is torn between leaving town to take…

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RogerEbert.com Hosts Inaugural Black Writers Week to Showcase Film and TV Critics, Equity Thought Leaders and Groundbreakers in Diverse Fields

RogerEbert.com, the world’s preeminent destination for movie criticism, commentary and community, amplifies the voices of Black storytellers in its first Black Writers Week, June 14–20. The event includes reviews of 14 films by a diverse slate of film critics, profiles on five inspiring leaders in an array of professions and three virtual panel discussions focusing…

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Skater Girl

The first time young Prerna (Rachel Saanchita Gupta), a teenage girl living in a small village in Rajasthan, steps on a skateboard, wobbling for balance as she careens down a short dusty slope, her face explodes with joy and exhilaration. Her happiness has more in it than the simple joy of discovery. What you see…

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Don’t Leave A Stranger: Nicole Riegel and Jessica Barden on Holler

In coming-of-age drama “Holler,” a young woman named Ruth (Jessica Barden) struggles to escape her economically ravaged hometown of Jackson, Ohio, where dead ends are piling up.   With older brother Blaze (Gus Halper) preoccupied by their drug-addicted mother (Pamela Adlon), who’s in jail, Ruth knows her options at home are limited, especially as more factories…

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Infinite

I’m sure Mark Wahlberg, Chiwetel Ejiofor, and Toby Jones signed on to Antoine Fuqua’s globetrotting Sci-fi action flick “Infinite” with the best of intentions. On paper, the premise sounds like a killer idea: Reincarnated warriors locked in a centuries old war work to save humanity. On one side lies the good guys, the infinites. On…

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AMC’s Kevin Can F*** Himself Experiments with Sitcom Form to Mixed Results

The American sitcom has been built on the shoulders of childish husbands and accommodating wives. Some series use those husbands to make points about gender dynamics, changing social mores, and heteronormativity (the classic “All in the Family,” the risqué “Married … with Children”), while others insist upon the idea—and expect us to do so, too—that…

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