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TV & Movies

Comic-Con 2014: Star Trek Kickstarter Film “Prelude to Axanar”

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My colleague, Nell Minow the Movie Mom, noted that Klingons
were not making their presence felt at this year’s San Diego Comic-Con. That
may change thanks to Richard Hatch and a fan film. Saturday night, Hatch and
other cast members were at a private screening for the Kickstarter film,
“Prelude to Axanar” at the Horton Plaza UA Cinema.

If you read my Demanders piece on “The Captains,” you’ll
know that I’m a fan of The Original Series. So is Hatch.

Geeks know Hatch
as Captain Apollo in the original “Battlestar Galactica” TV series that only
lasted one season (1978-1979), but was revived in a 2003 three-hour mini-series
that was followed by a weekly TV series in which Hatch had a recurring role as
Tom Zarek, a political leader.
With the screening of “Prelude to Axanar,” Hatch joins the Star Trek
family and the fan-verse of both series collide.

The 69-year-old Hatch sat down behind me at the “Prelude”
premiere, cheerfully and passionately talking Star Trek with fans. His favorite
Star Trek series is TOS and he also watched a bit of “Deep Space 9.” Moreover, he
approves of the recent reboot believing it stays true to the “chemistry of the
original characters” and moves the story lines past the 1960s conventions of …read more

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TV & Movies

Thumbnails 7/29/2014

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1.

Lucy and the Enduring Appeal of the Instant Upgrade.” Tasha Robinson weaves together a dazzling array of examples of movie characters instantly becoming heroic or super-heroic while bypassing any semblance of study, practice or other hard work. What does it mean?

“The instant-upgrade story is appealing from a filmmaking perspective because anything that lets a story skip past lengthy processes and cut straight to the results tends to be helpful for the limitations of film runtimes. When Neo becomes a martial-arts expert in The Matrix just by uploading a kung-fu module into his brain (“Dude.”), or failed fiction-writer wannabe Eddie takes a pill and turns into a genius in Limitless, the story doesn’t have to pause to deal with the passage of time, or address how an unfocused, dippy schmo got himself together enough to accomplish something time-consuming and difficult. Instant upgrades are efficient in action stories that just want to get the action rolling. More significantly, instant-upgrade stories play into the wish-fulfillment fantasy of awesomeness without effort, awesomeness without waiting, awesomeness anyone can achieve, regardless of personal limitations.”

2.

“Temple of Gloom: Why is the Second Indiana Jones Movie so Dark?” The answer, according to Grantland’s Bryan Curtis: …read more

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TV & Movies

The spark of life: James Shigeta, 1933-2014

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I wish I’d written this piece while James Shigeta was still alive; it’s best to appreciate people in the here and now. But a posthumous appreciation will have to suffice. Bottom line: Shigeta, who died yesterday at 81, was a marvelous performer, and his work as Nakatomi Corporation President Joseph Takagi in the original 1988 “Die Hard” is one of my favorite examples of how an imaginative actor can sketch out a life in just a few scenes and lines.

Shigeta was a versatile actor and musical performer. He was born in Honolulu and cut his performers’ teeth entertaining his fellow Marines in variety shows during the Korean War. He became a recording star in Japan after the war despite not speaking a word of Japanese, won first place back home in the United States on the 1950 competitive variety series “The Original Amateur Hour,” was marvelous in Samuel Fuller’s 1959 film “The Crimson Kimono,” shared the 1960 Golden Globe for Most Promising Newcomer with George Hamilton, Troy Donahue and Barry Coe, and played Wang Ta in the 1961 film version of “Flower Drum Song.” His speaking voice was a deep tenor with a hint of a quaver, as …read more

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TV & Movies

‘Life Itself’ is Being Shown at the Historic Virginia Theatre

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“Life Itself,” the acclaimed documentary directed by Steve James (“Hoop Dreams,” “The Interrupters”), returns to The Virginia Theatre, 203 W. Park Ave., in Champaign-Urbana, Illinois, from Monday, July 28th, through Friday, August 1st. The film opened Ebertfest (The Roger Ebert Overlooked Film Festival) at the venue this past April after premiering at Sundance (click here to read Nell Minow’s report on the film’s memorable Ebertfest screening). Apart from being nestled in the town of Ebert’s alma mater, the theatre has served as the location of the legendary critic’s annual film festival, welcoming filmmakers and cinephiles from around the world.

The Virginia Theater has undergone an extensive restoration by the Champaign Park District. Roger and Chaz Ebert through Ebertfest also played a role in championing the preservation of the historic venue, which hosts everything from live performances (comedian Mike Birbiglia will be there in September) to classic film screenings (Hitchcock masterworks such as “North by Northwest” and “Rear Window” will play there in October). In 2011, Ebert wrote, “The preservation of theaters like this is invaluable; such buildings will never again be constructed, and most of our filmmakers will never have seen …read more

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TV & Movies

Comic-Con 2014: Highlights From the Pressroom

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“The Maze Runner”: Yes, the filmmakers know that they face a hurdle in producing yet another teen story set in a dystopic future. “That YA label on our back is a little bit of a target,” acknowledged director Wes Ball. But this is not “The Hunger Games” or “Divergent.” It’s “very original, unique, very cinematic,” Ball said, the story of a boy about to become a man, with a “mystery that drives the movie…more of a shipwreck story about kids who have to create their own world, their own society—plus balls-to-the-wall action, kind of “The Goonies” or “Jurassic Park.” Spectacle alone is not enough without characters you care about.” But this film is “not bogged down in romance and being a teenager.” Author James Dasher said he was grateful to have been “treated like an important part of this from the beginning…The only part of the movie I hated was when it ended.”

“The Book of Life”: Guillermo del Toro is producing a new animated film about an epic quest through mythical worlds. The storyline recalls Orpheus and Eurydice but the inspiration is the Mexican Day of the Dead holiday with an international flavor that is …read more

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TV & Movies

Exploring Israel-Palestine through Movies, Part 4: Pro-Palestinian Narratives and Conclusions

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Editor’s Note: This is one person’s view with recommended films that
represent a range of perspectives as an invitation to constructive
dialogue, and we welcome respectful comments. Given the sensitivity of
the issues, we will remove any comments we find inappropriate. And we
invite other people who are familiar with the films that address these
issues to develop their own lists for us to publish.

Read the first three parts of Omer’s series here, here, and here.

In the Palestinian narrative, the central issue is their Expulsion and Occupation. Islam is part of it, as is Christianity. Religion is not, however, the dominant issue.

From the beginning of the 20th century through World War I, the British were at the height of their Colonization, dividing and conquering. Meanwhile, the once great Turkish Ottoman Empire, which ruled the Middle East for half a millennium, was in its final years.

The British were negotiating with the Arabs, promising them independence if they would revolt against their fellow Muslim Ottoman masters. This is the story of T. E. Lawrence.

“Lawrence of Arabia” (1962, David Lean)

David Lean’s monument is one of the greatest of all …read more